Exclusive articles and expert opinions written by Fstoppers’ talented team of creative professionals. Here we cover everything from the latest photographic techniques to advice on running a successful photography business, to first hand accounts of working in the photography industry.
Under the umbrella of wedding photography stands an approach to documenting weddings known as wedding photojournalism. While part of the wedding genre, wedding photojournalism leans more into its photojournalism roots, offering a more "hands-off" approach to capturing the moments of the wedding day.
We have all been there as landscape photographers: the alarm goes off, we hear rain or wind blowing against our windows, we glance at the clock, and go back to bed. But by doing so, you may miss out on unique photography opportunities! Don’t let poor weather keep you inside.
The Mere Exposure Effect is a principle first proposed back in the 1960s. It’s an important consideration for any photographer who wants to produce either popular images or push the boundaries and appeal to a smaller, more discerning audience. Your stylistic choice will impact the broadness of your photos’ appeal.
We’re no Michelangelo, and I mean, we're photographers, not sculptors. Photographers have a tough job with our medium; we work with a 2D medium. Creating depth in our images can be challenging, but we can create depth with these five tips.
Waterfall photography is often described as one of the most mesmerizing forms of landscape photography. The challenge of capturing the motion of flowing water, along with the contrast of the surrounding still landscape, can create some stunning visual effects. The use of specific camera settings, lenses, and filters plays a huge role in the final result.
Today, I’d like to take you along on a little thought experiment. If I were to get into a magical de-aging machine and be placed in a position to restart my career all over again in 2025, which camera might I choose to take me into battle?
The Orton effect brings a dreamy appearance to an image. This effect, named after photographer Michael Orton, is nearly always added in post-processing. Wouldn’t it be wonderful to add this effect in-camera? This can be accomplished with a double exposure.
Hold on to your pocketbooks, photographers and creatives! HoneyBook’s latest price hike has everyone scrambling to recalculate their budgets. Starting February 4, the cost of HoneyBook’s Starter plan is set to increase by a whopping 89%!
Are you curious about your landscape photography? Or are you just looking for scenic views, composing a picture, and moving on? Being curious about your landscape photography can help you better understand the subject you are photographing and the world around it. Be curious.
Since the inception of digital photography, every camera marketed to consumers has had a large LCD screen. Without this screen, it is not possible to set preferences for basic camera operation, nor can you verify that you are capturing images at the correct exposure. Without a rear screen, you can’t confirm that the camera has captured an image when you press the shutter button.
It’s easy to feel nervous about the logistics of a corporate team shoot—what will the space be like? How do you light each person consistently? The reality is that the lighting in an office can be harsh and unflattering—overhead strip lighting is no one’s friend! And space can be really tight. So, I always bring some extra lighting in case we can’t use window light and some compact equipment. Versatile and portable kit is handy here, so I leave my large lights at home and pack light.
About four months ago, I downgraded my phone. I went from what would be considered a more photography-oriented phone, the iPhone 14 Pro, to the less photo-feature-rich iPhone 13 Mini. I don’t miss the photography pieces of the phone at all, and I’ll bet you won’t either.
Fact: Depth of field will remain constant across all formats and focal lengths as long as the aperture and the image size remain the same. There are several factors that determine how sharp, or not sharp, an image may be. One of those is depth of field, and another is the movement of the subject matter that occurs while the shutter is open. Here, I will discuss depth of field.
In an era dominated by social media algorithms and fleeting engagement, photographers often struggle to reach audiences in any meaningful way. With established social media platforms at saturation point, it’s become harder to reach the people who follow you, let alone new audiences.
Professional photographers devote themselves to capturing once-in-a-lifetime moments, visualizing concepts for commercial campaigns, and solidifying narratives that clients want to preserve or convey. However, in the hustle of meeting deadlines and the relentless pursuit of aesthetic innovation, many photographers neglect the realm closest to them: their own personal lives, families, and close friends. The tragedy lies in the missed moments—fleeting childhood phases, subtle changes in loved ones, quiet personal milestones—that deserve the same careful attention and expert composition as any commercial assignment.
I have always been a person who works smarter, not harder. Now that AI is everywhere, I’ve started to see where I can benefit from its use. This made me think: Can I leverage ChatGPT and ask it to help me create adjustment settings for Lightroom based on an idea?
No camera is perfect, but for me, the Sony a9 III is pretty close. Unfortunately, there is one problem that's holding this camera back.
Photobooks are still strong in a digital world where nothing seems tangible, especially photographs. Whether you publish through a traditional publisher or self-publish, a photobook is a great way to take your photography to the next level and print your work.
The impact of a photography workshop doesn’t end with the last official event. If you continue to engage with the lessons and inspiration you gained during your time there, you can allow them to shape your photographic journey in meaningful and lasting ways.
In a world where AI is becoming more prevalent, advancements in editing software, and a time when cameras have become more accessible than ever, it poses a question: has photography become too easy?
Photography is an art form that often demands more than creativity; it requires courage, perseverance, and sometimes a willingness to take life-altering risks. Over the years, some photographers, including even myself, have ventured into jaw-dropping locations to capture images that defy both logic and limits. These stories are a testament to the lengths artists will go to for the perfect shot.
If you’re into landscape photography, shooting with a purpose can help you capture special photos. Why not set such a purpose for 2025? I suggest capturing twelve different natural phenomena. Of course, you can make a list of your own as well.
Oftentimes, when we talk about creating better images in photography, the conversation begins with compositional rules such as the rule of thirds, the golden ratio, leading lines, and so on. These guidelines serve as a good benchmark for discussion and a way to introduce structure to what can otherwise feel like an abstract concept.
Attending a photography workshop is about more than simply showing up with your camera. It’s up to you to maximize the experience and ensure it’s valuable for you.
A photography workshop provides an immersive opportunity to dedicate an extended time to your photography. But before embarking on the journey, you’ll want to prepare yourself so that you make the most of the experience.
Composition is one of the most crucial elements in photography. It’s what gives your images balance, depth, and impact. Even the most stunning landscape can look flat and uninspiring without good composition. In this article, I will go into the fundamentals of composition and explore how I use different techniques to create visually captivating landscape photos.
When it comes to digital photography, I think editing is as important as the darkroom was for film photography. But now, we have a lot more tools at our disposal.
Europe has some of the most beautiful cities and architecture, and I share five of my favorites in this article.
The interplay between composition and exposure is crucial. Understanding how these elements work together allows us to create images that are not only technically accurate but also emotionally compelling.
In other words, composition and exposure are interdependent. We can enhance our visual storytelling by examining how these fundamental aspects of our art collaborate. In photography, we can change the amount of light that exposes the picture by adjusting the light source, the aperture, shutter speed, and ISO. Each of these affects the composition.
The marketing battle between the big camera manufacturers is irrelevant. A far older and more important disagreement that has raged since the dawn of our art is as relevant today as ever. Where do you stand?
My photographs are hardly ever representative of objective reality, but they are representative of my vision, my artistic interpretation of the scene. In this article, I will talk about why I made a particular photograph, what was done in the camera, and then what I did in the darkroom to realize the finished image—or at least the image as it is right now. Realizing that I hardly ever reach a final conclusion on a photograph, especially when I am working on it in a wet, traditional darkroom, everything remains a “work in progress.”
As photographers, we often focus on capturing the perfect shot, editing it meticulously, and delivering polished galleries to our clients. But in the midst of digital workflows and online galleries, there’s one thing that consistently surprises and delights wedding clients: instant prints.
In our never-ending search for the perfect camera, we often bandy around a common term to describe the ultimate in performance: flagship. But what really is a “flagship” camera?
When I began photographing the landscape, the only option was using film, either black and white or color. When using black and white film, most of us used the Zone System or a derivation of it. Even those who cursed it as being too constrictive—it is not—or some kind of voodoo (again, it is not) were using this type of system in some way.
When even a compact tripod is too large, photographers don’t have many options for supporting their gear outside of tabletop tripods. In that narrow market, the offerings can feel gimmicky or cheap. In contrast, Leofoto’s MT-04 brings their CNC-machined aluminum build quality and feature-rich ball head to the smallest total tripod package I’ve tried.
Photographing the landscape can be hard work, at times very hard work. It entails rising well before daylight in most cases and working in sometimes very harsh conditions. Most of the time, you will be out in the woods until well past dark, waiting for just the right moment, which may not come—even after your most valiant efforts. It makes sense, then, to do everything you can to stack the odds in your favor. Here are some thoughts on that.
You’ve got your new upgraded camera, maybe a new lens, and Santa delivered a cool new magnetic filter kit. Now you’re all set this year to take sharper photos, faster, without reflections. But is this enough to help you become a better photographer in 2025? Spoiler: No. It may actually make you a worse photographer.
Do you ever get tired of manually searching for, tagging, culling, and organizing your images? I can relate.
As photographers grow more familiar with their gear and solidify their preferred approach, it’s easy to fall into comfortable, well-trodden patterns. We often return to the same focal lengths, shoot the same subjects, rely on the same post-processing techniques, and compose images according to established habits. While there’s value in refining a signature style, there is also a risk of stagnation.
Isn't it great to have a crystal ball to tell us our future and what's around the next corner? Unfortunately, there is no such thing, and we must live life, make mistakes, and move on. I wish I had one, especially when I started my photography journey. Here are five things I had to learn the hard way.
For the past few months, you have been dropping subtle hints to your family about the camera you would love to own, and you have also been dreaming about your first shoots with your much-desired new camera. Christmas morning arrives, and the excitement of opening that box under the tree is palpable. It finally arrives in your hands; you tear open the wrapping paper and open the box, only to discover some socks and a knitted sweater inside. All is not lost...
I have had the opportunity of working as an Artist in Residence for the National Park Service four times. The last residency was for Buffalo National River in Arkansas. In the spring of 2020, I got a call from one of the managers for the National Forest Service in Wyoming, wanting to know if I would be interested in coming to Wyoming to do a residency there in Bighorn National Forest, which I was glad to do. So, in early September 2020, I loaded up my gear into my Bronco and headed to Wyoming!
Creativity is often tied to a photographer's success. Many approach it incorrectly and wonder why their photography fails. Here's how to approach creativity, freeing yourself from the mundane images everyone else shoots.
The turn of the new year is the perfect time for reflection and renewal. For photographers, this moment can be used to evaluate the practices that either propel creativity or hold it back. As we step into 2025, I’m taking stock of the ways I work, create, and connect, making conscious decisions about what to carry forward and what to leave behind. Here’s my roadmap for growth and fulfillment in photography for the coming year.
The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2024, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.
I’ve noticed that dramatic photos, full of bright colors from a sunset or a scenic view, get the most likes on social media. People aren’t liking the photographer’s skillful technique; they’re liking what they’re seeing—the colors, the location, etc. Of course, many of these photos are taken by photographers solely because of the colors or the view, with no other reason.
Landscape and street photography, in particular, saturate social media feeds, and most of the photos are simply nice views, vibrant colors, or dramatic, high-contrast lighting. Then there are those who...
OK, that sounds a bit dramatic, but hear me out. At the beginning of 2024, I was looking for a community offering a weekly photo assignment, and I came across 52Frames.
In years of covering product announcements and trends for Fstoppers, I’ve observed a camera industry caught between reverence for its storied past and the gravitational pull of an ever-shifting technological landscape. The last decade has introduced mirrorless revolutions, ever-higher resolutions, astonishing autofocus gains, and previously unthinkable low-light capabilities. Yet it’s clear that technical specs alone no longer guarantee relevance.
In the digital age, information flows at speeds and scales that are unprecedented in human history. Social media platforms, digital news outlets, and personal devices collectively serve as both mirrors and engines of cultural discourse. Within this vast ecosystem, a new frontier has emerged: synthetic media or AI-generated media. And with its advanced outpacing our ability to corral its impact, we are headed for trouble.
