Fstoppers Original Articles

The value of video production in today’s fast-paced environment should not be understated. In fact, many would argue that anyone hoping to make it as a photographer in today’s world better know how to shoot video in addition.

When I chose to move beyond candid snapshots of my friends and family and actually asked them to sit down for formal portraits, my approach to everyday photography changed. Candid moments are wonderful, but practicing your craft with the people around you both helps hone your skills as a photographer and leads to precious moments with the people you love.

A great way to hone your videography skills is to get frustrated while editing video. As you may know, there are plenty of ways to get frustrated while editing. For example, let’s say you want to include a particular clip in your sequence. When you try to use the shot you realize that the videographer didn’t hold the shot for long enough, and now the clip is too short to use. Or maybe you want to use a shot that was completely ruined because a bug landed on the lens. These frustrations make you think about the shooting process. Below are a few of my favorite editor-friendly tips to consider while shooting.

We are photographers. We are not a bunch known for a lack of opinions. By and large, we know (or think we know) what’s good and bad and aren’t shy about telling others just how qualified our own personal greatness makes us to pass judgment on other far inferior work. Yes, I’m generalizing to make a larger point. There are as many different types of photographers as there are different types of people. And, if ego sits on one shoulder, its distant cousin humility stands firmly on the other, grasping tightly to the other end of the rope in an endless game of tug of war. But knowing when to pull, and when to offer slack, from one side or the other can be the secret to both successful shoots and successful creative relationships.

Is this an age-old debate? Probably not, but I hear many voices touting the need for photographers to self-promote in order expand their client base. At the same time, I get many invitations to networking events for photographers with the intention of building their businesses. Are these the same thing, or not

You may want to stand as you read this. You see, there’s something about the digital photography workflow that keeps us glued to our chairs and fixated on our computer screens. We lean forward to check details and slouch in our chairs as the hands on the clock make their way around their enclosure. This practice could be described as addicting and we long to create a final image to share with the masses, however our bodies suffer the consequences of said practice without us really ever taking note of its aches and pains — our body’s subtle reminders that we’re humans and that we're meant to do much more than sit at a desk all day.

One of many changes and improvements contained in the upcoming iOS 11 update for iPhones and iPads is the ability to add effects to Live Photos. The three effects — Loop, Bounce, and Long Exposure — can be applied easily with a quick swipe and a tap in the Photos app. Here’s what you need to know.

Makeup artists can be indispensable to raising the production value of a photoshoot. They make models fit the brief, they introduce important elements to the color palette, they make clients feel fantastic, and they bring the magic to conceptual photographs. Not all makeup artists bring the same value to the table though, so it's important for photographers to consider a few key elements before hiring an artist to their team.

Almost all of us want to improve our photography. Regardless of whether you are a hobbyist, aspiring professional, or if you have been a pro for several decades, there's always more to learn. Creating better images should always be at the forefront of our mind. It doesn't matter where you are in your photographic journey or what genre interests you, here are five things that I think can help to improve your photography.

As a dog photographer, one critical post-processing skill is the ability to remove leashes from your images. It is often the single most time-consuming step of editing your dog portraits. I have tried many techniques for removing leashes, and I find this one to be the fastest while producing great results.

Our friends at ViewBug are proud to present the Earth First contest series. These contests awards top-end gear that was lovingly used by another creative individual. Providing high-quality, pre-owned prizes puts less strain on the planet, and allows ViewBug to offer even bigger prizes. Classic win-win!

There are many variables that play a part in the career of a successful photographer. While some of these elements are completely out of your control things like your lifestyle and outgoings are not. If you want to maximize your chances of having a successful career you may need to make a few adjustments before it's too late.

A few days ago, Lee Morris wrote up a story about fellow Fstoppers Writer Andrew Richardson's unfortunate circumstance after he came back to the first home he purchased just three weeks before Hurricane Harvey hit only to see it completely flooded. A contractor told him it would cost at least $50,000 to repair the home that Andrew had already started remodeling with his wife, Desiree, to make it their own. We're a photography website, so it seems only fitting for me to try and help by letting you rent film cameras through Film Objektiv while helping Andrew at the same time.

Let's be honest, regardless how creative you may be we all have our highs and lows. In the field of photography, creativity should be an essential part of why we started. Our passion needs to be unleashed. Here are some ways to help you unlock your creativity.

It was my first wedding to shoot and I had never shot one before. I get stressed out really easily, so doing this was a bad idea for me all the way around. I missed shots, I missed a set of groups, and my lighting for the reception was terrible. On top of not having a clue on how to get a proper exposure for a wedding and what images were important to the couple, I delivered full-resolution files on a plethora of disks that caused more confusion than good. Today, I'm using online galleries provided by Pixieset and flash drives for file delivery.

We all love a good composite, don't we? C'mon! You're probably going "No! They're all fake. It's all Photoshop, therefore it should be easy and shouldn't be a genre of photography at all! While some bad composites do exist, why not look at the other side of Dali's surrealistic, time-melting deserts and analyze the way it makes you feel when you study these types of images? How about we dive into the rabbit hole head first and find out what it takes to create a composite image?

I'm not a strong supporter of business cards nowadays. It's not because they don't do any good, but because most people are throwing them in the trash bin without even visiting your website and seeing what you do. Despite of that it's good to have some in your pocket. Here is my solution to using a special type of business cards that your potential clients may not throw away.

If you ever feel like you're stuck in a creative rut, or having a hard time progressing in your field, know that you're not alone. Any professional photographer will tell you about all of the failures and challenges they had to overcome in order to reach new heights. This video shares a brief look at some of the struggles faced by seven leading photographers, as a trailer for a new season of podcasts from PRO EDU.

The internet and information security is not a new topic, but it's a great time to review your security settings. It usually takes a catastrophic event to cause people to take it more seriously. The alleged Instagram hacks that have been reported are a great wake up call.

This entire summer for me has been hectic. Doing photography full time at the age of 23 is certainly awesome, but there is so much stress and hard work that comes along with it. Between work and my personal life, it has been extremely difficult to balance out my time to create my own content, but in no way have I let that slow me down. This summer alone, I have been out to so many places creating new content and I think that this is honestly the most important thing we can do as creatives.

As photographers, we may not always think about taking pictures of ourselves, but having a current headshot is extremely important. Think of it as your own personal little billboard that allows people to see your ability as a photographer. After all, if you don't have a good picture of yourself on your website, what would make anybody believe that you can take quality pictures of anyone else?

Today, I’d like to talk about three key elements that I feel make up each and every photograph we take. Of course they are not the only elements, but I feel that they are the most important. Specific shoots, like fashion or automotive commercials, require all sorts of preparation and specific skills. However, at the photographic level, three key elements still apply. If you consider your composition, light, and moment, you will be well on your way to making a successful photograph.

I've actually had quite a few people request that I create a tutorial for my production processes wherein I add background textures into my studio shots. I know, it has taken me forever to get around to actually putting it together, but it's here now! The tools that I will go over in this tutorial are quite handy for a variety of uses. But for this tutorial, we will specifically use them to select and mask the background in a studio portrait shot.

While Taylor Swift’s gorgeous looking revenge-fest music video to “Look What You Made Me Do” continues to break streaming records across the Internet, I’d like to shine a light on some of the lesser-known music videos that have stood out over the last few months that don’t demand the eye watering budget of a Swifty vid.

In the boudoir industry it is a main priority to help the client feel confident and empowered. Some clients prefer the high-key fashion look associated with strobe work and solid backdrops. For those clients who prefer the anonymous images, Chris Nelson guides you through how low key images highlighting just the curves while shadowing the mood can help your clients make the decision for that large fine art wall piece.

As a former computer scientist, I’m all about finding efficiencies in my workflow and making my life easier. Some people might call it laziness. Logically, after years of shooting with a traditional DSLR kit, I was ready to ditch it in favor of moving to a small and light mirrorless set up. However, no other camera body appealed to me as much as my Nikon bodies for professional shooting. The combination of the great grip and ergonomics, fast and accurate autofocus system, solid battery life, and great image quality makes them a delight to use professionally. I didn't want to let go of the camera bodies so I decided to try something else first…

Los Angeles photography studio Kremer Johnson has come up with a unique idea for their latest personal project. The series features such impressive portraits you will immediately think you should know the subject. The thing is you don't; the photos are just that well done. All the models are simply people who responded to a Craigslist ad titled "Characters Wanted," agreeing to be compensated $20/hour for their time. I reached out to Neil to find out more about this brilliant idea.

Nikon Ambassador Dixie Dixon got the chance to shoot with a pre-production D850 for a few days. She used a few fashion shoots to break in the D850 and shared some of those images with us here, explaining her experience "shooting in beast mode," as she called it in a recent live stream with B&H.

So I'm just going to come right out of the gates swinging and put it out there; dedicated Facebook business pages are not relevant anymore. The year is 2017 and Facebook has evolved into one of the most efficient advertising machines out there, giving users the opportunity to spend money at every glance. In doing so, it has become the same old commercial that everyone hates and has destroyed the need for a Facebook business page at all.

I’ve been to the New York State fair for more years than I can count. It’s a great time. There are carnival rides, animals, music, and lots to photograph. Oh, and of course, corn dogs. But in recent years, I’ve found myself carrying less and less photographic gear to the fair and just enjoying the moment. Except that I wasn’t really enjoying the moment because I wasn’t making photos. That's why this year I decided to challenge myself to make different photos of the same event.

Here we are, another year has gone by and we have just enjoyed the release of yet another camera that is "certainly" the most amazing thing since sliced bread. This new camera comes with promises of wondrous grandeur that are only cemented by the inevitable implication from its maker that it is the camera that will help you create truly better images than you did before. This is, of course, nothing more than marketing hype designed to get you to spend your money.

Do you remember when it was easy to trick search engines into ranking your website high for a search term? Or the time when it was sufficient to insert your keyword all over your website and you'd rank high in search listings? The good ol’ days of purchasing a domain name that was literally your top preferred search term to rank for, and stuffing your website with that same keyword and tricking Google into listing your website first are long gone and the rise of content marketing has taken over.

When I was starting out as a professional photographer, I felt I had to be all things to all people. Any work that came in, no matter what genre of photography, how boring or bizarre, I said yes. If a company came to me with a request and they said they couldn't afford my quote, I'd bend myself in to unnatural shapes to accommodate them, because some money is better than no money, right? I eventually came to the conclusion that this was unsustainable and I began to say no and to quote those awful click-bait titles, you'll never guess what happened next.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2017, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

Primarily, I'm a NYC Wedding Photographer. However, I also photograph business headshots in my NJ Studio as well. I love doing this as a side-gig that brings me extra money for practically no work at all. To be honest, I wasn't really all about it when D.C. Headshot Photographer Moshe Zusman told me I should start implementing it into my business. Seemed a bit boring and I didn't get how it would make me more money than the $10,000+ High-End Weddings that I photograph now. I was wrong.

North Face athlete. National Geographic Adventurer of the Year. Painter. Cinematographer. Filmmaker. Whether climbing first ascents or hanging off cliffs to film hallucinogenic honey hunters, Renan Ozturk's bio reads like that of five people. Fstoppers was lucky enough to interview this talented creative. Find out all about him and his process here.

Vanity magazines are a popular place for photographers to submit images to when they are looking to take their photography to the next level. Eager photographers who want to shoot fashion or beauty will scour the Internet for fashion magazines that accept submissions in the hope that these publications will be a rung on their ladder to success. Unfortunately for many photographers, rather than climbing the ladder, they’re merely wasting time and money.

When first getting started, photographers often become mesmerized but also overwhelmed by the sheer scope of learning they must do to figure out all the various new gadgets and doohickeys that they have recently acquired. Usually, this focus tends to be towards more expensive photo-related tools, while some of the seemingly trivial tools end up being cast aside with the thought that they simply aren't worth the effort and can't possibly be all that important. When I was first getting started I wish someone had given me a good shake and simply told me to spend a few dollars and pick up the following tools as they would be invaluable for the indefinite future.

I find myself in a grateful mood this week. Well, to be honest, I find myself in a grateful mood every week. Through both times of feast and famine, it is impossible to escape the unbelievable good fortune bestowed on me to allow me live on this earth, to create art, and exist in a world where I am allowed to dream. Whether you win or lose, getting to play the game is a gift and shouldn’t be taken for granted. So this week, between crafting bids, fine-tuning cold calls, and assembling moodboards, I am taking time to do a different sort of brainstorming: how can I give back to a world that has given me so much?

Catchlights are those beautiful, almost imperceptible, reflections in the eyes of your model that bring their expression to life. When photographing portraiture every effort should be made to capture this light in their eyes, but sometimes they come out so faint the impact is simply not enough. Fortunately, there is an easy fix.

The Hasselblad X1D-50c is the company's most affordable medium-format camera and represented a major shift as the world's first mirrorless medium-format camera. Hasselblad released a new firmware update that brings two new features users have long asked for: electronic shutter capture and more, multiple, user-selectable focus points. How well do these features work? I'll tell you, firsthand. While you can look out for a full review of the X1D-50c in a bit, I took the liberty of loading the new firmware update onto the camera and took it for a quick test drive.

As my grandfather would have said, it’s better to be pissed off than to be pissed on. I guess he was right in some regards. For the most part, being rubbed the wrong way never becomes comfortable, and even photographers have a breaking point.

If you try to pinpoint a single reason that the D850 is creating as much buzz as it is, it would be nearly impossible. This isn’t an amazing camera that has a singular standout feature. It’s the precisely and perfectly juxtaposed array of many new features, big and small, that culminate in the D850's success as a standout camera. Here’s a quick dive into some of the top, more obscure tricks the sold-out D850 brings to Nikon’s top line, how much they’ll really help your photography, and what limitations these features have.

Being a professional photographer is an expensive game. Even really basic equipment is hard on the pocket. A lot of us (myself included) get this nagging doubt that our current kit is holding us back. I'm also guilty of getting gear envy when I see other photographers behind the scenes shots on instagram. However, professional photography is a business just like any other and it needs to make a profit, meaning spending on kit needs to be proportionate to your profit.

I started using Syrp for time-lapse and motion control almost a year ago and I find the system very good for what it is; a way for photographers to step into motion control at a relatively low price point. The first piece of Syrp kit I purchased was their Genie Mini and having the ability to pan was a way to add more interest in any time-lapse I wanted to create. After a month I went ahead and purchased the rest of their 3-axis kit including the Syrp 5.2' Magic Carpet Long Track Slider which has been great to use. The only issue is if you want a longer slider, Syrp doesn't make a way for you to connect two of their metal sliders together. With very little ingenuity, you can connect as many metal sliders together as you'd like at a relatively low cost.

Scrolling through my Facebook newsfeed this week brought up something interesting. Dan Fable, a Manchester musician turned photographer/videographer, was offering an insane deal for bands. What’s more insane is that people weren’t taking him up on the cheap offer.

Since the beginning of time, humans have been drawn to the mountains. Naturally, if you’re a photographer and have a taste for adventure, the mountains seem like the best place to go shoot. Dramatic landscapes, beautiful colors, and natural majesty of the great outdoors is the perfect recipe for compelling imagery. However, we must prepare properly and to be aware of the dangers in these places because a mistake in the mountains could be fatal. If you take the time to research and know the variables that Mother Nature presents there is no reason your shoot won’t go as planned.

In 2013, a small quadcopter flew close to German Chancellor Angela Merkel who was attending an outdoor political meeting. A year later an inebriated federal agent crashed his Phantom in the White House perimeter. Fortunately, the drone did not damage Michelle Obama’s vegetable garden, but following this event DJI implemented the no-fly zone feature on its entry-level drones. However, this measure is not completely effective to prevent rogue flights and authorities are looking for solutions to counter drones from flying in restricted areas. Let’s review the current anti-drone solutions and challenges associated with neutralizing a small UAVs.

When you rely on creativity for work, a battle with the absence of these abilities can be detrimental, especially when you’re freelance. No matter what type of creative work you do, there will come a time when you feel like your powers have dried up and you are no longer capable. It will seem like the ability to do anything is gone forever, everything you make is crap, and no good ideas seem to be coming to you. To understand this problem as universal and cyclical is a step towards understanding what it is that drives your creative abilities. There are ways to elevate past these woes and continue creating your best work. Here are five easy practices that can help you in your woes next time you are met with a creative block.

I absolutely love flying my DJI Phantom 4 Pro. This is my first quadcopter, and from talking with other pilots, the Phantom 4 Pro clearly evolved from previous generations. I am continuously implementing my Phantom in my still photography work and by no means is this a desire for obsolescence. The Phantom 4 hasn't been on the market that long and there are a ton of great accessories available that make it even better, too. This is part review of the Phantom 4 Pro and part feedback for what I hope inevitable future updates bring for so many pilots. While there is still time ahead of the next release, here is my wishlist for features that the Phantom 5 Pro might carry.