Fstoppers Original Articles

The debate whether to work for free is an old one. It’s also one that I don’t care to get into. However, for most of us, there comes a time when we do shoot something without payment, whether it be because we’re testing lighting, doing pro bono work, or we just aren’t very good at asking for what we’re worth. But what do we do with the images after the shoot?

In Part 3 of the Dramatic Beauty Portrait Tutorial, we will finally get into the first main step of the skin retouching process. Basic skin retouching involves addressing subtle skin and texture issues on our portrait images. We will not only look at techniques for skin retouching in Photoshop, but also discuss the theory behind our decision process during the retouching process. I will also show optional techniques for those looking for quicker or alternative options during their portrait or beauty retouching. In case you missed it, during Part 1 of the tutorial we went over the lighting and shooting of our image and in Part 2 we looked at the "pre-editing" process.

In just about every video I edit, during my last or second to last round of revisions I find myself having to add titles, credits, name graphics (lower thirds), and one or two other pieces of text to help explain and give context to the video. Here are my go-to techniques for cranking out decent looking graphics both quickly and efficiently.

Whenever you work with someone new, whether it’s a member of your crew or a client, there is often that initial hesitation that comes with working with someone untested. There is a question of personalities clashing, of their skill, their expectations, and how they’ll handle direction or feedback. The sooner you are able to ramp up production and start capturing photographs, the better. Here are some best practices for making the most of the first look, and setting a great tone for your next photoshoot.

Beauty photography is something that I have become drawn to over time. Setting a mood, imagining a makeup style, and finding or even creating props to fill the frame with my model’s face is something I came to love more than anything else. In any genre of photography, I feel like it is important to develop a style that is recognizable. May that be retouching, posing, lighting, or something else, if people can tell you took the picture it means you have developed a signature style. For my beauty work I wanted to create a signature lighting setup that would be easy to recreate wherever I would go, no matter the condition or the place the shoot would take place in. Here is how I created it and how you can recreate it as well to make it your own.

Are you doing well in photography? Do you have a cause you believe in? Your skills and pictures can help the world more than you might have thought.

A lot of people associated HDR with over-processed, surreal images. This is not always the case. Shooting HDR can be very useful in different circumstances. It is often seen in real estate and landscape photography and can be very useful to balance a wide range of light levels. There are many programs out there for merging images together to create an HDR photo, but one of the simplest ways to create these dramatic photographs is using Photoshop's built-in HDR Pro.

Never say never, but there are several quick reasons that make business cards with images a bad decision — even for a photographer. Every rule has its exceptions, but for most, a photographic business card is certainly not something you should automatically assume to need or even want.

A question asked very often by photographers is "How do I fix red or mismatched skin tones in Photoshop?" As with everything in retouching there's hundreds of ways to achieve the same thing. So the question you're left with is, which is the most efficient method that has the best results. Here's the top three methods known to mankind, pick the one right for you!

If you're a wedding photographer, chances are couples are also asking if you do engagement photos. The answer to this should be “absolutely!” So you’d better get good at them quick, because well-executed engagement sessions will lead to more work. But before you think about weddings, spend some time and find your style shooting couples. Here are five simple ways to improve your engagement photography.

Recently I went to New York City to do a week of headshots. As many of you know, part of my cinematic style involves shooting outdoors, but flying from Los Angeles to New York City to put this on meant I couldn’t rely on the weather. Figuring out how to translate the look and feel of my style indoors was the only way to make it a success. As I’ve had many questions about how to make this look happen inside for those that can’t always be outside, I decided to share my own experience with you.

Last spring, I got a dream call from one of the photo editors at Sports Illustrated to photograph the legendary Dan Gable, a wrestler from Iowa, and one of the most winning athletes of all time. From winning gold in Munich during the 1972 Olympics, to having coached other U.S. teams to gold after, this guy oozes excellence and passion in everything he does. I’m not one to be intimidated by people because of their status in life, but people who work as hard as he does definitely stand out to me.

In Part 1 of our Dramatic Beauty Portrait Tutorial, we looked at the lighting setup, gear breakdown, and shooting of our dramatic beauty shoot. In Part 2 of the tutorial we will now look at two different ways of exporting and preparing your image for retouching. The first method involves creating versions in Lightroom and exporting directly to Photoshop. The other method utilizes Adobe Camera Raw and the ability to make variations within Photoshop. I will also discuss the overall goal of our pre-edit stage.

Pull up almost any lens review these days and one of the primary attributes people are judging is the oh-so-important bokeh. Purchases are made and lenses are brought back all because of the how a lens does or doesn't measure up in the bokeh department. Well I’m here to tell you, at least for portraiture, it’s just plain overrated.

Last year I had an exciting opportunity to shoot what I am told is the first combined Jaguar and Land Rover USA ad campaign now that they are both under new combined ownership. The goal of the campaign was to create content that would appeal to the users of both car markers and promote brand loyalty. It was as if we were to say: "If you have a Land Rover, you need a sporty Jaguar for the ultimate garage!" (and vise versa). This campaign came together very quickly and the client had specific production requirements. Learn how I did it below and feel free to ask any question about the process in the comments section.

Not long ago, learning and critiquing photography was done almost exclusively in person. With the rise of the Internet, we saw a fundamental shift in how photographers interact with one another. Yet, even with the opportunities afforded by the web, there is so much more to gain by spending time with fellow photographers in the flesh.

In the often collaborative world of fashion and commercial photography, there are many who contribute to the final product. From the styling of the model and the brands involved, to your crew and retoucher. No fashion image is a solo act, yet there are many who will never credit those that were a part of the production. This phenomenon is not exclusive to photographers, but to models and other creative professionals. Before you post up your next photograph without credits, give the following reasons some consideration.

We have all been there, that moment when your stomach slowly turns to drizzled mush as it discovers the harsh brutality of a critical comment. In a few short words your career, art, and passion is reduced to the strangling grip of failure. Receiving criticism is not for the faint of heart but with the right frame of mind you can get the most out of any critique, solicited or otherwise.

When starting out in wedding photography, one of the most common questions that gets asked is, “What lens is a must have for my first wedding?” The most popular answers to this question are all over the map. They range from 50mm to 85mm to 70-200mm and so on. What you likely never see on the list is something like a 20mm lens, but for me, I will always have one of these lenses in my bag.

This is Part 1 in what will be an 8 part series for a dramatic beauty portrait. In the series of tutorials, we will go through everything from the gear used, to the lighting setups, and all the way through the complete retouching process. In Part 1, I will breakdown my gear list used for the shoot and I will thoroughly go through my lighting setup. In this video tutorial not only will you see the gear and setup, but also a behind the scenes look as me and my team go through hair, makeup, and shooting. The complete series of videos will be available here on Fstoppers and on my YouTube Channel.

We all get lost in the Internet from time to time, and some of us way too much. We see a great photo online, or perhaps read an interview with a successful photographer, and then Google them and spend time pouring through their portfolio and blog. “How did they do it?" "I wonder what type of lighting that is?" "Where did they take that?" Half an hour and a cup of coffee later we close our laptop relatively depressed and completely diverted from our own path as unique and creative individuals. We start to scroll through our Lightroom catalogs in search of an amazing image we may have forgotten about that competes with what we just saw, or look at our measly social media following and wonder what we did (or are doing) wrong.

Last month, I taught a two-day workshop in the heart of Phoenix. While there, I was able to get some friends to come out and help create a behind-the-scenes video of the entire workshop. I was also able to meet with Tether Tools, whom are located in Phoenix, and they gave us access to some pretty cool tools, more specifically, my new favorite BTS tool, the Tether Tools Look Lock.

If you have ever been in a remote enough place and looked up at the night sky, you know how magical the universe can be with countless stars dotting a black canvas overhead. Many photographers capture the night sky with their camera resulting in spectacular images. But it’s one thing to step out into your backyard and point your camera up, and a completely different adventure to hike out to a remote location and capture the cosmos with the wilderness as your backdrop.

Well, are you? How do you begin to assess your readiness to cover possibly the most important day of a couple's life? There is no black and white answer to this question; instead, I pose a series of questions to help you answer that for yourself.

Figuring out where to host consultations can be a challenge for most wedding and portrait photographers who operate out of a home office. It’s easy to find yourself relying on the convenience of America’s every-other-corner caffeine distribution center, Starbucks, or a similar chain coffeehouse. And while saying you should "never" meet there might be a little drastic, client courtship in cafes isn't the best idea and is actually pretty avoidable. Here are five reasons to ditch your Starbucks meet-up for something a little more creative.

One of the great things that Instagram does is bring the social of social media to life. Known amongst the Instagram community as InstaMeets, these real life meetup groups promote a collaborative and inspiring atmosphere for attendees. InstaMeets are held worldwide and Instagram holds an annual World Wide InstaMeet every year, with this year's meet culminating in 124,141 photos as of this post. Users are encourage to hold their own InstaMeets, and Instagram has an entire page dedicated community page for them. So what's all the fuss about? Let's look at five reasons you should attend an InstaMeet.

I am a bartender. After 15 years of slinging drinks it’s still hard to come out and admit that shooting isn't what I do full time. The path I've taken has been a twisted, gnarled, winding thing fraught with frustration and surprise. I've been shooting for 11 years and I never expected to still be behind a bar. But, such is life! I’m here to talk about dealing with that gut-wrenching feeling that comes along with any artist who hasn’t quite made it: shame.

Your “About Me” page; let’s talk about it. This is perhaps one of the single most important pages on your website, and surprisingly it is also probably the most neglected and poorly presented page on most websites. How does yours stack up?

Modern lenses are small miracles. They don’t defy the laws of physics, but they sure come close. Are you getting all you can out of your lens, though?

We're almost to our fifth day in the Bahamas and it's getting hot down here! Our second round of classes kicked off today with a new set of students in each class. Tonight our second round of instructor dinners starts as well as our second drink and mingle.

Retouching skin is about detail and patience. It can be a real time consuming and can require a high level of precision to keep the natural aspect of an image. Each of us has a different style of editing and our tastes differ. However when giving retouching lessons many photographers ask me about skin texture and how to keep it looking as natural as possible.

This is not a simple answer as it is mostly a combination of elements. In this article I have combined the five things I see most photographers do wrong or too much when looking for a believable skin texture and look.

As professionals, we are expected to deliver a quality product to our clients. No matter what you are photographing or filming, it’s no secret that tight deadlines, difficult clients, and a wide variety of other issues can cause major stress in our lives. It can be taxing both physically and mentally and affect us in our day-to-day lives, relationships, and work. To be successful, these stresses need to be overcome and dealt with properly so that they do not bring us down. Here are a few tips to help to deal with the issues that may affect us.

We're nearing the end of day two down here in the Bahamas and it's safe to say everyone is working their tails off! We had classes that started at 6 a.m. and are still going strong.

The critical value created when shooting a great portrait is tied to building impact that lasts. Psychologically, humans have evolved to take notice of sexually attractive people, focus on them briefly, then completely forget. This phenomena helps maximize genetic quality in a population but can also have an impact on how viewers remember your sexy photos.

We're about ready to head to the welcome party down at the Fstoppers Workshop in the Atlantis, and gaging from the use of the hashtag, our attendees are livin' rough. Here's a recap of some of the classes and behind-the-scenes photos.

Social currency is an exceedingly important metric when it comes to promoting your brand. Your likes, followers, pins, and posts all say a lot about your success, and the more engagement on your social platforms, the more likely you are to pull in clients. But how do you maximize engagement and get the most people to see your content? While there is no perfect answer, there are a few things you can do to optimize your social media strategy.

There is a romanticized dream of what it is like to be a destination wedding photographer. Outside of that idea lies a reality of what it actually entails. It is hard and exhausting work to photograph weddings full-time, let alone fly internationally on a weekly basis to cover them while also hosting workshops across the planet. But what is it that actually drives some of us to quite literally go the extra mile? There is a narrative behind the work you are about to see as well as the individual who has completely redefined the meaning of destination wedding photography.

More often than not, when the photography bug bites, people jump all-in without direction, guidance or a mission in mind. You get the urge to learn everything and shoot everything without knowing where you want to go or, ultimately, what you want to do. This can lead to no bookings, dried up emails and ultimately, frustration. When you get ready to enter the exciting and rewarding field of photography, there are a few questions to ask yourself.

In Part 1 of the "Start to Finish Fashion Editorial Retouching" tutorial, we looked at how to clean up a white background, how to liquefy clothing to achieve a better fit, and how to clone and heal out distracting elements in our editorial image. In Part 2 we will look at how to go about the more common and essential retouching steps including: skin retouching using dodge and burn, color toning, sharpening, and value adjustments. In this video, I take you through each step and give you insight into the "why" as well as the "how" of editorial retouching.

Many new photographers hold a lot of excitement and fear inside of them waiting to be unleashed the moment they receive a call to do their first big photoshoot or ad campaign. For talented automotive photographer John Zhang, this was no different when he received a call from one of Land Rover USA's ad agencies recently. He has been nice enough to share his entire experience from the first client call to executing the shoot itself. There is a lot to learn from Zhang and his photoshoot, read on below!

As a photographer, there’s only so many things you can do on a wedding day to bring a little something extra for your couples. James Day was hired to shoot his sister-in-law’s wedding and in doing so, he decided he was going to push the envelope and deliver something they never imagined possible.

High-speed sync has been around for quite some time now, and has mostly been limited to speedlights. With Profoto’s recent adoption of the technology into its B1 and B2 Series lighting systems, they are signaling a change that has the potential to bring some much needed relief to the strobist community. This signal hopefully means the beginning of the end of flash sync limitations with DSLR cameras.

Working on a film set is a great way to set yourself apart from other still photographers because everyone is shooting video nowadays. Before you try your hand at shooting a short or some video content, it might be a good idea to get some experience on a large-scale production and learn how the process works from professionals. I’ve been working on production sets for years and your first day on the job can be intimidating.

It's an exciting time of the year for wedding photographers and a time of plenty of chaos. Having a great second shooter is paramount among the necessities of any wedding photographer. If you're new to the genre, second shooting can be a fantastic way to get your feet wet and learn the ropes from a seasoned professional. I've put together a list, pulled from my own experiences and with talking to other wedding photographers, of the qualities we like to see in a second shooter. The better you are as a second shooter, the happier the clients and the lead photographer are, and ultimately, that leads to you being hired again and being recommended to others.

Being creative can be cathartic, uplifting, and eye-opening, but it can also be a major pain in the neck. When the creativity isn’t flowing, we can spend countless hours searching for inspiration. What are some of the best ways to break through that wall?

When building a successful photography business, there is no aspect more crucial than a client meeting. This is your chance to represent the very best of your brand, while putting a face to the person behind the camera. For many photographers, the decisive face-to-face meeting can be an intimidating challenge. For others, it is their opportunity to shine and demonstrate how personable they are. Whether your are a wedding photographer or a commercial photographer, there are many techniques that can make your meeting a success.

Photoshop has been around for quite some time now. It works great and every photographer has gotten used to it. It is a staple in my workflow alongside Capture One and Photo Mechanic. Until a few days ago, I did not think I would hesitate changing my retouching routine. After a few years of trials and errors I am finally somewhere I feel comfortable with my post-production. However, after having installed Affinity I must admit that I might "cheat" on Adobe Photoshop.

The short days and long nights of winter have finally given way and spring is in full swing. For many photographers, this means one thing: wedding season. While wedding season is great, it can also be physically and mentally exhausting. I recently shot my first wedding of the season and want to share a few tips as well as things I would do differently next time around to help you plan ahead and prepare for any events you have coming up.

As a viewer, you rarely look at a photo and say “wow, that shutter speed and ISO really moved me,” right? The most memorable and moving photos may not be technically perfect at all. Adrian McDonald is the quintessential photographer, with photos that resonate with the viewers because of the way it makes them feel. That’s how you remember a photo.

Being a working photographer, and even as a weekend warrior, I'm sure we all suffer from low back pain after finishing a long day of shooting. This pain can last for days and sometimes weeks, and as photographers, if we can’t move, then we can’t work. So lucky for us, there is a simple solution.