The guys over at FROKOST FILM / FEIL FILM put together this awesome music video for While You Slept. Watch the behind the scenes video on how they shot this epic video in one take. The shot took 18 second to film, which translates into three and a half minutes in slow motion. "Havoc" was shot in one take at 300 fps using a Red Epic with a 75mm master prime. It takes a lot of comunication and planning to get this right, and the end result is quite impressive.
Articles written by Thomas Ingersoll
Although being a photographer means you are in direct competition with every other photographer out there , I think it is very important to build a strong community and look out for one another. Our jobs as photographers are never secure, most of us live our lives one day to the next with out a guarantee of when our next job will be. I have always been one to help people to the best of my abilities, whether it be sharing knowledge our lending out equipment. Can you imagine what you would do if someone stole every piece of photographic equipment you owned.
The iphone is such a powerful device, download the right apps and you can create some inspiring photographs. Don't get me wrong I am just as big of a gear head as anyone else, but I don't let lack of equipment stop me from constantly taking pictures. I find myself taking excessive amounts of photos on my iphone. Adding on to nick Fancher's "Inspiration over gear" post, for me I need to create. Many times I find myself wishing I had my camera with me, then realize my iphone is in my pocket. I have been able to capture a lot of moments in my life that otherwise would have evaded my memory as time passed.
Working for Fstoppers I come across a lot of photography, a lot! At a certain point it becomes hard to find artist that truly leaves me standing in awe. Marc Adamus does, the man was born to have a camera in his hands. His compositions are nothing short of textbook perfect, not to mention the dynamic range he is pulling out of his images is incredible. Marc manually blends separate exposures in a lot of his work.
The guys over at Sherpas Cinema sure know know to put together a epic video. Traveling to ethereal locations and filming the sports best athletes is definitely a winning combination, add the Sherpas behind a camera to film it all and you get one hell of a movie. The Sherpa's filming style is on a completely different level than the rest of the playing field. They have some cool cinematography tricks like at 2:35, which they've done in several of their other films. I'm guessing they do something similar to Mike's last post to get that effect. I always get excited when I see they released a new trailer.
Coming from a fine art background I tend to be very fascinated by conceptual work. It took me a long time to start to understand the context of what fine art is and how simple or complex can be. It is commonly misunderstood and often overlooked especially with the growing interest and demand in commercial photography. To say I even fully understand it now would be nothing short of a lie, but I believe we should all open our minds to the confounding world of fine art. Nicholas Scarpinato knows how to construct some rather engaging work.
I have always been drawn to action sports photography, it was the reason I became a photographer. There is just something special about capturing that epic moment when an athlete's hard work and dedication are being expressed in the purest form of a photograph. Tristan Shu accomplishes just that and in a way that is truly inspirational. His compositions are perfect and his lighting is balanced so well. He definitely is a master of his craft. Tristan is based in the French Alps and shoot sports, lifestyle, landscapes and interiors.
Shooting street photography is always a great way to find some interesting subjects. Not only do you usually achieve a compelling image but you tend to hear some enthralling stories as well. Jesse Rogers went out and shot these in such a way that gives you a sense of optimism for these characters. I know we've all seen B&W's of homeless people and yes they are engaging and frequently depressing, but Jesse series seem to tell the whole story and not just the somber side.
Jaroslav Monchak has such an incredible eye for finding the beauty in women. His work has a sort of timeless essence to it that draws you in deeper than the surface of the image. To me it creates a state of mind that can only be visually achieved through images like his own. I hope his work inspires you to go out and shoot. Most of his shots are not technical equipment wise and can be achieved with a ff camera and a 85mm,(most of his work appears to be on a 85mm). Just get yourself a model, a concept, and go shoot.
Al Magnus is a brilliant digital manipulator. His creations are so fascinating, they just seem to keep drawing me in due to the peculiar stories they tell. His work some of the most well executed conceptual digital art I have ever seen. Al has been working with the digital medium for over 12 years now and I believe his work speaks for itself."I was ten when I first discovered photography and waseven then fascinated by the light that B & W prints suffused.
Go behind the scenes with photographer Jens Haugen. Jens produces some amazing work. Probably because he shoots with a hasselblad,(jokes). A lot of work goes into fashion photography like this. From Mua's, Art Directors, Stylist, ect.. every person has an important role in developing the finished product. Not having a entourage should not discourage you tho, it just means you have to work harder and pay attention to detail with a fine tooth comb. For instance the color schemes in these photos are very well constructed and tie her outfits in with the BG. The balance of light and the way they use the light to shape her face is really beautiful too.
Check out a BTS editorial shoot with Brandon Hill. When i first started watching this video I was not expecting a solid finished product, but i quickly ate my own words after seeing the final photos. From looking at the images on the camera to the final product it is evident that Brandon, or a retoucher, did an excellent job in post. It is interesting how adding a different BG color can make the image come alive. It's also apparent that Brandon knows his light ratios very well. These portraits only being done with 2 softboxes is quite impressive. That rim light has just enough kick to separate it, but still have plenty of detail in it, a very delicate ratio.
When shooting a photograph, aside from the technical aspects I believe the most important roll of portrait photography is what are you trying to convey to your audience. What mood are you setting? Whether it be comical, tragic, romantic, ect... This is important since you are essentially telling a story with someone's actions or expressions.(This is probably why we are all drawn to B&W shots of homeless people).By using light, shape, color, or movement of the body we can emphasize these expressions.
I'm sure by now most of you have tried to attempt a composite. I know when I first started to piece them together I was left with what could only be described as a cheesy mess that should not even be called a photograph. There are so many intricate details that go into making a believable composite. Perspective, color matching, how good a selection you made,ect... all play a important role in having a finished product. After several failed attempts at composites I gave up. Then I came across this tutorial. It gave me hope that maybe I can make a believable composite.
Raphael Guarino is a brilliant fine art photographer from Grafenau, Germany. Ive always been a fan of simplicity, and I think Raphael does a great job of exploiting that. Although most of his work is shot on a black background and lit with what seems to be one light source, he really seems to grab your attention with such subtle new nuances. I hope you enjoy his work as much as i do.
Hengki Koentjoro has quite the delicate eye for black and white fine art photography. His images have such a subtle and simple subject matter yet to me are very powerful. I would guess most of these images were shot on film due to the organic nature and grain to them. "He acquired his knowledge of multimedia production at brooks institute of photography, Santa Barbara, California, USA. Majoring in video production with minoring in fine art of photography, he graduated in 1991. Photography is not just a way of expressing his most inner soul but also creating a window to the world where through his pictures the unseen and the unspoken can be grasped.
Alexandre Deschaumes is a self taught french photographer. These photographs take place in the French Alps, Austria, Iceland and Patagonia.
"When I am in nature, the environment makes me feel humble about all that surrounds me, opening a new abstract door of inspiration, making me very grateful about these fantastic benefits. And the most important aspect that i like about the abstract photography quest is that when I am in nature, I feel home and I feel alive."
Matt Morris has created this wonderful short documentary about Harry Taylor and his passion."After a personal tragedy, Harry discovered a passion for the 150-year-old craft of tintype photography". His outlook on photography is very fascinating. Dabling between digital and tintype Harry has found that working with the tintype process much more rewarding.
Ever been curious about what goes into making the pictures for fashion ads like Forever 21? Check out these behind the scenes videos from Chris Hunt. There definitely is a lot that goes into these photographs, from set builders to make up artists and stylists. For the first video the light set up seem relatively simple, with what appears to be a 3 alien bees( two large umbrellas and a grided beauty dish). For the second video it appears they are using natural light with some big reflectors.