In a world filled with portable speedlights and 3200 watt power packs, photographers might overlook another critical feature of their studio lights: flash duration. Basically flash duration is the time your strobe light contributes to the exposure of your photograph (flash actually can act as "constant light"). Earlier this year, we posted about Broncolor's flash duration compared to Profoto, but how does a much cheaper strobe like the Einstein compare? The results are pretty remarkable!
One problem photographers face when focusing on objects extremely close to the camera's lens is the depth of field can become quite shallow. Even if you shoot at f22, your lens simply can't keep everything from 1 foot to infinity sharp and in focus. Gavin Hoey has released an incredibly helpful tutorial on how you can use "image stacking" in photoshop to create images that have much more depth of field than normal. If you are a landscape photographer or shoot tricky subjects like interiors or macro still life, stacking images for maximum sharpness can be a lifesaver.
This Thursday, June 14, Jared Platt is doing a 3 day workshop on how to speed up your Lightroom 4 workflow. As always with creativeLIVE events, the online workshop is free to watch live (so sign up for that now) and then the video recordings of that workshop cost $150 to download after the event ends. Click the full post for more details on how you can watch this intensive tutorial for free this coming weekend.
Photographing birds out in the wild seems pretty tough. Oregon photographer Jon Myers wanted to make the challenge even tougher by bringing the birds into his studio. Using large softboxes to create a space for the birds to fly, Jon was able to photograph eagles, ospreys, and hawks perfectly while in flight. The shots are spectacular, and if you click the full post you can see them shot against grey as well.
When I received an email from Marie-Louise Cadosch saying she had a behind the scenes video featuring "Lord Vader" I may have rolled my eyes. Chances were good though that her photoshoot would be badass because her previous videos on Fstoppers are some of my favorites. I have come to expect the worst when photographers use famous super heroes or villains in their shoots, but what Marie-Louise did with this theme is pretty stunning. I can't remember the full story of the Twi'leks but the story told here in these images is pretty interesting. It looks like everything was shot with large softboxes in a cross lit position with a final key softbox up above. I'll try to get someone from Marc & Louis Photography to leave some additional information in the comments because these images are pretty cool.
Dave Lehl is one of the best snowboard photographers in North America. Luckily we are good friends and were allowed to tag along during one of his photoshoots in the back country of Vail, Colorado. In Dave's own words, what you are about to watch is "pretty typical"...Click the post for another video of Dave talking about his career. <
As any photographer knows, understanding color space and color management can be one of the most difficult concepts to wrap your head around. What is the difference between Adobe RGB and sRGB? Why do magazines always print my images with funky colors? Why do I need different profiles for different devices? I still have trouble with these concepts. Luckily photoshop guru Kevin Kubota has made a really useful video explaining how
Now this is pretty interesting. Recently at the 2012 SHOT show (tradeshow for outdoors and hunting), Foursevens revealed their new lithium powered LED light. Unlike typical LED lights, the XM18 produces an unprecedented 15,000 lumens of light. According to my simple calculations, the XM18 might be more powerful than your low to mid level Arri HMI lights!
A few days ago we showed you what it's like to be a Sport Illustrated Editor. The NFL Conference Championship games are about kick off in a few hours so it seems fitting to bring you San Francisco 49ers team photographer Michael Zagaris as he talks about capturing the two key plays of the '9ers Division Championship game. Enjoy!
The ISO sensitivity on today's flagship DSLR cameras is pretty amazing. They are so amazing in fact that for the first time, NASA is able to use Nikon D3 cameras to create night time timelapse videos as the earth sleeps. You've probably seen a bunch of these stunning videos here but now we are able to see who is responsible for capturing the raw images from orbit. Mike Massimino takes you behind the scenes with astronaut/photographer Mike Fossum as he talks about his passion for long exposure photography from space. The audio is pretty rough so use headphones if you have trouble hearing.
Now this is an interesting story. Lately there has been a ton of controversy and debate about the role of photoshop in today's advertising market. FHM (For Him Magazine) just published their December issue with Pakistani cover model Veena Malik wearing what appears to be nothing. But that's not the full story; also pictured on the cover is Veena baring the tattoo "ISI" which refers to the rather polarizing Pakistani intelligence group. Pakistani's are outraged both because of the ISI reference and also because of Venna's lack of modesty displayed on the US men's magazine. It is quite common for photographers to shoot "implied nude" images with models actually wearing clothing (and the visible piece photoshopped out), but Veena claims the magazine maliciously manipulated her cover shoot without her permission. As for the ISI reference, well apparently both FHM and Veena were in agreement on the controversial art work with Veena making recommendations on how it should be drawn on her arm. Stories like this happen all the time but it's rare to see such a story with world wide appeal. What do you guys think? Read more about the full story on the BBC News page.
Red Bull no doubt has some of the best sports video work I've ever seen. In their latest sports commercial, the energy drink company takes to the skies as they film 2x Women's Motocross Association Champion Ashley Fiolek. Ashley, who has been deaf since birth, has been making a lot of noise on the women's circuit, and she has become an inspiration to fans of the sport world wide. The video features some interesting camera angles with much of the footage coming from cable suspended camera. Everything was filmed in 3D to give the POV shots a bit of kick as Ashley soars through the air. Check out the behind the scenes video below and then click on the full post to watch the final commercial.
Jay P Morgan is a commercial photographer out of California who has a history of creating some of the best most educational behind the scenes videos out on the internet (click here to watch tons of them). In this video Jay explains how you can shoot athletes in a studio environment and composite them into any scene easily and effectively. I want you guys to take note of how Jay breaks down his photography approach and offers concise and detailed information about his shoot. If you are interested in winning our Behind The Scenes Contest (and instantly having a studio of your own), you are going to need to explain your process thoroughly and in an interesting manner. Also be sure to check out the full retouching video on Facebook to see how everything was pieced together in post.
Since the start of Fstoppers, I have had a dream list of photographers that I think would make for a great FS Original. At the top of that list has been ESPN and fight photographer Ed Mulholland. Unfortunately getting clearance from HBO and UFC have been tougher than going backstage with Bon Jovi (who would have thought). Fortunately, Grover at Photoshelter recently caught up with Ed to talk boxing, UFC, and what makes a compelling sports photograph. If you don't already know, The Ultimate Fighting Championship is one of the fastest growing sports in the US, and tonight's card is pretty star studded if you want to check it out. While very few photographers are lucky enough to shoot for clients like ESPN and Sports Illustrated, hopefully Ed's insight can inspire you to take better sports photographs regardless of who is in front of your lens.
Recently Petapixel featured a rather amusing video of photographer Fabio Pires out of London. Fabio is a street photographer who shoots spontaneous photos off the cuff. Unlike the video we featured of Clay Enos's street setup, Fabio's approach is more in your face, candid, and potentially more risky. In Fabio's opinion, the best shots come from strange and interesting people who aren't expecting to have their photo taken. I dunno, maybe in England this isn't frowned upon as much as it is in the United States?
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