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We've all had horrible pictures taken of ourselves for our ID, passport, or drivers license. You might think your portrait turned out poorly because of the cheap camera, poor lighting, or you simply weren't ready. Well the truth is revealed in this hilarious video. 

There was a time when serious photographers sneered at superzoom lenses. The old 18-200mm options earned their terrible reputation honestly: muddy corners, slow autofocus, and the kind of optical compromises that made you wonder why you bothered upgrading from a smartphone. But that era is over. Modern computer-aided lens design has produced a new generation of travel zooms that are genuinely sharp, reasonably fast, and often weather-sealed. If you have been hauling a bag full of primes through airports and hiking trails, it might be time to reconsider.

When I was a young photo student studying in college, my professor gave us a scavenger hunt for photography of sorts. One of the categories was "shoot from the hip." I thought it was strange, but in hindsight, it was prescient advice.

Strobe lighting can seem quite daunting for the uninitiated, but once you get past any fear you might have and just dive into it, it really isn't that complicated. This straight-to-the-point introduction to strobe lighting is a great place to start.

You may remember my 2019 review of the original Arsenal hardware. It was a block box you attached to your DSLR or mirrorless camera and it automated many of the tasks photographers face on a regular basis. The Arsenal sold quite well. While it had some good points that could speed or improve a photographer's workflow, it left a lot of buyers unhappy and it seemed to wind up on a lot of shelves and in a lot of drawers, rather than in camera bags. Now we've got Arsenal 2.

Manual focus lenses are seeing a resurgence, combining vintage aesthetics with modern optical designs. The Artra Lab NOCTY-NONIKKOR 50mm f/1.2 fits into this trend, delivering a fully manual experience while embracing the style and charm of classic lenses. With a fast f/1.2 aperture and all-metal build, it promises to appeal to those who value craftsmanship and creative control.

After making headlines for producing one of the slimmest full frame mirrorless autofocus lenses last year, Viltrox has made a bold move by making it available for the Fujifilm X-mount as well to fill a market gap. Introducing the Viltrox 28mm f/4.5 Fujifilm X-Mount, also known as a “chip” lens, resembling a potato chip—a reference to how thin the lens is. This Chinese lens maker even carries on the humor by featuring a bag of chips in the lens announcement poster, which was published on their Chinese social media.

A fast 70–180mm zoom with a constant f/2.8 changes what you carry and how you shoot. Shallow depth of field, compact size, and real stabilization make this class versatile for events, portraits, and video.

Sports Illustrated is doing something it has never done before in a project titled, "In Her Words," for its 2018 Swimsuit Issue. The magazine ditched the swimsuits for fully nude, all black and white, unedited shots that convey incredible messages to society.

The Voigtlander 18mm f/2.8 Color-Skopar lens for Fujifilm X mount is worth a look. Its combination of compact size and unique optical character provides an experience many photographers crave but rarely find in modern lenses.

I've been using filters for my photography for more than ten years, and for the last five, I have used filters made by Kase. Just recently, I switched my filter system to what I think is the perfect filter kit for landscape and architecture photography. In this article, you'll find a detailed review of it.

Finding clients to hire you can be a complicated and expensive process. This article explores a free and simple marketing technique that has proven to be extremely effective.

Moment has made a name for itself with its beautifully crafted lenses for smartphones. More recently they also teamed up with Freefly to create the Movi, a stabilizer and cinema robot for your iPhone. Today, they announced a new product that follows the trend of shooting professional quality videos and photos with a phone. It’s a 62mm filter mount for their lenses.

Much to the dismay of OM System camera owners, other camera brand users have been buying up all the OM System EE-1 Dot sights and the stocks have disappeared. Don’t tell anyone, but they are available again for now. Canon, Nikon, and Sony readers, please ignore this article about how useful they are.

Canon has a lot of amazing but expensive RF lenses. If you can’t afford these L lenses or don’t want to spend that amount of money, you can also choose the more affordable versions. I took three primes on a trip to France to find out how they perform in real life.

I spent a few weeks testing the new Viltrox 75mm f/1.2 lens for Fujifilm, and in the accompanying article and video, I share my thoughts on one of the most exciting third party lenses on the market today.