Our industries rely heavily on color, which most of us know as a wavelength of light that our eyes and brains perceive as ..well color. But we don’t always think about how or why this is happening. You can go a long way just knowing what looks nice, but if you want to optimize the potential of your finished product, knowing the physics involved is very beneficial.
I can think of at least five times where a client has pulled me aside in the past year to ask how they can use their camera better, outside of the automatic setting - I've drawn out countless exposure triangles on napkins, newspapers, even an iPad drawing app, and despite my best efforts I can sometimes tell they're still confused from my brief lesson. For now on, no more triangles, I've found a great website that anyone can learn from.
There's nothing more inspirational for me than someone taking a medium and using it outside of it's usual purpose. This creative collaboration between film team "Oh Yeah Wow" and musical group "The Paper Kites" shows how photography can become a killer music video.
Back in March, Fstoppers writer Zach Sutton featured Fabian Oefner's "Black Hole" series, high shutter speed images of paint being spun and flung quickly to produce some amazing art pieces. In this TEDxWarwick 2013 presentation, Fabian shows his passion for bringing art and science together to create his surreal and colorful work, and explains the process behind it all.
Ever worry that the way you hold your strap makes you look like a tourist? Well, worry no more. Portland based photographer, Jimmy Hickey joins us with his slightly tongue-in-cheek video to teach all photographers how to take great photos and look like a pro while doing it.
When first learning Photoshop, most of us are introduced to the pen tool, brush tool, or maybe even the eraser tool to remove sections of a layer. However, these methods can be both time consuming and mediocre in creating a clean final image. In this tutorial I'll be walking you through the steps that I use to isolate subjects shot in studio (against plain backgrounds) for the creation of a composite image.
In wildlife photography, and being in the wilderness in general, there's always a risk that you'll meet one of the many wild and territorial creatures that calls it home. In this video, a photographer meets a (seemingly wild) pack of wolves that fight amongst themselves, yet remain gentle and affectionate towards him.
Lately I've been scouting locations for a calendar project I'm working on, and it got me thinking how little content I've come across online on how to go about it. Location scouting isn't really a science, there are a lot of ways to go about it, but there are a few simple tricks and tools to maximizing productivity in your efforts.
Recently we saw a great post from Rich Meade listing off 34 ways to stay creative, well now I have my own to add as well, as a challenge to our readers - change it up!
Routine, in many ways is a good thing. It keeps you organized, makes sure everything is completed on time, and is usually a source of comfort/sanity for people with busy schedules, but it has its draw backs as well.
A big part of the appeal for composite photography for me has always been one's ability to imagine a scene, then use different components of the world around them to make it a reality. In this behind the scenes video from Erik Johansson, we're given a breakdown of one photo from the beginning sketches, to the different components and method, post production, and the final product.
So you know your business inside and out and your image quality is top notch, but there's always room for improvement. A factor that many people overlook is the experience that a client has when they work with them, being on one side of the operations gives you a very different perspective and because of this you could be overlooking little important details that make the world of difference. I've been working as a full time commercial photographer for a year now, and in that time I've learned a lot from not only my own client interactions, but the other businesses I've worked with as well.
Recently, fellow Fstoppers writer/astounding editor Pratik Naik posted a status on Facebook asking what people's editing routines were, you can read the discussion that followed here. With his permission I've decided to spin this off into a post, and offer some suggestions for our readers facing hours of repetitive retouching in their future. I'm writing from the perspective of a photographer, but I'm sure many if not all of these will carry over into the video world as well. Note that these aren't in any particular order.
As photographers and videographers we often obsess over our cameras, lenses, stands, lights, etc. But often times, the most important tool in your bag is from the hardware store, something that allows you to temporarily fix an unexpected situation, whether it's a gear failure, or the need to fix something in an awkward space. Here are 10 items (in no particular order) that I recommend.
Ever spend hours editing photos, only to review them later and wonder what you were thinking? The environment and mindset we're in will greatly effect the final results of our work, and can lead to countless hours of re-editing simple mistakes. Here are a few steps I've put together that help me ensure that my final product is always the best representation of what I'm capable of, simply by recognizing the conditions that my mind and eyes need to work properly, and incorporating it into my work strategy.
DigitalRev's Pro Tog challenges are back, this time with a DIY theme. In this video see Pro Photographer Mark Chung create a continuos ring light using some basic hardware store materials, then use them in a fashion shoot.
Night photography is a very broad category, open to many different approaches and techniques to create a unique image of the world, or universe around us. The team at Walley Films has done a great job in this video, documenting the night/light painting photo workshop led by Scott Martin and Lance Keimig in Texas. While you won't get the full hands-on workshop experience, hopefully you can pick up some tips or inspiration for your own work.
Many of us travel, sometimes for work and sometimes as a tourist, but one thing I'm sure most of our readers have in common is that no matter where you travel, a camera is coming with you. This video serves as a sobering reminder that at any given time as a photographer in public you have hundreds if not thousands of dollars of equipment by your side, and as you can see this proves to be very temping for thieves with some skill in deception.
Editing takes time, quite often it takes a lot of time and many of the steps can be quite repetitive and boring. The best thing I've ever done for myself to speed up this process is memorizing keyboard shortcuts, so I've put together this list of five resources (in no particular order) that I've found to practice familiarity with these shortcuts and become more comfortable with the programs themselves. In order to cater to the largest audience I will be focusing on Adobe-tailored tools, however some may crossover into other programs.
In this interview, Port Magazine sits down with Swiss photojournalist René Burri, to discuss the unbelievable stories behind six iconic photographs from his career including a very casual portrait Pablo Picasso in Cannes, and the reopening of the Suez Canal.
It wasn't long ago that the art of photojournalism was handed another pink slip when the Chicago Sun-Times decided to lay off all but 2 of their photo staff in favor of iPhone wielding freelancers. In this video, Jared Polin of Fro Knows Photo interviews Al Podgorski who was one of the last staff photographers at the paper to talk about his last days at the paper, highlights of his career, and the future of the photojournalism industry.
The Youtube channel Friends in Faux used over 1600 Instagram uploads to create a stop motion video depicting the crazy adventures of one character throughout his day, creatively manipulated using the available tools on the iPhone app.
No matter what skill level you're at in photography, it's often helpful to take a break and spark the creative process on some new ideas by looking at the work of others; this shouldn't be confused with imitation, but rather used as a tool for building original ideas. The following list highlights the work and skills of creatives who offer inspiration throughout the industry that I, and many others turn to for a new perspective. Of course this is purely opinion, and readers who follow others who aren't listed are encouraged to promote them in the comments.
Many people go out every year to set a Guinness World Record, and for those who can succeed comes fame, money and the ultimate bragging rights. Mike Newman should know, he's already set four... but now he wants three more to hold the triple crown for land, water, and air speeds. In this video, photographer Nathan D'Amour heads out to capture Mike's attempt at driving over 200mph unaccompanied in the Noble M600, a British super car. You may be thinking 200mph is far below the current land speed record, and you're right... but this isn't just about driving fast. What makes this feat so impressive is that Mike is completely blind.
In the world of digital photography, retouching often plays just as much of a role in the final image as taking the photo(s). There seems to be an even split of professional photographers who do it all themselves vs those who hire it out, and lately I've been noticing some discussion based around where credit is due when a photo's final appearance relies more on editing than setting up lights and pressing the shutter.
When you decide to get serious and make your photo/video hobby a source of income, one thing that you need to look into is insurance. With the abundance of different plans available it's easy to become overwhelmed as to what coverage is right for you, but hopefully this guide can make that decision easier.
Some of you may remember this article that I wrote a while back in which I touched on the benefits of capturing wide-spectrum light rays with photographic sensors, and while I haven't seen anything about single-pixel detectors hitting the consumer market anytime soon, I'm cautiously optimistic that we'll soon be able to see some of these benefits anyway with the help of one of the lightest industrial materials on earth - Graphene!
I don't think many people would argue that Wacom is the leader in the drawing tablet industry right now, with many professional photographers and graphic designers using tablets from their $200+ mid-level Intuos line as the staple for precise mouse work, and some even shelling out the thousands for the Cintiq line tablets with a built in screen display; so when I heard about a sub-$100 tablet with great reviews and competitive features, I had to try it out. Introducing the Monoprice "10x6.25 Inches Graphic Drawing Tablet w/ 8 Hot Key"!
The hilariously creative people over at Grovo (gogorovo on YouTube) posted this video yesterday showing what life may look like in the future of GWC photography/videography if Google Glass ever becomes the next big innovation it claims to be. While it's obvious that this is just some tongue in cheek humor, I'd imagine that as with any popular product with a built-in camera someone will try to find their niche (ever see someone taking photos with an iPad?) and soon youtube will be flooded with videos of wedding photographers running around the ceremony staring at people.
Original BBC Article (w/video)
Prof. Miles Padgett and his team of scientists at Glasgow University's School of in Scotland have created a technology which can generate a 3D image using just four stand-alone pixels by capturing light frequency waves beyond what the human eye can see.
Okay, so maybe you won't get the entire Stanford experience, but they do have their entire 2011 "CS 178" Digital Photography course available online for free here. It's jam-packed with more technical knowledge than most will ever be able to remember, including the scientific formula for DOF, diagrams showing the physics of light going through the lens, and even a downloadable animation of how to assemble an entire Canon 10D.
I'm James Robertson, a new addition to the Fstoppers writer staff and a full time commercial photographer/studio owner for the past year. I've joined the team to bring content to the readers who may find themselves either ready to jump into the professional world, or have already and are looking for tips to make life easier. I thought it would be good to start with an article that will give everyone some tips on simplifying the work load that comes with the industry through organization and planning ahead.
