Luminar Neo users will see an update to their app today. It’s version 1.28.0. Skylum is also moving toward a new name for the app, which is actually the original name. Neo will be dropped, leaving just Luminar.

After years of creating landscape photography videos, tutorials, and behind-the-scenes content, I have learned one undeniable truth: reliable audio is just as important as the camera itself. In this review, I am putting both versions of the new DJI Mic Mini 2S through their paces to see how they perform in real-world outdoor conditions.

Traditionally, shooting with an anamorphic lens has always come with its set of hurdles. While having the cinematic squeeze is nice, battling with the size and weight can be rather unpleasant. Not to mention the need for diopters just to reach a decent close-focus distance. And on top of these, you have to choose between paying an exorbitant price or settling for a budget lens with bad optical quality, just to name a few. This is where the DZOFilm Arcana series comes in. 

Living in Southern Arizona means spectacular lightning is around at certain times of the year, especially during our monsoon season, which runs from around June 15 to September 30. We get some great storms, and I'm always thrilled to capture some of nature's fireworks.

The new Pentax DSLR that fans have waited years for has reportedly moved past the drawing board and into production. A Japanese insider says the camera is being built now, though no launch date has been confirmed.

Leica is famous for its fully manual rangefinder cameras that are based on technology first introduced in 1954. In recent years there’s been what appears to be a huge surge of interest, particularly from younger YouTubers and influencers, all using rangefinders and gushing about them on social media. Some have a digital M, some have a film M, and a large number actually own both. Therefore, one would think that this antiquated system is in huge demand. YouTubers are waxing lyrical about Leica M cameras being “the” camera to own, particularly if street and travel photography is your main interest, and you want a bit of street cred. But all is not what it seems.

Your camera gets the glory, but your desk is where the hours actually go. Culling a 2,000-frame wedding, stacking a 40-shot Milky Way panorama, running AI masks across a folder of 61-megapixel raw files: none of that happens in the field. It happens on the machine under your monitor, and the wrong one turns each of those jobs into a coffee break you didn't ask for. Here's how to spend where it counts in 2026, what the specs actually mean for editing specifically, and which desktops are worth buying right now.

A 55mm lens with an aperture ring solved a workflow problem on the Nikon Z f that had annoyed one wedding shooter for years. That single feature, plus a focal length that sits just past the standard 50mm, is worth a look.

Sony's new FE 100-400mm arrives with an f/8 aperture on the long end, and that single number will push a lot of shooters to walk right past it. That aperture is also the reason the lens exists, because it lets Sony build a 400mm you can carry all day and handhold without a second thought.

Your first prime lens, usually the classic 50mm f/1.8 "nifty fifty," is one of the best teaching tools in photography. It is small, sharp, inexpensive, and it forces good habits that a zoom never demands. But because it behaves so differently from the kit zoom most people start with, beginners tend to stumble in the same predictable ways, then blame the lens when the real issue is technique or expectation. Here are eight of the most common mistakes, each with a fix you can put to use immediately.

For up to two minutes and eighteen seconds on August 12, the sky along a narrow path running from the Arctic to northern Spain will go dark in the middle of the day. Birds may fall silent, the temperature will drop, and the sun's white corona will appear around the moon. It is the first total solar eclipse mainland Europe has seen since 1999, and if you have never stood in the path of totality before, nothing quite prepares you for how strange and beautiful this will be. For photographers, it is one of the most exciting subjects you will ever point a lens at, as it will be over in seconds and unforgiving of a missed setting.

Researchers in Oregon have built a low-cost camera trap that uses AI to spot and identify wild bumblebees without netting or killing a single one. The system matched the species diversity that lethal traps and hand-netting turned up in the same field, at a fraction of the effort.

Someone sawed down all eight of the automated license plate reader cameras that watch the roads in and out of Winona, Minnesota, and hauled the cameras away. Two more cameras on a nearby Mississippi River bridge were taken the same way.

Sony has introduced the Sony FE 100-400mm f/5.6-8 OSS, a super-telephoto zoom for 35mm full frame Alpha E-mount cameras. The headline figure is weight: the lens covers the full 100-400mm range at approximately 654 g, which places it well below the size and mass of the professional-tier telephoto zooms that have defined this focal range for Sony shooters. The tradeoff is aperture. At f/5.6 wide and f/8 at 400mm, this is a slower lens than the f/4.5-5.6 and f/5.6-6.3 options above it in the lineup, and it is aimed squarely at daylight shooting of birds, sports, trains, and aircraft rather than at low-light work.

The Vision Prime 1 (VP-1) series full frame cine lenses were originally launched by Sirui back in February 2025, with the first batch of lenses covering all the mid-range focal lengths: the 24mm T1.4, 35mm T1.4, and 50mm T1.4. These releases not only offer great value options to the filmmaking enthusiast community, but also aim at solving traditional pain points by reshaping how we think about lenses and taking advantage of the modern camera setup. 

Most Lightroom Classic users move the same sliders the same way every session, never touching the shortcuts hiding one keystroke away. Ten of them can cut real time off your workflow, and a few will surprise even people who have run this software for years.

Canon's RF 24-105mm f/2.8 L IS USM Z carries a price near $3,000 and a body large enough to reshape what you pack. Deciding between this lens and the more familiar RF 24-70mm is one of the harder calls a Canon shooter faces right now.

A constant f/1.8 mid-range zoom on an APS-C body gets you close to the look of a 24-70mm on full frame, with less weight and a smaller footprint. That kind of flexibility is exactly what keeps pulling shooters back.

A monochrome-only camera that costs more than its color twin sounds like a hard sell, until you see what a dedicated black and white sensor actually does to an image. The Ricoh GR IV Monochrome strips out the color filter array entirely, and the results push well past what a converted color file can offer.

Ask a couple to choose their favorite photographs from their wedding gallery, and they'll rarely start with the formal group shots.

Most articles like this one will tell you about Portrait mode. You know about Portrait mode.

Pocket cameras have always asked you to accept a wide-angle-only view and hope your footage looks acceptable after the fact. A dual-lens setup with a detachable screen and optical zoom pushes against nearly every one of those limits at once.

The advice that stuck with a photographer after 40 years behind the camera has nothing to do with gear or settings. It comes down to a simple rule about what you look at when you're not shooting.