The first competition in 2014 attracted hundreds of entries from all over the world. Now, the Craft & Folk Art Museum (CAFAM) in Los Angeles and the Farhang Foundation have put out a call for entries for the second, biennial juried exhibition of contemporary photography and video works relating to Iranian culture and heritage. The submission period opened June 1st and runs through August 8, 2016. Up to 40 photographs and videos will be selected by a panel of seven jurors for inclusion in a group exhibition at CAFAM from January 2017 to May 2017.
Awakening your creative mind can be a challenge, but from my previous article "Fstoppers Creative Photography Challenge (Part One)" I hope that these challenges are helping you overcome your creative rut. Sometimes it's hard to spot simple things and sometimes you just don't have that drive to take that photo. There are tons of options to sharpen you creative skills, but I find these challenges relaxing. Here are some more added challenges for you to continue.
Video is something I have begun to play with over the last few weeks in the form of a vlog on YouTube, but as you might know it's difficult to gain that organic reach you're used to on social platforms. That doesn't mean its impossible, but by using various other channels to advertise and push them to that new content is key in today's world. That is where vertical video comes in on Instagram! Yes, it might be annoying as hell to see yet another vertical video, but hold tight as I walk you through why this is a brilliant place to use it and also how you can do it yourself.
It's not often someone contacts you about chemistry and superheroes, but when someone does, you pay attention. Nikolay of ArtNauka showed me a project they have been working on where they combine a superhero theme with chemical elements and reactions to create a series of striking portraits.
Landscape photography is the often stigmatized genre of it not communicating anything other than display of beautiful imagery at best. In this epic arc series, I strive to provide an integral resource for working on your own landscape images. We’ll cover planning, shooting, and post-processing, and talk about anything from composition to colour theory. And for the more advanced photographers, we’ll include the use of shapes, tropes, and negative space to aid in compelling visual storytelling. This week: A composition primer.
Everyone makes mistakes, this we know, but there are some unforgivable mishaps which plague the nightmares of filmmakers regardless of the scale and budget of the production. Some of these would include forgetting to pack an essential piece of gear, forgetting to hit record before a great take, or losing footage, but none of these can compare to dropping an Arri Alexa.
The recent controversy surrounding Steve McCurry and his use of Photoshop has raised both questions relating to his past work and broader questions of representation in photography. Though an increasing number of images showing evidence of cloning and other manipulations have been uncovered, recently, two videos have surfaced that raise further questions.
Canon and Nikon have been dominating the professional DSLR market for a while now. Photo accessories such as strobes triggers show that well. However, with the increasing popularity of Sony’s mirrorless cameras, flash manufacturers couldn’t stay with only “Canikon” options. Elinchrom apparently understood that with their Skyport HS and is releasing it’s Sony version today.
This is an article I've been on the cusp of writing for some time. I was first jolted into this area of discussion when I heard someone refer to the photography of poorer cultures and communities as "white middle-class photography." I say jolted because — perhaps naively — I had drawn no parallels between types of photographer and types of subject before that day. Unlike most criticisms about photography, this comment didn't glide past me; instead, I found myself plunged into an internal debate. Are the loose motivations of "raising awareness for" and "the documentation of" these communities disingenuous and moreover, are they doing more harm than good?
Apple has just uploaded ads which will most likely also be broadcast nationally. They consists of videos that were shot using iPhones. To use the tool to make the videos that advertises the tool is a great way to convey a message. It all enhances and forms part of their ecosystem that is the Apple brand. I believe it's well-executed, especially due to the fact that the videos were created by the users, making the products friendler to others.
Say what you want about the Nintendo Power Glove. Sure, it was terribly inaccurate. Sure, it had awful controls. But hey, if you were rocking one of these in 1989, you were riding the wave of the future. Now, one clever man has used a Power Glove to show off a capability that truly is futuristic: gestural drone control.
When I think back on what I was doing with my life when I was nine years old, it consisted mostly of Nintendo 64. I certainly wasn't doing anything as awesome as Regina Wyllie, who is such an accomplished wedding photographer that brides are now specifically requesting her as the second shooter with her dad, Kevin.
It's been a long time coming, but today's episode of my weekly web series, The Backyard, finds my co-host Staci and myself reviewing our three favorite edits from (what I dubbed) the Dani Diamond Experiment, posted almost two months ago. I allowed you all to download a raw file I shot of Staci in Miami and let you loose on it to retouch it as you saw fit. The results? Let's take a look.