Sometimes, we try hard to find a composition, but sometimes, we get distracted by too many, and it gets hard to choose the best one. At home then, we have often to accept that all our images are just average. How can we avoid situations like that and come home with a masterpiece instead? 

There is a lot of flexibility within portraiture to create a wide array of different looks. One of the primary ways to put your own stamp on a shot is through lighting and this tutorial might be just the trick for your next shoot. 

When an image has a distinct texture or pattern, cleaning up blemishes or the like can be a bit trickier, as you need to replicate the texture and/or pattern accurately in order to create a convincing replacement. One such example is pristine sand that has been walked upon, and this excellent video tutorial will show you how to make it perfect again using Photoshop.  

If you work a lot in the field or like to take long road trips, you know how difficult it can be to have access to enough power to keep all your devices charged and running. Anker's 757 Portable Power Station has a ridiculous amount of power to spare, and this great video review takes a look at its performance and applications. 

Today, hopefully, you’ll allow me a brief break from discussing tech and technique to revel in a bit of the pure joy that is the process of photography. 

Apple's Mac Studio is ludicrously powerful. It comes in two basic configurations, the M1 Max and M1 Ultra, which might leave you wondering which you should pick for your work. If you are asking yourself that question, check out this excellent video that discusses three options for video editing to help you choose.  

When you are newer to working with artificial lighting, it can be a bit overwhelming trying to pick the right modifier for a given shoot. Umbrellas are easily the cheapest modifiers you can get, making them a great tool for learning how to work with artificial light, and they are more versatile than you might think.

Sometimes it is difficult for me to look back at the photographs I created early in my career. The shots are all technically strong, but there is something missing. That missing element can be defined as vision. In this article, I will detail my journey in understanding the need to incorporate this crucial element into my art.

35mm lenses are popular for good reason, as they offer a versatile focal length that is neutral enough for a variety of applications, including portraits, street photography, events, astrophotography, and more. The Viltrox 35mm f/1.8 AF is one of the more affordable options out there, but it still offers a range of great features.

It's easy to think that if you want to put together a great portrait shoot you need to book an expensive location and have a room full of lights, but sometimes simplicity can be more rewarding. 

A couple of months ago, I tried Final Cut Pro for the first time. Surprisingly, there were many things I liked about Final Cut, but it wasn't enough to convince me to switch from Premiere. Today, I'm giving Final Cut Pro another try.  

If you love landscape photography, you probably know a lot about camera equipment, settings, and the most common composition rules and techniques. But landscape photography is not always about those things. I have six important tips that are often overlooked.

In this informative video from Pal2Tech, Chris Lee demonstrates how to convert raw files to TIFFs or JPEGs right in the camera. The results are both interesting and quite surprising when the images are uploaded and compared.

About a month has passed since Skywatcher officially announced the Star Adventurer GTi, the smallest and lightest purpose-built GoTo astrophotography mount. But is it actually any good?

When I started photography, one of the hardest things for me was to pick the editing software I should use. Indeed, a lot of photographers face the same problem every day. Looking beyond the classic choices, there is arguably much better software you can choose: ACDSee Gemstone Photo Editor 12.

Modern cameras can handle low light quite impressively, but high ISOs will still introduce some noise into your images. So, what can you do when that happens? This excellent video tutorial will show you how to process high-ISO images in Lightroom to reduce the appearance of noise while still maintaining sharp results with plenty of detail.  

During the May 16 Los Angeles Dodgers and Arizona Diamondbacks baseball game, Diamondbacks left fielder David Peralta turned on a Craig Kimbrel fastball, lifting it for a home run over the right field fence. Unfortunately, the ball came down on the head of a camera operator standing on top of the outfield wall.  

Twice yearly, ON1 produces free upgrades to their Photo Raw program. The newest version is just over the horizon, and it has some expected features to add, plus improvements to its existing arsenal of tools. 

The 2022.5 version comes free to those who already own the software and contains some significant changes to the existing software.

In part three of this series, we will discuss tips 11 through 15. These are steps you can take today to grow your photography business. If you missed the previous articles, you can read part one here, and part two here. 

You can absolutely create professional-level portraits using nothing but a single key light, but once you move into multi-light setups, you get a bit more creative and technical control over the final image. One of the first ways to do this is by adding a fill light, and this excellent video tutorial will show you what it is and how it can be used to create better portraits.  

Samyang has long been known for producing sharp and highly affordable manual focus lenses, but in recent years, they have moved into producing autofocus lenses as well, while still keeping those budget prices that have endeared them to many photographers.

I have to admit it: I’ve never been on team Lightroom. This may be a bit of a low blow, but Lightroom has always seemed like the sandbox for those who couldn’t play on the big-boy playground: Photoshop, of course. 

Car photography is a lot of fun and can be highly dynamic, but it represents one of the hardest products to photograph in a studio environment. Not only do you need a large studio that a car can be driven into, but you need huge lights to evenly light the car too. Or do you? 

Zeiss lenses are known for providing sharp and contrasty images with silky-smooth bokeh, making them favorites of a lot of photographers. For photographers looking for a 35mm lens, one option is the Zeiss Loxia 35mm f/2, and this great video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage. 

Custom-made, hand-painted backdrops were all the rage a few years back. I personally could never justify the price of one, but that doesn’t mean I haven’t wanted to try it out.