Fstoppers Original Articles

B&H recently ran a deal on a product I had my eyes on a couple years back: the Steadicam Solo Stabilizer and Monopod for getting smooth shots. It was originally $500, but you can pick it up now for as low as $150. Where did it all go wrong?

Being able to use off-camera lighting is considered a skill only for the pro photographers. When I started out, still in high school, I saw the flash photographers use their cool lights and always thought about how cool they are. Soon after, I bought my first flash. Mistakes followed.

As waves of international turmoil shake the photographic world, how will the industry be affected? Additionally, are there ways we can protect ourselves from this economic mess? Here are seven options.

Have you watched any old television shows lately? Have you noticed anything strange about them? In watching an older show recently, I was surprised by just how many shots are blatantly out of focus.

One of the most popular videos we have produced in the last year was with Mike Kelley and Lee Morris as they battled it out in the Amateur Vs Pro Architecture Photographer Shootout. This week Mike and Lee have set their rematch, and you our audience will be the judges!

A while ago I wrote an article summarizing some of the key tools which are required when shooting apparel for commercial clients. That article served it's purpose to demonstrate the vast number of supporting tools we use on a daily basis, but the magic really happens when we roll out the lights. Today I would like to show you some of the considerations you need to take when lighting clothing for your clients.

One of the big concerns for many moving over to the Fujifilm X and GFX systems has been options for flash support. In all honesty, most of these issues were non-issues for the majority of users. Fujifilm has had their own set of speedlights for the systems, and all single-pin “dummy” triggers like the PocketWizard Plus X or many of the others offered by other manufacturers have always worked to trigger off camera flashes. Fujifilm also introduced both TTL and HSS to the system some time ago. However, Godox is the first flash brand to offer a fully Fujifilm compatible option. Let’s look at what they have on offer.

Have you ever been in that moment when you’ve composed the scene just how you wanted, you’ve nailed your focus, you’ve placed your grad perfectly to balance the exposure and you’re about to take the photograph when you’re interrupted by someone telling you that you’re not allowed to use a tripod at the location?

Creative clients and photographers love shooting on white. Whether it be seamless paper, foam core board or a cyclorama wall. I’m not sure if it’s the simplicity and absence of color or it just creates such clear contrast for eye popping subject matter. Yes, it's versatile and can go dark with less fall off but frankly, I've always found white somewhat boring.

The only times my strobes see the light of day is when they are facing down onto the surface of the water from poolside for my underwater work. In the studio, the amount of natural light that fills the space has created a look and signature feel to my images. However, I started to wonder if I was just taking advantage of this light and not truly challenging myself to the work that can be created using a strobe light.

Creatives love and hate Instagram. While everyone is on it, very few enjoy being there. The platform is constantly changing the way it prioritizes work, as well as banning creatives without any reason. I was one of the unlucky many to experience such a ban.

"Splash on the glass" or so goes the time-worn mantra. Has the market flipped, and is that the right advice anymore?

We live in the Information Age. There is no doubt a ton of information on the Internet about photography and just about any other subject you’d care to know about. While the Internet is a great place to learn and e-books are convenient, there’s still something special about holding a printed book in your hand. I have e-books and printed books alike. For me personally, I notice that I’m more inclined to actually read a book if I’m not reading it on a screen. I prefer to put away my backlit digital devices in favor of reading a printed page. With that out of the way, I’d like to talk about five books that have helped shape my business as a professional photographer.

I’m sitting at my desk on a Friday and I get a phone call. It’s Saturday’s wedding venue, and they’d like for me to sign my life away. In what’s becoming an all too common practice, the venue has decided that for me to be allowed to photograph my client’s reception I should grant them a waiver of liability that allows for their potential future negligence to go unchallenged in court, even if it results in my death. Seems like a pretty fair deal for the guy showing up to take pictures, doesn’t it?

Strap in people, because this is a tough love lesson for anyone whose goal is to “make it” as a professional in the photography industry.

While we hunker down and practice social distancing, it’s important to remember that there are critical reasons to take the spread of this virus seriously. Call it what you will, Influenza, The Spanish Flu, or H1N1, the 1918 Pandemic killed upwards of 100 million people. Can images from this 100-year-old tragedy help contain the spread of COVID-19 today?

This may seem like a negative article, heralding the apocalypse, but really, it isn't. It's an exploration of how our beloved craft has changed over the decades, its direction, and if there are comparable crafts that can help predict the trajectory.

Here we are, another year has gone by and we have just enjoyed the release of yet another camera that is "certainly" the most amazing thing since sliced bread. This new camera comes with promises of wondrous grandeur that are only cemented by the inevitable implication from its maker that it is the camera that will help you create truly better images than you did before. This is, of course, nothing more than marketing hype designed to get you to spend your money.

I have a closet filled with camera bags but I think I might have found the best camera bag for adventure and travel photographers. There are countless bags on the market but every adventure requires a slightly different bag. The goal is with the right features, versatility, and customization, one bag can do everything!

Tim Huynh's new documentary, "Fill The Frame," sparked a recent controversy about who qualifies as a professional street photographer. I suggest the answer is no one.

Being a professional photographer in the UK pretty much means having a studio. We are not blessed with good weather, so I decided to set up a studio early on in my career.

Hyperfocal distances are an arcane, over-technical art for some photographers and just another tool to whip out at the necessary moment for others. So, how do you put those hyperfocal blues to bed?

Are you thinking of designing and outfitting a portrait studio? I recently did just that, and through a little research and a lot of trial and error, I discovered some great, versatile finds that make life in a photography studio much easier.

So, it’s two weeks into the new year – how are things shaping up? Booked a ton of new work? Setting up to land your dream client? If, like me, you’re still working out the kinks and wondering how you’ll make it all work, this post is for you. I’ve got five tips to help keep you going, keep you motivated and keep you on track for the year ahead.

Pricing your work is tricky. Whether you're a commercial photographer, portrait shooter, or selling prints of your artwork, your career depends on your ability to price yourself well. Does your rate sheet have any of these mistakes?

Whether to share locations in landscape photography is a frequent topic of discussion in landscape photographer communities. People get frustrated when they ask where a photo was taken and the photographer won’t tell them. Are they gatekeeping, or are they trying to protect the natural landscape?

This post is in celebration of simple ideas, executed brilliantly. Incredibly simple ideas demonstrate that simplicity, combined with brilliant execution, can result in incredibly powerful images that affect us far more deeply than those that are more complex and technically well executed, but are boring and bring nothing new to the table. To make better images, stop thinking big and start thinking simple.

Shourya Pratap Singh Chauhan used Photoshop to simulate himself living a life as a billionaire, which was all for show. His following started growing from 200 to over 20,000 and it's mainly due to this portrayal that people started following and sending him direct messages. This matters in a big way. Firstly, have we become so gullible to believe it, and secondly, what can we as photographers and video makers learn from this for our own businesses?

We benefit every time that smartphone in your pocket improves its camera system. Professional or not, we must admit that the quality of the software producing images on our smartphones is brilliant. All this clever tech will hugely impact photography in the future. Here’s why.

The weather. Of the many things I wish I could control, this is certainly one of them. Recently, my home of Seoul has had some of the clearest skies and nicest puffy clouds that I’ve seen in my 11 years of living here, but typically this is not so. On the few days of the year we get nice clouds, fisty-cuffs determine your tripod’s resting place at the popular photo spots, and the Internet is afire with the chatter of excited shutterbugs. However, there are so many days of the year where the haze is too thick or a monotone blanket of clouds covers the sky. I have come up with a quick and dirty method of dropping in skies from my library that I use when the job calls for it. I’d like to share that with you today.

Mental images, dynamic range, luminosity masking... This week's article in this series is chock-full of terms that will send your head spinning. But when we want to communicate through landscape photography, it is best to speak the language first. I'll show you a big part of my processing workflow, introduce you to a great alternative to HDR photography, and tell you why Ansel Adams' invention is still applicable in digital photography.

In my journey to separate my family life from my work life, as detailed in my last post, a change in my work environment has been key. Namely, my wife was tired of seeing my hard drive sitting on the kitchen island and I was handily kicked down to the basement. I took this opportunity to switch up my workflow from using a local external hard drive to a NAS (network-attached storage). Here are some interesting things I've discovered along the way.

The U.S. Department of Transportation has developed new rules that stand to unlock all sorts of unique drone photos.

There are many ingredients you can mix and match to make amazing landscape photography. In this article, I share three of the most important ingredients I use in my landscape photography.

Sometimes, you can find great advice for photographers in unexpected places. I found that writers and photographers share a sizable overlap in an area that's famously addressed in writing, but a little less so in photography.

It's always frustrating as a photographer to spend time shooting, editing, and printing an image only to see different results throughout various steps of your workflow.

When we capture a 3D environment in 2D, the perceived depth can be lost due to the colors in the scene. In this short tutorial, I'll show you one way of bringing back the depth in your image.

Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.

Instagram has changed a lot in the past year with new algorithms, new content opportunities, stories, and live videos, just to name a few features. Although Instagram’s organic reach isn’t as great as it once was a few years ago, the platform can still be a key component of any photographer’s business. Here are seven tips to help photographers get more exposure on Instagram.

There have never been more creative options available to photographers. Whether it’s in camera, in post-production with software like Photoshop, or at the touch of a button on a smartphone app, choices seem limitless. But when is it no longer actual photography?

Lost your photography mojo? It's something that happens to us all and not just once, it's a part of life but let's not get philosophical here, let's just look at a few ways to reinvigorate your photography.

I doubt any photographers became professional because they were excited to run the business, but run it they will. Unfortunately, the importance of savvy business practices is much closer to photographic talent that most like to admit, so take a break from honing your portraiture, and hone your abilities as a small business owner.

Lighting can be a major pain in the ass and that is especially the case if you're not a technical person, like me. After picking up the camera 7 years ago I am still constantly learning about the many different aspects of lighting.

I’m rubbish at taking portraits. I’m definitely better than I was, but it’s very much a work in progress. Other than shooting more, how can you make yourself improve?

A recent comment on one of my articles has become the straw that broke the camels back. Now, I feel the need to combat a common myth which dissuades many photographers from becoming full-time professionals.

With a bevy of camera announcements (and rumored announcements) setting the internet on fire over the last couple of weeks, I thought it might be fun to offer a review of a different sort.

There is no doubt that the telephoto lenses are just as attractive for landscape photography as the wide-angles. In this article, I will give you seven steps to help you make powerful landscape photos with a 70-200mm telephoto lens.

This low-tech alternative to digital photography can produce stunning art. Last year, I've recovered five out of ten “cameras." Some are found by others and stolen, others are simply blown off by a passing storm. Yet others are removed by bomb squads... I'm sharing these pictures with you, which are scanned negatives of black and white photographic paper. The brightest parts are the sun's streaks, burnt and etched in the paper - along with bubbles, rips and sand that texturize the images in bizarre ways.

Have you ever taken a shot that you were completely stoked to post, and when you released it to the world, you didn’t quite get the engagement you were hoping for? It can be discouraging to be excited about a photo and not get the enthusiastic engagement you expected. These days, stopping the scroll seems harder than ever, but animating a portion of your photo is an easy upgrade that can create a major boost of interest to your image.