What started out as a couple of school girls playfully creating a video ends up as an ad spot for Suntory's C.C. Lemon. This is not an educational video so much as another good demonstration of how low cost gear and some skilled editing can turn out pretty awesome, that is, if the camera shakes don't make you nauseous. A lazy Sunday afternoon is a good time to take this inspiration, your creativity, a cell phone camera and a couple of fast moving Japanese school girls to go make your very own ninja video.

Shift lenses, or tilt-shift lenses, are pretty rare across all brands and seem to be quite an engineering challenge. Most of us thought that their ability to zoom was impossible, but Laowa seems to have proven otherwise.

Casey Neistat is a great film maker that you may remember for his Peanut Butter Lid Lens Hack. Recently he was hired by Nike to create something interesting for their Nike + Fuel Band. The story goes that instead of making a traditional commercial, Casey took Nike's budget and traveled around the world until it was all spent. He filmed his 10 day escapade and produced the following video. Even if the Nike story was staged, it's still a pretty inspiring video made by an incredible budget film maker.

At the end of a hard days shooting, it is easy to make mistakes, which is why I have this four part check list that I follow obsessively to make sure that I have everything I need before calling a wrap on the day.

With 2018 being the year of mirrorless, it is tempting for many of us to fall into the trap of trying to spend our way to good photography rather than using our own talents. And while having appropriate gear is essential to the trade, it’s equally important to think twice before sacrificing your business for the latest trends.

My friend Chris Lavigne is what I like to call the "master of media" over at Wistia, which means he gets to make all their product videos and also spends a lot of time sharing tips and tricks he uses as a cinematographer. He recently released this video which explains how he records audio to his 5D Mark III in a somewhat unconventional, yet still effective, way.

The commercial photography world is tough to get into, but it is made even tougher if you don't live in certain cities like Paris, London, or New York. Here is how we can get around this.

SmugMug just recently released its 16th film and this time they're featuring mountain sports photographer Blake Jorgenson, with a glimpse into his relentless pursuit of capturing the perfect moment in extreme conditions.

How would it feel to photograph Will Ferrell or Seth Rogen? How would you ever get to be able to shoot clients like these? How do you marry technical capability and develop your own style to deliver something unique? What if you could learn from someone doing this sort of work day in day out? Well, now you can, in this exclusive interview with Emily Shur.

Photographers and videographers who work on-location for their gigs need an easy, dependable way to haul and station their gear and grip kits. Many have come to rely on the RocknRoller MultiCart for this purpose because of its versatility. In this video, commercial photographer Kiriako Iatridis shows how he customized his MultiCart to make it that much better and may inspire your own modifications.

When you're getting into genres of photography that require working with models, navigating the landscape of who to hire, when to pay, and more can be a bit confusing. This great video will tell you exactly when you should pay for a model, when you should offer a trade, and where to find them.

Alex Koloskov has had a few of his behind the scenes videos featured here on fstoppers. In this charismatic behind the scenes video, Alex takes the photography assignment of shooting some liqueur bottles in an attractive way and walks us through his set up. His in depth explanation of the lighting and staging process gives you a great understanding of how he got his final "sexy" shot.

Photographers and videographers both tread water in a crowded pool of competition, and often we feel in danger of drowning in that pool. In this week’s and next week’s articles, I will present the most common reasons we lose out on work we otherwise might have won.

I ran across the incredibly imaginative portfolio of John Flury a few weeks ago. When I viewed his image "Provincial Uprising" where a womans dress was made of human hands I couldn't figure out how it was made.

In what may well be the most outrageous photo shoot that I have ever seen, Olaf Hauschulz was presented with what must be an incredibly rare opportunity to shoot a Lamborghini Gallardo for Lamborghini Magazine. The setting? High in the snow-covered mountain ranges of Romania, with the car drifting around corners, inches from guardrails

Earlier this year, I released an in-depth tutorial on product photography with Fstoppers called "The Hero Shot: How to Light and Composite Product Photography." As I started publishing images from this tutorial on Instagram, I found it extremely interesting that the most liked image was the cordless drill. It was the most simple image that I created for the series, and I used very basic inexpensive continuous lighting to create it. So, if I were to have photographed this drill using strobes instead of continuous light, would you have been able to tell the difference? I’ll...

“Expect the unexpected” is great advice for anyone, especially for a photographer. Making the necessary preparations for a photoshoot is essential to success, but what about matters that are beyond your control? We will review three of the most common obstacles that can potentially derail your next session, and how to best handle them both preemptively and after the fact.

The ever talented team at Scanline VFX have posted their most recent BTS video of the popular wight fight scene from the Game of Thrones Season 4 Finale. In this run down you can see the incredible detail and heavy visual effects work that goes into each and every scene from that fight. This one sequence has been remored to be one of the most expensive scenes created for the show.

It's not every day you can make one big massive sandwich tower and get paid to do it. In this behind the scenes I take you through an average shoot in our Chicago studio. You can see the team of people that come together to a shoot like this happen.

If there was one thing I wanted to know when I first became interested in shooting editorials, it was "How do I do this?" That seems like a broad question, and it is, but it goes to show what a mysterious subject this was for me. I wanted to know how to get started, and what steps I should take. In this article, I would like to pull back the curtain a bit for people who are interested in getting into editorial work and share what steps I go through to conceptualize, build a team, schedule, and shoot a fashion editorial.

Alex Buono, member of the SNL's film unit, helped produce one of the coolest title sequences ever using time-lapsing, light writing, freelensing, and other effects. The show is celebrating their 40th season so they wanted this sequence to be classic and iconic, a little dressed-up, and typography integrated into the cityscape.

Nikon has teamed up with sports photographer Tom Miles and world champion martial artist Tom "Fire Kid" Duquesnoy for its new #MomentOfImpact campaign – which largely involves epic action photos of the latter smashing watermelons, cakes, and pumpkins. Check out the intense photo series here, and learn more about how it was lit and executed.