Casey Neistat is one of the most popular filmmakers and YouTube creators of the past decade. By the age of 33, Neistat created some of the most viral videos ever posted on YouTube, sold a show to HBO for about 2 million dollars, and produced numerous commercials for major companies such as Mercedes-Benz, Nike, and Google. In his latest video, Neistat shares his very interesting personal story — from growing up as a trouble-making kid to being a dad at age 17 and the things that made him become a filmmaker.

The story in a film is, and shall always be, king. But without good visuals the story may seem incomplete. We must admit that sometimes a film is worth watching only because of the imagery. Despite the mixed opinions on how good each of the Star Wars films is, there's some great cinematography that's pleasing to the eye.

Shooting time-lapse video can be a slow start for many videographers. There’s a lot of time put into capturing every scene, and so when you’re just learning the ropes, mistakes in scene selection or camera setup can mean hours of shooting time thrown away. In this video, Moritz Janisch of Fenchel & Janisch gives newcomers some helpful tips on shooting better quality time-lapses in the city at night.

FPV drones have been on the rise the past few years but have had some minor issues with long range transmission and video signal. With DJI's new digital FPV system, there is a good chance all of that can change and more people can easily adapt to a new type of flying.

Making generous use carbon fiber throughout the 4K cube that will be released as the Arri Alexa Mini, Arri's newest camera takes a direct stab at RED's Dragon, as both feature incredibly similar specifications — even their 2.3 kilogram weight. Of course, Arri isn't new to the game; they know enough to bring some game with the Mini.

If, like me, you love cinematography, you probably have a few favorites in mind when you think of the term. But even the most dedicated film buff is unlikely to have seen everything on this list.

Getting into video is often thought to be expensive. Buying new cameras, new lenses and specific gear such as stabilizers or fluid head tripods. But what if you could save some money and film with your iPhone, while still getting an amazing quality out of it? In a recent video, Matti Haapoja from TravelFeels gives us a few ideas on how to create cinematic looking footage with our smartphone.

If you're into video effects (and are half the Calvin and Hobbes fan that I am) then you're really going to dig this fun, lighthearted, imagination fueled video created by Dreamworks animator Daniel Hashimoto. As part of Daniel's absolutely amazing personal project, "Action Movie Kid", son James repels the vicious advances of a great white shark, in an effort to save younger sister Sophia. Daniel promises us a proper behind-the-scenes video in the future but in the mean time offers up a great side-by-side video showing the before-and-after.

If you’re making a film, obviously the focus needs to be on the story. It seems that’s become the popular counter to a lot of debates about the fine-tuning of an image. While Roger Deakin’s mentality of “the type of camera doesn’t matter” can hold true on most levels, if we’re going to take ourselves seriously as creatives we need to be actively making decisions about how and why we create. Why do you choose this over that? And how does it affect story? One of the most important decisions you make as a director of photography or cinematographer is about lenses.

With a concept of traveling back through your childhood and experiencing that care-free, fantasy world of "pure imagination," Permagrin Films has put together an incredible time-lapse music video. In the article below, there's a full behind-the-scenes video and the producers of the film answer a few of my questions in a brief interview.

The camera many videographers were waiting for has landed in the hands of many reviewers, but not all of them are veteran filmmakers who will look to use it in a production capacity. Here's what Philip Bloom has to say about it.

Many photographers create video content to supplement their photography and they know by now that bad audio is a great way to destroy beautiful footage. They also know that's easy to break these delicate devices as we pack more and more gear into our bags. It was the constant breaking that led me to this shotgun mic which will not break your bank.

This amazing two-minute video was created using 48 DSLR cameras stacked side-by-side and a RED Epic camera shooting at 120 fps. The result is an amazing video that combines fire, slow motion, and bullet time into one amazing spectacle.

In just about every video I edit, during my last or second to last round of revisions I find myself having to add titles, credits, name graphics (lower thirds), and one or two other pieces of text to help explain and give context to the video. Here are my go-to techniques for cranking out decent looking graphics both quickly and efficiently.

LUTs are one of the essential tools in the video world. What in the world is a LUT anyway? If you're just getting started with video post-production, these two videos will give you a good kick in the right direction.

I attended the Third Annual NYC Drone Film Festival this year and I have to say I was beyond impressed with some of the work I saw. I expected a lot of cinematic, crazy drone filming type stuff, but I was glad to see that there were a bunch of categories for all kinds of different drone work that was submitted. From all this, I was inspired to keep going out there and creating the work I do and maybe even submitting something myself for next year. Here are the winners of each category, check them out and enjoy some of the work that went into all this filming!

Working at high altitude is always a challenge, but trying to follow fast moving objects that are actually people defying death is a whole other level of intensity. In this behind the scenes video for a Verizon Fios ad, Director Rob Cohen has wingsuit flyers recorded jumping off of a cliff, but then has to get creative to shoot the not-so-real landing. See how they did it and check out the final ad inside.

High-end beauty photography requires images to be as close to perfection as humanly possible both in camera and in retouching. There's often a myth circulated that beauty editorials are so heavily Photoshopped that they are in essence all Photoshop. This is simply not the case.

If you frequent this site, there's a pretty good chance you love photography. But how much do you actually know about its origins? Most of us rightfully jump to the camera obscura when thinking about the beginnings of photography, but how did we get from there to today's modern cameras? Have you ever wondered what the first photo ever taken was of? Or what the world's first color photo was of?

Oftentimes, while tending to mundane household or business-related tasks, I glance out the window and say to myself, "It is way too beautiful a day out today for you to not go out and photograph something!" It's a wonderful sentiment that many shooters have, I'm certain. I wish I could say that it is with regularity that I throw my camera bag into the backseat and make some dust. I usually don't.

While preparing for a shoot, whether it’s for film or photo, there usually is a few miscellaneous tools you don’t think of until you needed them. Sometimes they are really basic tools, when you realize you don't have them with you, you end up being disappointed that you didn’t think of it before.

With the wealth of strong video and hybrid cameras banging on the our gates, getting the most out of them is a conversation worth having. Here's one way you can add better dynamic range to your video.

The Wiral LITE is a portable cable cam kit. It’s small, lightweight, versatile, affordable, and strong enough to carry my mirrorless camera and pro lens. This may be a videographer’s dream.

Mark Seliger is, without a doubt, one of the great photographers of our generation. Seliger's prolific portraiture, out-of-this-world conceptual work, and his dedication to furthering photography has earned him a place in the ranks of master photographers such as W. Eugene Smith, Ralph Gibson, Richard Avedon, and Walker Evans. In this two-part video produced by Profoto, Seliger takes us behind the scenes of a recent shoot with rock icon, Lenny Kravitz.

What makes a photograph or movie memorable? With cinema as widespread as it is, a film needs to stand out in a big way, not only to succeed at the box office, but to be remembered in any capacity. As for photographs, it's the same challenge. We remember the Tiananmen Square protest photo because it captured the issues sweeping the globe in a single frame. Films like "The Shining" and "There Will Be Blood" are relatively simple in terms of visuals, but have stories that will forever make them classics. And that's exactly what makes a film or a photograph great: story.

Captain Disillusion is back again, and this time he's uncovering the various techniques used to create the famous “Tape Measure Tricks” video. How much of it is visual effects?