The light and airy look is a wonderful style and one that is highly popular with a lot of clients right now. However, many photographers trying to emulate it make a mistake that derails the image. This great video will show you the common mistake, how to fix it, and some helpful editing tips for getting the best possible results.

David Bailey is a master of portrait photography. His four month gallery exhibition “Stardust” just closed in London. It took 3 years of planning to put it together, and looked at his 50+ years as a photographer and artist. I got to see it before it closed, but if you didn’t get a chance to go, don’t worry – here are five things that I think made Bailey the success we celebrate today, and what we can learn from him.

Have you ever tried to photograph a black and white portrait, but had trouble getting the results that you were looking for out of camera? Maybe you have played around in Lightroom, or used a simple adjustment layer in Photoshop to convert your image to black and white and adjusted the color channels, but the results were just not dramatic enough for the look that you wanted to achieve. In this tutorial, Andrei Oprinca shows you how to create a dramatic, faded, vintage-looking black and white portrait using Photoshop.

Most tutorials focus on one aspect of the shooting process or another, which can sometimes make it a bit difficult to understand why each creative decision was made at different steps of the process. This great video follows a photographer from planning to finished image, giving an overview of the shoot, what difficulties he faced, and how he overcame them.

Go behind the scenes with one of the worlds top high-end retouchers, Pratik Naik, in this two part video as he walks us through his process of working with a model shot by David Geffin. Exploring the fine line between retoucher and photographer you can see his passion for what he does and the understanding it takes to capture the photographers vision perfectly.

As a wedding photographer, outdoor couple shoots are undoubtedly my favorites. On the big day, it gets overwhelming with little scope to get planned shots. We tend to go with the flow. For this reason, outdoor couple shoots are a treat to any photographer as it offers a lot of time and space. Here are my two cents on how to make your outdoor couple shoot an enjoyable and a memorable one.

As a photographer, my lens has been my window to the world, a conduit through which I've captured the grandeur of nature's landscapes. From the sweeping vistas of mountains to the tranquil embrace of forests, I've dedicated my craft to preserving the beauty of the outdoors. Yet, a whisper of curiosity has tugged at me, urging me to step outside my comfort zone and explore the realm of portrait photography for a long time.

Walking up to a complete stranger and asking them if they would like to have a photo taken of them is a challenge for some people. This is exactly what Jessica Kobeissi set out to do, but she wasn’t alone. She decided to have the duo from Mango Street, Rachel Gulotta and Daniel Inskeep, join in on her escapades in the streets.

It used to be that if you wanted to edit portraits, you would head to Photoshop. However, in recent years, Lightroom has gained more advanced capabilities, and now, with its powerful new masking features, it stands as a viable alternative for at least basic to moderate portrait edits. This helpful video tutorial will show you how to take advantage of those new features to edit your portrait shots in Lightroom.

Outdoor portraits with a dramatic sky behind the subject are a popular and timeless look, but usually require an off-camera flash to get a proper exposure on your subject. If you are new to working with artificial lighting, this excellent video tutorial will show you how to use off-camera flash to balance ambient light and produce a compelling portrait.

A one-light portrait setup may seem simple, but it needn't be. There are so many different ways to manipulate artificial light that even if you limit yourself to just one, you can create a plethora of different, interesting looks. Here are twenty-one different lighting setups for you to try.

Matthew Jordan Smith has gained a reputation as one of the industry's top fashion photographers and also as one of the leading photography educators. Those of us who have seen Smith teaching or in interviews have been left with the same impression: he is a photographer and instructor that is forthcoming, sincere, and passionate. My experience in interviewing him proved all of these to be correct. Smith was both very candid and insightful, and here are 10 takeaways from my interview.

Modern cameras are small marvels of technology, with capabilities that would not have been dreamed of even a decade ago. And while they are wonderful tools to have, it is important to remember that they are still the means, not the end. To help prove that point, this great video shows that you can still create compelling images even with the cheapest cameras.

Go behind the scenes and witness what it felt like to have a lung collapse through this striking and intimate photo series called "Admitted." The last week in March is one that I will never forget.

Sometimes, you want the look of natural light, but there simply is not enough of it available for a properly balanced exposure. With a little bit of know-how, though, you can replicate the look of natural light, allowing you to create that look whenever and wherever. This helpful video tutorial features an experienced photographer showing you how to do just that.

We all know that cell phones take photographs that are just as good, if not better than DSLRs or other larger cameras. And this new video ad from Apple proves it.

What do you do to continually push yourself and develop your work? Often it can be tricky to figure out how best to push ourselves, as well as keep the momentum up to continually do so. The best photographers I know are constantly pushing, challenging themselves a little each day and now one of them has given us the chance to up our game - welcome to the next 10 days of the 'Stay Out There' Lindsay Adler challenge.

I’ve always been a fan of big lights. There are certainly situations where they aren’t appropriate, but a lot of my work is centered around big, soft light. What has always drawn me to large sources of light is their versatility. Almost every subject looks good with soft light. Because large light sources cause such soft gradation in the shadows, they can be useful for both younger subjects with smoother skin, or even older subjects that may have wrinkled and scarred skin. However, there is one thing that should be cleared up: the definition of a large light source.

New York City born photographer/artist Roger Ballen spent the better part of the last four decades in Johannesburg, South Africa. In that time he has produced a body of work that has been described as a fictionalized visual dialogued between individuals, their architectural space, found objects, and domesticated animals. His approach has been hailed as among the most unusual and exciting developments in contemporary photography.

If your wedding client asked to have a customized pre wedding shoot halfway around the world, how would you treat the opportunity? Simeon Quarrie, who has developed a reputation for himself as an incredible creative and committed photographer jumped at the option to be flown to Jaipur, India to shoot in a unique setting for his wedding clients.

Each and every photographer has their own unique way of working with models, cameras, and light. It’s something that clearly shows through in the series Jessica Kobeissi has developed in which different photographers shoot the same model. In the most recent episode, she brought Dani Diamond and Brandon Woelfel back for a new shoot, but this time they added a few obstacles to make the challenge more fun.

The Canon EOS R gained Sony-like AI Servo Eye AF with a firmware update earlier in the year, and now, photographer Manny Ortiz takes a look at how it performs. The short answer is that it’s definitely way better, and he says as much, but the real reason to watch the video is to see Ortiz in action on a portrait shoot. It’s fascinating.

Photographer Brigette Bloom draws from her start in documentary photography to create mystical, story-driven work. A concept photographer, Bloom works with Impossible Project Polaroid and 35mm film, which she often alters to create interesting effects (you may recognize her as “the photographer who pees on her film.”) I spoke with Bloom about her captivating “Kaya” series, and her overall process as an artist.

The beauty of artificial lighting is that you can create fantastically creative and compelling shots that simply would not be possible with only natural light. Using a snoot and gobo is one such possibility, and this excellent video tutorial will show you how one photographer lit, shot, and edited such images using them.

For many photographers, the pursuit of passion is often overshadowed by the looming fear of financial instability. Visions of artistic fulfillment are frequently interrupted by sleepless nights, wondering if next month’s bills will be covered. In a saturated market where every other person with a camera considers themselves a photographer, standing out and making a comfortable living can seem like an elusive dream. But what if amidst these swirling doubts, you came across a story so compelling, it reignites the fire in your belly and renews your faith in the power of persistence and innovation?

I've always been a huge fan of Annie Leibovitz's work. I hear she's one of the hardest photographers to work for - as it probably should be. She can make even Lady Gaga, Queen of Eccentric, look elegant for Vanity Fair's January 2012 issue. While this video doesn't explain much about her lighting technique or how she achieved each photograph, watching Annie behind the scenes is always a treat. Most of her lighting situations in this video are very simple using only a Photek Umbrella and a diffusion cloth attached to it.

Parabolic softboxes are all the rage in the lighting world. It seems like you can't check out lighting videos on Youtube without coming across one. But with price points all over the place, I was reluctant to pick one up for fear of spending too much money on a modifier I wouldn't like or use. Then, I came across the budget-priced Selens Parabolic Softbox. With a price of about $100 and good reviews, I was ready to pull the trigger. Here are my thoughts and video review.