Polaroid is a brand many have forgotten, a true classic of yesteryear, but today they seem to continue to push out new and innovative products that can be used by any type of photographer. Last week I reviewed the Polaroid Snap Touch and today, I am checking out the latest BrightSaber. A powerful yet portable light in a form factor many find appealing to those on the go or wanting to simplify their gear.
Camera sliders are often one of the first accessories that independent filmmakers purchase, just after a tripod and microphone. The simplicity in their design and valuable ability to create subtle motion instantly add production value. Cinevate recently updated its Duzi slider to its fourth version, and I got a chance to review one this past week.
A while back, while on a shoot for Crystal Bridges Museum of American Art here in Northwest Arkansas, I was asked to get a shot of the museum’s executive chef and the Director of Culinary for their members magazine. Time was short, the kitchen was starting to prep for dinner service, and every second I was there I was inconveniencing someone. I had to get in and out quickly and create a dynamic image in the process. Here’s how it happened.
While it certainly wasn't my first time using one, a recent shoot I did for TEDx at the Ohio State University made me realize how much easier life is with a light meter. For almost all the time I've spent behind cameras, I've been creating portraits. And for most of that time, I've been using flash. Starting out, I would just shoot and tweak power settings and my aperture and the light placement until I got what I wanted. As an amateur, it worked. But once I decided that photography was a career for me and as I began picking up client work, this method became quite ineffective, forcing me to get the one tool I never realized I needed.
Shooting a beauty video is not quite the same as shooting beauty portraits. While in still photography there is a single frame, in video you can use the power of the moving image to tell a superior story. Here are three cool techniques that help to create this beauty video clip all in camera.
If you reside anywhere that’s similar to the sleepy little town I live in, you’re aware that there aren’t many opportunities for children to get hands-on with art; especially photography. In light of this fact, my wife and I decided to create an opportunity for youngsters living in our home town to spend a morning with us expanding their knowledge of photography.
So many photographers dream of shooting the Pirelli Calendar, but so few make it. German Photographer Peter Lindbergh shot the 2017 edition, and he’s probably someone we can all learn from. There must be a reason as to why he is working with all the big names in the cinema and modeling industry. For those like me, who love watching other photographers at work to learn, you must watch this hour-long behind the scenes video of his work for Pirelli.
Have you ever seen those amazing shots that show a subject holding its place in the frame while the background falls away or becomes extremely compressed? This is called a "dolly-zoom," and you've likely seen an example in films such as "Jaws" and "Goodfellas." While we don't typically use a dolly-zoom when filming interviews, we can learn a lot from studying what happens to an image at different focal lengths. In this video and article, I'll discuss the visual effects created when choosing a wide versus telephoto lens for documentary-style interview productions.
There are plenty of mistakes beginner photographers make along the road to becoming a seasoned pro. While it's important not to be discouraged by small, correctable mistakes, it's equally as important to acknowledge them. In this short video tutorial, Mango Street Lab lay out three common mistakes that beginner photographers make in a clean and understandable way.
As photographers, we're often found shooting familiar subjects in everyday spaces. It's not uncommon for us to be found in some rather precarious positions from time to time as we invest ourselves in attempts to separate our images from the rest. Whether it's squatting down in the mud or climbing up a tree or a sketchy ladder, we do what it takes to get just the right angle to portray our subjects in the most appropriate way. In this short video, Photographer Ted Forbes talks about how shooting at a lower camera angle can help add depth and drama to your photographs.
In a previous article, I shared some tips on scouting locations for a documentary video shoot where interviews would be captured. The next step is to decide on a frame that complements your talent, topic, and tone. In this video, we discuss background elements we see in potential frames, any why one “look” might work better than another.
When doing a documentary-style video production, an interview or series of interviews is often at the heart of the content. Uncontrollable lighting, background noise, and the size of the space you have to work in all play a significant role in capturing a quality testimonial, so location scouting to check on these is an important facet of our production process. In this short video, Joshua Pardon and I explore two rooms at a location and discuss what we look for when making a decision on where to set up for a shoot.