In this informative video from Jay P. Morgan of The Slanted Lens, Jay goes back to the basics to show off the principles of light, and how they affect a sphere. Whenever a light is added to a subject, five things happen, and this video explores what is created, and how to control it, which ultimately will help you to craft your final image in a photo or video.
Tabletop product images, especially those shot top down, are very popular in recent years. They can give a clean and minimal design esthetic while still clearly showcasing all components of a product. It's no wonder these types of images flood many company social media pages. This video from Cinematography Database offers a good look at how to achieve a pleasing light setup for such work that mixes both hard and soft light.
Our behind the scenes series during the filming of Where Art Meets Architecture II continues today with episode six. In this episode we fly to Hawaii, get ripped off by Delta, lose one of our bags and our drone, and film our first lesson at a house built in the middle of a lava field.
Even though she doesn't have a professional portfolio website, her name is widely known. Annie Leibovitz has done yet another nice shoot. This time it is for a Lincoln Continental campaign. Her style is very distinctive — both working with the subjects, lighting, and post processing. Although her lighting is simple, many photographers find it hard to achieve such a look. There are details that are not obvious if we look only from the technical side of her work.
Cars are beautiful pieces of machinery, some more so than others. Photographer Philipp Rupprecht came across a chance to shoot a Porsche 918 Spyder as soon as it was delivered, which almost took a year to begin. With a chance to shoot an amazing automobile, I probably would have waited as well. Philipp and his team where able to take the Porsche to a 100 year-old locomotive hall that's usually available for large events; I'm very envious of a location like that.
Whenever I am working with models on a shoot, I always have their best interests at heart. You may say I care too much about my models, but I am alright with that. No one badmouths a caring photographer. I have seen firsthand how some models are treated badly on set and it saddens me to see how bad attitude from photographers can ruin the photographer-model relationship and also lead to bad photos. Knowing how to build a relationship upon meeting your model and engaging in a photoshoot with the latter is a must and I asked a couple of models for advice to write this article.
When you think of photographing jets above rising cityscapes, some of you may think initially of a "Mission Impossible" type of situation: a daring photographer in a flight suit and goggles strapped to the back of a military-looking plane with the cargo ramp down, snapping off shots as they fly through the air. Sure, it's been done, maybe not to that extreme, but you get the gist. However, Dallas-based Automotive Photographer Pepper Yandell shows you his trick to getting those picture-perfect photos, and it's much less dangerous and extreme than what you may have first thought.
In this thoughtful video from Dedo Weigert, "catch lights" (or "eye lights") are analyzed in-depth, with many examples and explanations as to what different effects are created by their use. Placement, intensity, shape, and direction can all play a subtle but very important role in when it comes to a catch light, and what a director or cinematographer wants to communicate from their character can drive that decision.
Audi took advantage of Monday night's presidential debates with its "Duel" ad spot. Nearly the entire clip plays in reverse, allowing the chronology of the true story and how the action unfolded to the point at which you began to unravel itself in an action-packed scene. The rewound clip -- fit for a 007 film -- features quite the production, complete with excellent, blockbuster-born sound effects to sell every punch and shattering glass shard. But it doesn't take much studying to see this was hardly as easy as rewinding an otherwise-normal action sequence: it took great audio to create this spectacle.
Parabolic softboxes are all the rage in the lighting world. It seems like you can't check out lighting videos on Youtube without coming across one. But with price points all over the place, I was reluctant to pick one up for fear of spending too much money on a modifier I wouldn't like or use. Then, I came across the budget-priced Selens Parabolic Softbox. With a price of about $100 and good reviews, I was ready to pull the trigger. Here are my thoughts and video review.
Once you start doing a lot of video editing, watching your favorite movie or TV show is never quite the same. The way dialogue scenes are cut together, the framing of characters in a shot, and of course scene transitions. In this supercut from the popular TV Show "Stranger Things," see how the editor used a variety of cuts to create compelling transitions.
Recently I found myself going through Facebook when I came across one of Benjamin Von Wong's videos. After watching the video by Empty Duck Digital, I felt like he hit the nail right on the head with his response to people's common questions of “What preset do you use? What equipment do you use to make that happen?” Like he states, people are always searching for the fastest and easiest steps to speed up their workflow. I understand why, but at the same time, most of it can’t be done. “Time and hard work” are his answers, and I completely agree.