I remember seeing this video when it first came out and it stuck with me. Then, while planning a shoot with some lion cubs this coming weekend (you may launch jealousy fuelled insults my way for that), I looked it up again. When photographer Chris McLennan attached a DSLR to a remote control 4x4 car and then drove it across the plains of Botswanna in to prides of lions, it yielded — rather expectedly — unique and beautiful results.
When National Geographic calls and asks you to take on a project that involves capturing one of the most photographed places on the planet, how do you come away with something new or unique? Six photographers took on this challenge and shared their stories and images in this short video.
It happened. After years upon years of drooling over large format photographs in books and on the internet, I finally pulled the trigger. I got a 4x5 camera. Many of the masters I've looked up to used large format for their portraits and I've always wanted to try my hand. Here are my first observations of trying to tame the beast. First thing I noticed: this isn't easy.
There are few shoots where everyone involved gets to have a great time, but this is one of them. Sony Electronics teamed up with Tony Hawk and Aaron "Jaws" Homoki to conduct a photo shoot of skateboarding in zero gravity. I had to take a moment when I first read the video's description to quash my simmering jealousy at how unthinkably enjoyable some people's lives are. The official press release doesn't hold back on inciting jealousy of both the content of the shoot and the tools at hand (for both Sony shooters and camera nerds with less allegiance).
As long as I can remember, I've adored summer and heat, and when the season comes, my head starts exploding with ideas that I can realize outdoors without the limitations the cold weather brings. The usual scenario is generating an idea and seeking locations to make it real, but my most outstanding shots were done when I got inspired by the location. I have already described how that inspiration happens in my previous post on my "unLimited" shoot. It was the same was with "Summertime." When my sister moved to her new apartment, I started looking around, and the moment I looked down from her balcony, located on the 5th floor, I knew something would happen there.
Alexis Cuarezma is a San Francisco – based sports photographer, who specializes in both on-location and in-studio portraiture. In this video Alexis walks us through his photo shoot with IFBB Bikini Pro, Ashley Pfaff, providing a great sense of the process. He begins with the mood board and guides us to the final result, explaining his lighting choices and techniques.
The rock band Garbage is out with the first single off their forthcoming album "Strange Little Birds," and while the track is undeniably awesome rock fare, the visual geek in me cannot get past this extremely cool camera effect that invokes "bullet time" from The Matrix. I have a hunch as to how it was done.
We've covered photographer Ty Foster's "Lick" series before, but his latest creation, "Lick Puppies," takes this a step further by using only puppies and their particularly tiny tongues. Every puppy in this series is busy licking its nose, just coming up from licking some organic peanut butter — the choice lick-inducing food of the viral animal photographer.
Russian President Vladimir Putin was named Time Magazine's Person of the Year in 2007. Photographer Platon was selected to take his portrait for the cover, an image which has now gained far more reach and notoriety than just the magazine's cover. Here, he talks about his experience photographing one of the most powerful people in the world.
Oh, what's that? I'm using flashes to take a portrait? Well let's turn those bad boys up to 11 and make that subject pop! When you're first learning to light with flashes, the temptation can be overpowering to drown out all the ambient light in your scene to make your subject stand out. I'd argue that, at least for environmental portraiture, sometimes subtlety with flash is a more compelling way to go.
One of the most exhilarating aspects of environmental portraiture, especially when out on assignment, is that you never quite know what your shooting environment is going to look like. If I had a nickel for every time I walked into an awesome location, only to be quickly shuttled off to a closet-like space to do my work... Well, I'd be able to buy a sandwich. But a really nice sandwich. Here are some tips that may save your sanity while trying to compose an interesting portrait in a postage stamp sized room.
The latest fantasy shoot from the Slanted Lens instantly brings to mind the incredibly Academy Award winning movie Mad Max. With the help of a local junk yard, some incredible styling, and creative lighting, Jay P was able to execute an eye grabbing shoot. Check out just how he did it.
I am a wide angle fanatic, especially when it comes to prime wide angles. I carry four lenses in my camera bag: two of them are prime wide angles, one prime nifty fifty, and one telephoto. Out of all these four, I found myself reaching just for one particular lens: the Sigma 24mm f/1.4 DG HSM Art. This came to substitute my old Canon EF 28mm f/1.8 USM lens which I adored, but it used to struggle a bit with chromatic aberrations and at times I craved for a wider view.
If you have not heard of Casey Neitstat yet, go check him out and come back when your done, it might take awhile but it will be well worth it. The guy is a serious talent in the film and social media world, with his own unique style and technique to movie making. This short film by Tom Bryan is an outstanding example of what each of us should be doing with our creative work. Bryan has plans to create a short film each month for the next 12 and has started it off with a bang.