Behind the Scenes

The final image rarely tells the whole story. Behind the scenes content pulls back the curtain on how photographers actually work — the lighting diagrams, the location logistics, the decisions made in the moment, and the problems solved on the fly. This section features shoot breakdowns, workflow reveals, and candid looks at what it really takes to produce professional photography.

Real-Time In-Camera VFX: Next Generation of Filmmaking

Visual effects (VFX) are a great way of achieving spectacular results when the budget doesn't allow filming for real or it's too risky for the actors. Up till now, these were achieved mostly by filming on green or blue screens. This new way of filmmaking presents a way for shooting scenes with VFX directly in camera.

Paolo Roversi Directs Pirelli’s 2020 Calendar

The esteemed Italian editorial photographer Paolo Roversi, known for shooting on 8x10 Polaroid, directed the Pirelli's 2020 Calendar. Past calendars have been shot by iconic photographers like Annie Leibovitz, Tim Walker, and Albert Watson.

Shooting 12 Models In 24 Hours With the Fujifilm GFX 100

Today, I’ll take you for an in-depth look at a new extensive project I shot with the Fujifilm GFX 100. It will be a longer essay meant to give you a hands on experience to help decide if the camera is right for you.

Lighting Tutorial: Night Interior and Thunderstorm

The beauty of well-lit interior situations is when you can't guess how it was set up or it looks natural, as if the practicals in the room served as light sources. In this lighting tutorial, you will learn how to create a convincing scene of a cozy night interior and a fierce thunderstorm on the outside.

How to Shoot a Short Film

Have you ever wanted to shoot a short film? I've had ideas, which in my opinion, were great ideas, but it's not often that I grab a pencil and paper to start developing a storyboard, until this video. 

50th Anniversary of Moon Landing Inspires Incredible Image

It wasn't easy to put a man on the moon. Just ask photographer Christopher Sherman, who recently set out to pay homage to one of humanity's greatest feats, the Apollo 11 mission, when Neil Armstrong first set foot onto the moon 50 years ago. 

Photography Tips: How to Use Color Effect Gels

Telling a story doesn’t stop at your subject in photography; everything in an image gives the viewer context clues to build a narrative around. One of my favorite ways to facilitate interest and story in photography is incorporating color effect gels into the scene, but what are the best ways to use them and why?

How I Shot These Rooftop Fashion Images

I shot these images for fashion ecommerce store Zilingo when we were doing a recent campaign/catalog shoot. What a fun team to shoot with! They really have a vision for what they want to pull off and are very supportive in terms of getting there. 

Behind the Scenes of Erik Johansson’s Work: Stellantis

Erik Johansson is an award-winning photographer and digital artist, known with his surreal composite images. He recently published the behind the scenes video of his project Stellantis, where he shows the pre-production stages and how he achieves the final look on his composite image.

The Art of Portraits: Telling a Story with Gavin Hoey

When you move beyond the technique of capturing people with appropriate lighting, while maintaining a flattering expression and pose for the subject, what should you be adding or recreating in your imagery next?

How I Shot These Studio Beauty Images

I’ve always loved the color red and the emotions it invokes. I suppose that's the fun thing about backgrounds, props, and general settings in that a color theme can evoke so many different thoughts and emotions. Needless to say the power of a model is critical but what you can create around the model can go a long way in conveying the feel you’re aiming for.

How to Master This Cinematic Lighting Setup

Understanding how to use light is one of the most important lessons a photographer needs to learn. Master this easy yet effective setup before your next shoot.

Photographer Uses Robots to Shoot Commercial Videos

As advanced technology becomes more affordable, we seem to be seeing more and more photographers and videographers using robots to help them create jaw-dropping work, which requires precise movements. These machines are no longer only in the domain of the likes of NASA, Google, or Hollywood — and that's really exciting.

Fujifilm and Elia Locardi Team up in New Webseries

Elia Locardi, famous for taking beautiful landscapes and cityscapes, and refusing to go skydiving, has recently teamed up with Fujifilm, Smugmug, and Flickr to create "Moments in Time", a new webseries following Elia around the world on his photographic journey.

Photographing the Milky Way From an Airplane?

If someone said that you could shoot the milky way right out of a plane window, what would your first thoughts be? Would you say given the right time and location it's possible, or would you say no way without a tripod?

Using Relative Color to Improve Your Photography

White balance is drilled into our head as a particularly technical thing to adjust in our photography and not really something we can use creatively beyond "Warmer or cooler" but there are so many creative possibilities out there.

Shooting Large Format Portraits for the First Time

Have you ever wondered about what goes into producing images with a large format film camera? Take a look behind the scenes as photographer Willem Verbeeck tries out large format portraiture for the first time. 

Get Precise Control of Your Light With Cinefoil

A lot of my work has light placed in very precise spots, just over the eyes, or the lips, or just on one spot on the face. I often get asked how I do it, and instead of just saying the product, I thought I should go more in depth and talk about the ins and outs of how to get the most out of Cinefoil.

Hard Light From a Softbox: Creating Compelling Portraits with Daniel Norton

Photographers love soft light and the “wrap around” quality that large modifiers can deliver. We contemplate the large parabolic softbox we need to purchase or the huge umbrella that will help us make window light anywhere. For impactful portraits that are just as compelling maybe it’s time you took a look at hard lighting.

How Felix Renaud Shot Personal Project: Section Fumeur

When photographer Felix Renaud first discovered photography, a world of possibilities opened to him. With his background of drawing and cinema, he is drawn towards treating his images as if they were drawn from a film or inspired by a painting. He enjoys creating the ambiance and characters for his images.

The Importance of Exercising Your Creativity

Creativity comes in many forms, but something that all disciplines have in common is that you need to practice — not just your technical skill, but the act of thinking differently. 

Three Concert Photography Tips

Have you always wanted to photograph live concerts, but are anxious about how to start? Were you recently hired for your first concert photography gig, but don't still looking for more ideas on how to capture great moments of the show? Well look no further, and keep reading. 

How I Combined Art and Photography to Bring Awareness to Social Issues

Combine sculpture, photography, and a powerful message to bring social change to the world and you get a series of impactful works that can bring awareness to important issues. In the case of this personal photography project, I covered my bathroom with over 3000 ibuprofen tablets to bring attention to the widespread problems with drugs and addiction.

Profoto Answers Sony Shooter's Prayers: The Profoto A1X Is Here

When the original Profoto A1 entered the on-camera flash market, one huge hiccup that many photographers saw was the lack of a Sony option in the speedlight. Now, with a more robust and tweaked flash being released to address that concern and others, how does the new Profoto A1X stack up to its predecessor?

What Is Reductive Lighting?

Lighting a scene is usually associated with placing light sources of certain quality, shape, and power on various places to illuminate parts that have to be visible to the camera. There are ways to light a scene not only without any additional light sources, but also without any white or black bounce-boards.