We’ve all been there, stuck with bad light and fresh out of ideas. I may spend up to an hour pre-lighting before a model or subject steps onto set, I work out the kinks and make sure everything is how it should be. But, despite my best efforts to make it right, every now and then I run out of time and have to wing it. We all have our “go to” lighting scenarios, but when you’re standing in unknown territory, keep the following tips in mind and you just might make it through the storm.
Trials cyclist Danny Macaskill released a new video featuring a ride through unthinkable terrain in his homeland of Scotland. The daring exploit took place on the Cuillin Ridge in the Isle of Skye, where the spectacular scenery alone is worth the price of admission. The beauty of the Scottish landscape, mixed with the technical and dangerous mountain bike riding is absolutely thrilling to watch. The pinnacle shot, where Danny climbs up a ridge with bike in tow, closes the film and solidifies Danny as a death defying badass. We reached out to the director of the film, Stu Thomson, to ask a few questions about the making of this project.
In a recent article by Jaron Schneider about the Metabones Speedbooster on a Black Magic Pocket Cinema Camera, several readers had questions about the model designed for the GH4, whether this one would work with it or not, and other comments. I bought one of these a week ago and wrote this article to tell you what works, and what doesn’t.
It’s one of those iconic images that makes your camping trip look like an epic experience of a lifetime. In this segment of AdoramaTV’s “Getting the Shot,” Corey Rich takes the mystery out of how to capture your own glowing tent photo. From gear to technique, this video goes over all the basics to have you prepared for your next adventure.
Can you imagine having the unlimited golden hour for a photo shoot? In this incredible video project created by photographer Simon Roberts and NATO pilot Jonathan Nicol they were able to exactly that. By exact calculation and plenty of research they made the sunset last as long as possible, here is how they did it.
Mercedes-Benz – yes, the automobile manufacturer -- has shared a nice video featuring The Impossible Project and their quest to bring instant film back to the marketplace.
As the video explains, six years ago IMPOSSIBLE started with a factory and little else. The company was able to redevelop the necessary processes and materials to produce instant film. They now offer 600-type film, SX-70-type film, and even 8x10 black and white instant sheets.
Having just started in photography two years ago I have a strong passion for creatives willing to share their passion and tips with the community. Fstoppers included, its one of the reasons I found all the information I needed with little to no cost starting out. Skillshare is launching an exciting series of classes highlighting how some of the best photographers in the world do what they do best, take incredible photos and share them with the world.
I get asked day in an day out; "What is that big black box on the front of your lens?" Well, it's a matte box that mounts glass filters in front of your lens... the LEE Filters System. In attempt to cover the question I recieve so often, I wanted to address it all and explain the system, but my friend and fantastic photographer Dave Kai Piper beat me to the punch! So, instead of writing my own article on the matter, I thought it best to simply share his article...
The Maze Runner, a new film by Fox and Dayday Films, is a new film in what seems to be a trending list of young adult dystopian movies to be released recently. In these behind the scenes featurettes we can see a small glimpse at how they filmed the movie and how the special effects were created.
All this week at the Photoville NYC festival, Tyler Stableford is hosting a gallery exhibition featuring his work from "The Farmers" project. This Saturday there is a reception which is free and open to the public if you'd like to check out some of the amazing prints from Tyler's latest passion project. This behind the scenes video gives you a look at the photography as well as the printing process involved in making this work come to life.
We've shown you how the USAF Thunderbirds get their amazing imagery, but how do others do it? Go behind the scenes with aerial photographer Liz Kaszynski in this incredible video highlighting what goes into the process for the most epic military jet photos in the world. Liz explains where she travels along with the strenuous training that goes into shooting such an interesting subject matter.
Ever since the Sony a7S was released, the photography world has been abuzz about its incredible low-light performance. The folks at California based Carbon Studios were motivated to test just how well the a7S would perform under the dim natural lighting conditions of a full moon. Enter their latest short film, “Moonlight.”
Mountaineering photographer Robert Böesch stood at the ready, next to several cameras as he waited for the right conditions and timing, to capture an unbelievable exposure of the Matterhorn Peak, one of the most notable mountains in the Alps, if not the world. What made the image so special was the team of mountaineers already in place, each with red lights to illuminate the first route ascended on it 150 years ago. This video shows how it was done.
Austin Mann recently got hold of the new iPhone 6 Plus after Apple’s Keynote at the Flint Center in Cupertino, California. In partnership with The Verge, he set out on an amazing adventure through Iceland with the phone in tow. His reason? He wanted to put the iPhone 6 Plus camera through the test to see how much has improved since the iPhone 5s. His results? From focus pixels, focus control, time-lapse and slo-mo, Apple has made all the right improvements and innovations with their iSight camera. The new features are “enabling iPhone users to better capture and share life” says Mann.
The old photographers’ saying, “It’s not the camera, it’s the photographer” sounds like a self-serving flattery when it comes out of the mouth of a photographer, yet has never been more accurate than today. Its ironic how, as a professional photographer, I posses the knowledge of manipulating the most sophisticated gear and cameras available, yet when I shoot an image on the iPhone the resulting image is an embarrassment. Rushing to my defense I’ll utter each time, “I’m a terrible iPhone photographer…” So when I see amazing images, shot with the iPhone, I’m impressed with what can be achieved.