The beauty of studio shooting is that you have absolute control over every aspect of your final image. From makeup, to the general lack of ambient light to deal with, to the subject in front of your camera, everything is up to you. This can bring some challenges _ namely, you as the photographer are also the director of the entire shoot. If something isn't going right, it's your responsibility to fix it. I apply this to everything in life, but it's especially relevant in assembling a successful shoot. Remember the six Ps of life: proper planning prevents piss-poor performance.
Last week I wrote a post detailing my frustration with getting airline agents to check my bags under the "media rate" that I am entitled to as a photographer or "film making crew." I decided to print my own media pass so that this will never be an issue again and today they arrived.
Along with drone technology and the advancement of user-modified drones, another thing that has also been evolving is LED technology and the way people use it. In this four-minute video, you will see a good example of the combination of these two technologies, as Stratus Productions mounted a 1000-watt LED light to a Freefly Systems Alta 8 drone.
For a long time as a photographer, I did not have access to a studio nor did I have the necessary lights to help create a studio setup indoors. And let’s not talk about renting studios! So, in absence of a studio, I came up with one easy way to create the studio feel, which you will find is pretty cheap.
The original Game Boy is one of the most iconic gaming systems of all time and as such, continues to inspire the internet to utilize both its aesthetic and its hardware in new and creative ways. There's just something about it, the weight, the feel of the buttons, watching the Nintendo logo scroll down that screen when you first boot up a game, that can't quite be described if you weren't able to experience it as a kid. That same nostalgia is what led Gautier Hattenberger to give his old Game Boy a breath of fresh air.
Most photographers have a tripod laying around, but tripods and overhead shots don't always mix well. If you've ever tried taking an overhead shot with a tripod, odds are you have had the legs get in the way. One way to get around this problem is to use an overhead camera jib, and YouTuber Energy Researcher has crafted a great DIY version that works well and is extremely budget friendly.
This low-tech alternative to digital photography can produce stunning art. Last year, I've recovered five out of ten “cameras." Some are found by others and stolen, others are simply blown off by a passing storm. Yet others are removed by bomb squads... I'm sharing these pictures with you, which are scanned negatives of black and white photographic paper. The brightest parts are the sun's streaks, burnt and etched in the paper - along with bubbles, rips and sand that texturize the images in bizarre ways.
As photographers, we have a never-ending, ever-perpetuating growth of photos piling up on our hard drives. Inevitably, whether that work is professional or personal, our photos end up taking space on cloud storage accounts that we keep upgrading whenever we reach the limit. But what if you could cut the size of these files in half without losing any visible quality? You could save a lot of headache, not to mention, money.
Nick Carver is no stranger to going big. Not only does she shoot big negatives on big cameras, but he's immensely passionate about printing and framing and making sure work both fills and compliments a space. In this video he goes through the process of scanning a panoramic 6x17 Portra 160 film negative, sizing up a space on the wall for the final 6-foot print, and even building a custom frame for it.
3D printers have recently become cheaper, more reliable, and more capable at the consumer level. On the same token, photographers constantly need all sorts of miscellaneous parts: adapters, clamps, rings, etc. It seems like now is the time for at-home 3D printing to take hold.
Multimedia projectors have become so affordable in recent years that it is quite likely that you either own one or know someone who does. This is good news for filmmakers and photographers who are interested in achieving a unique range of eye-catching lighting effects in-camera.
Photographer Felix Hernandez has done it again. If the name doesn't ring a bell then you might know him by his amazing miniature photography such as "The Love Car" or his "The Crow & The Dove." These projects has been floating around on the Internet, and we have an exclusive on his new project called "The Wardrobe."