Film Photography

Many digital photographers appreciate the look of film, but don't own the necessary equipment to shoot it, whether that is due to the hassle or the cost. There are many ways to mimic the look in post-production, however, and this great tutorial will show you such methods to do it. 

The Nikon D850 is all over every photography blog and for good reason.

While the world grows increasingly digital, there’s something that draws humans to the physical gratification of analog media. Whether it’s the surge in vinyl record or cassette sales or the cult VHS collectors, it’s clear that there’s a deep-seated nostalgia that draws many of us to physical mediums.

If you're looking to try out film for the first time, the veritable myriad of choices can be a smidgen overwhelming. This remarkably comprehensive guide will tell you everything you need to know about all the 35mm ISO 400 options on the market right now. 

Humidity, sunlight, water, and most of all, time, are just some of the culprits in the damage most printed photographs will endure. However these memories of loved ones do not need to be thrown away or thought to be unrepairable. A few layers in the digital world can bring it back for your clients. 

Photographer Monica Jane Frisell has spent the last four months living out of a renovated 1988 Toyota Seabreeze, traveling across the United States with her scrappy terrier Lou and a Zone VI 4x5 camera for her project “Looking Forward/Portraits from an RV.” I caught up with her to talk about the project, life on the road, and the process of shooting large format film.  

You know that someone somewhere did a great job of marketing when it's late at night and something pops into your head, from who knows where, and you find yourself jumping online to make a small new purchase. No, I'm not talking about an expensive new lens or shiny new piece of gear; I'm talking about what amounts to an inexpensive accessory that tags along on your photo sessions.

Back in April, I ventured on a trip to Havana, Cuba with the lofty goal of capturing the culture and people there within with my favorite little 35mm film camera. With the recent news that President Trump plans on buckling down on all travel and trade to Cuba, I'm all the more grateful than ever to have made the trip when I did.

Whenever my girlfriend and I see antique stores or vintage markets, our eyes light up. Her eyes are lit up with dreams of bone china tea sets and antiquated woodworking, whereas mine are bright with visions of a dusty Hasselblad in a forgotten corner, or spools of unprocessed and antiquated film.

Ah, scanning. If you're not printing in the darkroom, it's a necessary evil when dealing with film. You could argue that outside of the moment of exposure, scanning carries the most weight in determining the quality of the final image. For those that choose to develop their film at home, scanning is the next step in our workflow.

Matthew Modine played the lead role of Pvt. Joker in Stanley Kubrick's iconic film about the Vietnam War. Modine used his personal Rolleiflex camera to capture behind-the-scenes images of the almost two years the film was in production. Now, he is auctioning 12 of those images off with a portion of the proceeds going to benefit the Purple Heart Foundation.

CineStill is best known for its 35mm motion picture films that it processes and repackages for use in still cameras, but it's only recently that they dove into medium format with a high-speed, 800T (tungsten-balanced) film. Right now, 50D, a fine-grain daylight film stock already available in 35mm is now also available for pre-order in 120.

If you're used to APS-C or 35mm cameras, moving to medium format is essentially the same user experience, save for a bulkier camera. Large format, on the other hand, is an entirely different beast that takes a lot of practice to master. Follow a landscape photographer as he continues to learn the process and enjoys the unique challenges brought about by large format work. 

Back in the good old days of film photography, contact sheets or proof sheets were one of the best ways to view results from black and white or color negative film shoots. Printed on photographic paper, these sheets were exposed in a darkroom by laying a roll of negative film typically cut up and placed in transparent sleeves.

It's been a month or so since I started printing in the darkroom, and what a ride it has been! After going through tons of paper and chemicals, making a mountain of bad prints, and generally messing up in every way possible, I've managed to be able to make some decent prints. Here are a few of most important lessons I've learned so far in my darkroom adventure.

Cinematographer Matt Workman of Cinematography Database has prepared another in depth breakdown. This time he brings into focus the current box office queen, "Wonder Woman" featuring Gal Gadot and Chris Pine. 

So, in the interest of full disclosure, I should probably say right up front that I don't generally like superhero movies. Like, pretty much ever.

The Holga 120 GCFN is a plastic medium format camera with a fixed 60mm f/8 lens, complete with over-the-top vignetting and light leaks. But for many, that's the joy of a toy camera. See what's it like to shoot with this cult classic. 

As I delve deeper into teaching myself how to print in the darkroom, I find myself constantly scouring YouTube for videos on the subject. In trying to relay the things I've learned to you, I realized that there's a lot about printing in the darkroom that I had no clue about.

Unlike SD cards, film has an expiration date. Once it reaches the end of its shelf life, all sorts of unpredictable things can happen: loss of sensitivity, decreased contrast, color shifts, fog, etc. Some people see that as unacceptable, some see it as artistic charm. Here's how one roll held up after over three decades of languishing in a bag.  

Most of the time, when photographers are buying equipment, they choose the piece of gear that will accomplish their goal using some set of typical parameters: price, weight, build quality, warranty, size, speed, etc.

The Intrepid Camera Co. is on a roll. With the lofty goal of bringing low-cost large format film photography to the masses, they launched their initial 4x5 model's Kickstarter in the fall of 2014.

Although I've professed my love for film many times in many articles, I've always been missing a key ingredient to the analog experience. Namely, I've never learned to print my own film in the darkroom. Sad, I know. Well, no more! My journey to teaching myself to use a darkroom starts now and, whether you like it or not, I'm taking you with me.

In this short documentary video from TIME, Dutch creative Erik Kessels explains his interest in amateur photography, including where it started and what he sees in it.

"This should be simple." Those were the famous last words from Thomas Heaton as he set off with his large format camera to shoot with it for the first time. This great video showcases the joys and challenges of tackling the medium. 

Browsing YouTube can be an exercise in either frustration or bliss, depending on the day. Today, though, I happened upon something that truly speaks to me. If you are a portrait photographer, or anything resembling one, you owe it to yourself to check out the documentary, "Darkness and Light," a part of the American Masters Series, produced by PBS. 

The film versus digital debate has raged on for over a decade now. Digital cameras are so capable that it seems silly for anyone to go back to an archaic medium like film. Film is slow, expensive (sort of), lacks many game-changing features found in today's digital cameras, and has lower resolution (sort of).

A few weeks ago, I wrote an article on my favorite camera, the Mamiya RZ67. Even though such a camera sells for peanuts compared to its original cost decades ago, buying into a new system can be costly. Well, in celebration of May the 4th, KEH, a used camera gear reseller, is having a fantastic sale on Mamiya gear. 

Getting into medium format is quite costly. It’s difficult to know if the investment is going to be worth it and if it’s going to match your current workflow. Medium format has a tendency to slow you down, kind of like film. When I tried my first Phase One, I couldn’t afford one. So I went with the cheapest alternative I could find, the Mamiya RB67 Pro-S.

As one of our site's regular film shooters, I naturally tend to post a lot of articles on the subject. Without fail, I'll get a few comments to the effect of digital being so much better than film or vice-versa. I've always laughed off such remarks, but since they keep on coming I figured I'd address them. Maybe the mediums have more in common than some would like to admit. 

Cinematographer Matt Workman has created an extensive video detailing the methods and tools used by Director of Photography Linus Sandgren to create the Academy Award winning look of La La Land.

Gear heads rejoice! Or, sing, perhaps.

One of the beautiful things about film is the variety of cameras out there. You could shoot a different one every day and seemingly never get to the end of them. With that variety, though, comes a lot of quirkiness. A new generation of photographers has embraced one of the quirkiest cameras of all: The Nishika N8000.

Everyone has their baby. You know, that one camera that speaks to them in a way that all other cameras fall short. Of course, saying something like, "best portrait camera ever" is pretty loaded, but I calls it how I sees it! The Mamiya RZ67 is, for a variety of reasons, one of the best cameras ever made.

Italy's Film Ferrania, whose halting progress toward reopening as the third (or fourth, if Kodak beats them to the punch) manufacturer able to produce color slide film we've been following, has made another step towards their goal.

The year was 1977: the magic of digital and all the technological advances of today were decades off. And yet, the ingenuity of one photographer created these remarkable photos without even seeing what he was shooting. 

What a tangled, twisted road this has been. When I finally built up the courage to try out large-format photography a little more than half a year ago, I knew that I was in for a bit of a rough ride. But with a healthy serving of ruined film, swear words, and YouTube lessons under my belt, I've come out semi-clean on the other side.

It's 2017, which, if you haven't heard the news, means it's back to film (Yes, I admit I would have said the same for any year, but 2017 really is special in this regard. Read on to find out why). Most of us are living the digital photography lifestyle, however, and though every photographer is a gear hound to some degree, we're loath to overpay on stuff we don't need. Solution?

Last fall I reviewed the Intrepid Camera, a low-cost 4x5 large-format film camera. Although the sentiment behind the camera was admirable, I found it lacking in finish and functionality. Well now Intrepid has come out with their second version which aims to correct many of the flaws of their first generation. Were they successful? In a word: Yes! 

Developing your own film might be the cheaper (and more amusing) way to go, but with all the preparation and lab space required, that simply hasn't always the best option. Ars-Imago's Lab-Box hopes to solve these problems in a small, light-proof container that enables you to develop your own film at home or even while traveling – yes, it's that easy and compact.

How did technology make "Planet Earth" so much more cinematic? If we go back to how it was done back in the day and compare it to the technology we have today, it's quite a leap.

A few months ago, I started a passion project of mine: FilmObjektiv.org. Film Objektiv was started with one goal in mind: to get more people shooting film. We do this by renting film cameras at low prices for longer periods of time, by providing prints at a low cost, and also by serving as an online and educational resource to help film shooters find everything they'd ever need.

Film has had a great resurgence in the industry. Whether it's because of the hipster hype or due to people wanting the special color and feeling that film brings is unknown to me. On January 5, 2017 Kodak made it known that they were bringing back a classic, the EKTACHROME Film stock. 

Although words like "best" and "ultimate" are fun to throw around, of course there is no objectively best camera out there for a beginner. But to me, the Yashica Mat 124G is pretty close for a variety of reasons. From its handling to price, there is a lot to appreciate in this little gem.

Have you ever thought: "I have some cardboard lying around, I bet I could make that into an instant camera"? No? Then you're not Oleg Khalip and his team of cardboard camera constructors. They launched the Jollylook, a vintage-folder looking camera on Kickstarter on January 31, and it has already beaten its modest $15,000 goal by over $200,000.

Shooting portraits in large format film is extremely rewarding. There's a simplicity of the process, from the posing to the static camera position, that helps ground both the photographer and the subject in the moment. Beautiful images may be your reward for such patience, but it's not without its challenges.

Lately I've cottoned to the film beat quite a bit here. I've written about Super 8 and about film stock options for analog photography, about the revival of Ektachrome, and about instant photography. I love it all, but I'm also aware of the fact that we very much live in the twenty-first century.

Film Ferrania, the reborn Italian manufacturer of analog film stock today announced that it will be selling an "Alpha" version of their first product, P30 black and white negative film, by mid-February.

It's not as hard as it looks. If you've ever been intimidated by, or even questioned the idea of shooting portraits on large format film, maybe George and Jack can help. 

So you've read all my articles on film and decided: "You know what? I'm going to give it a shot!" Great! You're about to embark on a rewarding, sometimes frustrating journey into the old school! However, one of the first questions you'll have to answer is: What film should I shoot with?

CES, the Consumer Electronics Show, held each January in Las Vegas, is usually a place where new technologies compete for eyes and wallets, where, in a way, the world of the future is presented to us. We can experience this future first hand on the show floor. We can turn on a TV, or click on news links and YouTube videos.

Even after its death, if was there ever one film stock that was the color film, it would have to be Kodak's Kodachrome The last roll was famously given to Steve McCurry, who essentially built his career with the film. To say that was a sad moment for lovers of film would be a gross misrepresentation. This was something that was lost.