"Instant Dreams" is a feature-length film about Polaroid that explores the magic of this defunct format, the pioneer of instant imagery, and documents the search for the lost chemical formula. Premiering at the International Documentary Filmfestival Amsterdam a few days ago, the film discusses what it meant to produce imagery that is physical, unique, and, as one of the subjects puts it, "an artifact of time."
Creating beautiful and compelling imagery through the medium of photography is a difficult challenge. Capturing a scene as it unfolds is both art and truth in storytelling. Today, digital photography presents the effortless platform for image capture. Excelling technology allows anyone to pick up a camera and take excellent photographs. One might say the ease of digital imagery has opened doors across platforms. We’ve seen this paradigm before; we witnessed the introduction of gateway tools in the world of photography since the dawn of the medium, each time bringing in new and excited enthusiasts who will go on to redefine what it is to be a photographer. In 1981, well before the surge of digital technology, there was a camera that similarly ushered in a generation of photographers: the Canon AE-1 Program.
If you’ve ever been to a photo event in New York City or taken a pilgrimage to B&H Photo, chances are you’ve noticed the man in the trench coat with the old news photographer’s camera – bellows, big flash, and all.
Lenses are obviously some of the most talked about pieces of photography equipment out there. However, there's one type of photography that requires no lens at all. This neat video follows a photographer as he spends a day shooting landscapes with a pinhole camera.
Reflex is a new brand aiming to give 35mm film photographers a new camera option instead of going with a dated SLR design (the 13-year-old Nikon F6) or buying in the used market. But it’s not just a rehash of the classic film SLR design. Users can change film using a special “I-Back” system, and even change out the lens mount quickly and easily.
Fstoppers Analog Review is a quick throw down on some of photography’s greatest equipment. In a world where we are constantly defined by the rapid progression of technology, these posts are intended to remind us about our love for the fundamentality of capturing life in silver and light. Each week we’ll review another piece of pivotal photography equipment, discuss the history, review its capabilities, and share our results! This review will go to the fabulous Nikonos V, a waterproof 35mm camera with a history as deep as diving itself. This handy sidekick will blow you away with its capability!
Decades ago, instant film was one of the most popular mediums for photography. Though camera technology has significantly advanced since instant cameras were in their prime, there are still many valid reasons for experimenting with them from time to time.
Large format photography is its own beast, with all sorts of considerations and technical know-how needed to pull it off successfully, not the least of which being that the equipment is often simply unwieldy. Nonetheless, that extra work is not without a payoff, as the resultant images can be full of gorgeous detail. This neat video takes a look at a different way of going about landscape images.
I still try to learn, as much as I can, as often as I can, especially in the world of photography. No matter how much more experience I manage to gain or how many people I get lucky enough to work with, I think I will always still feel like a beginner who is just learning the craft. I was fortunate enough to begin my adventures into photography with a great darkroom class. My experience behind the camera quite literally started with black and white film and using enlargers to bring my images to life.
Large format cameras are easily the most technical of their kind, but they reward the photographer with extra capabilities and stunning resolution. This video takes another look at some of those capabilities.
As Halloween nears, we are all soon to be bombarded with a litany of images in our social media feeds of our friend’s unwilling pets being forced to don cute/embarrassing outfits picked out by their fawning owners. In fact, it’s highly likely that we have perpetrated this subtle canine fashion abuse ourselves at some point and time in our lives. How can you help it? They’re just so darn cute. But what is far less likely is that any of us will have achieved the rakish heights of the world’s foremost purveyor of canine imagery, William Wegman.
The word “unprecedented” gets thrown around a lot these days, and it looks like once-renowned camera manufacturer Yashica is the latest company to use it to describe the new digiFilm Camera Y35 camera they just launched on Kickstarter.
With the release of "Blade Runner 2049," which by the way, is absolutely incredible, Getty Images has put together a collection of production stills from the incredible 1982 original film. The new movie was produced by Ridley Scott, who directed "Blade Runner" thirty some years ago in both the real world and in the film's sequence. The collection of color plus black and white photographs emphasize the detail and grit of this futuristic film noir world.
Large format photography is probably the most technical and methodical process of all methods of shooting, but you're rewarded with prints that have mind-blowing renderings and resolution. Along with that technical process come some pretty unique powers, however. This video shows off one such capability and how it helped the photographer realize his creative vision.
It might seem that film has been relegated to a pursuit sustained mostly by enthusiasts, but as this campaign by Dickies shows, it can still create the kind of images large brands are happy to use. Go behind the scenes of this shoot with a large format camera.
Continuing with its strong comeback in the still photography arena, Kodak recently announced a digital camera called the Printomatic that is capable of printing instant photos. The camera uses a 10MP sensor and saves images to a digital card, but built into the camera is also an inkless printer system that prints on 2" x 3" Zink paper using heat.
When I chose to move beyond candid snapshots of my friends and family and actually asked them to sit down for formal portraits, my approach to everyday photography changed. Candid moments are wonderful, but practicing your craft with the people around you both helps hone your skills as a photographer and leads to precious moments with the people you love.
Many digital photographers appreciate the look of film, but don't own the necessary equipment to shoot it, whether that is due to the hassle or the cost. There are many ways to mimic the look in post-production, however, and this great tutorial will show you such methods to do it.
The Nikon D850 is all over every photography blog and for good reason. One feature isn't getting too much spotlight though, the ability of the D850 to act as a super high-res 35mm film scanner, converting said image in-camera. Like many Nikon enthusiasts, I stayed awake for the highly anticipated official D850 press release from Nikon this past Thursday. Much akin to my reactions during most of the Game of Thrones season 7 finale, I let out a giddy squeal when I read this short line in the Nikon press release:
While the world grows increasingly digital, there’s something that draws humans to the physical gratification of analog media. Whether it’s the surge in vinyl record or cassette sales or the cult VHS collectors, it’s clear that there’s a deep-seated nostalgia that draws many of us to physical mediums. That nostalgia inspired Fujifilm to make the Instax Square Film that’s now being utilized in the quintessentially retro, “Lomo'Instant Square” from Lomography.
If you're looking to try out film for the first time, the veritable myriad of choices can be a smidgen overwhelming. This remarkably comprehensive guide will tell you everything you need to know about all the 35mm ISO 400 options on the market right now.
Humidity, sunlight, water, and most of all, time, are just some of the culprits in the damage most printed photographs will endure. However these memories of loved ones do not need to be thrown away or thought to be unrepairable. A few layers in the digital world can bring it back for your clients.
Photographer Monica Jane Frisell has spent the last four months living out of a renovated 1988 Toyota Seabreeze, traveling across the United States with her scrappy terrier Lou and a Zone VI 4x5 camera for her project “Looking Forward/Portraits from an RV.” I caught up with her to talk about the project, life on the road, and the process of shooting large format film.
You know that someone somewhere did a great job of marketing when it's late at night and something pops into your head, from who knows where, and you find yourself jumping online to make a small new purchase. No, I'm not talking about an expensive new lens or shiny new piece of gear; I'm talking about what amounts to an inexpensive accessory that tags along on your photo sessions. It adds something fun and tangible all while being almost impossible not to have a good time with. I'm talking about those Poloroid-esque mini cameras that seem to be making a big time comeback these days.
Back in April, I ventured on a trip to Havana, Cuba with the lofty goal of capturing the culture and people there within with my favorite little 35mm film camera. With the recent news that President Trump plans on buckling down on all travel and trade to Cuba, I'm all the more grateful than ever to have made the trip when I did. The Cuban experience is easily the most surreal of any international travel that I have ever experienced.
Whenever my girlfriend and I see antique stores or vintage markets, our eyes light up. Her eyes are lit up with dreams of bone china tea sets and antiquated woodworking, whereas mine are bright with visions of a dusty Hasselblad in a forgotten corner, or spools of unprocessed and antiquated film. On a Sunday morning in sunny Englandshire recently, my lady-friend and I went for breakfast and on returning to our car, saw a small sign for a vintage pop-up market.
Ah, scanning. If you're not printing in the darkroom, it's a necessary evil when dealing with film. You could argue that outside of the moment of exposure, scanning carries the most weight in determining the quality of the final image. For those that choose to develop their film at home, scanning is the next step in our workflow. Most of us want to get in, get the best scan we can, and get out to the greener pastures of Photoshop to make our final edits. Your choice of software has a lot to do with how efficient and how tolerable it will be to get your negatives into the computer. It's through that lens that we take a look at VueScan.
Matthew Modine played the lead role of Pvt. Joker in Stanley Kubrick's iconic film about the Vietnam War. Modine used his personal Rolleiflex camera to capture behind-the-scenes images of the almost two years the film was in production. Now, he is auctioning 12 of those images off with a portion of the proceeds going to benefit the Purple Heart Foundation. The auction is timed to coincide with the 30th anniversary of the release of "Full Metal Jacket."
CineStill is best known for its 35mm motion picture films that it processes and repackages for use in still cameras, but it's only recently that they dove into medium format with a high-speed, 800T (tungsten-balanced) film. Right now, 50D, a fine-grain daylight film stock already available in 35mm is now also available for pre-order in 120. The official announcement will be up on their site tomorrow, but you can see image samples and already pre-order if you read on.
If you're used to APS-C or 35mm cameras, moving to medium format is essentially the same user experience, save for a bulkier camera. Large format, on the other hand, is an entirely different beast that takes a lot of practice to master. Follow a landscape photographer as he continues to learn the process and enjoys the unique challenges brought about by large format work.
Back in the good old days of film photography, contact sheets or proof sheets were one of the best ways to view results from black and white or color negative film shoots. Printed on photographic paper, these sheets were exposed in a darkroom by laying a roll of negative film typically cut up and placed in transparent sleeves. They are a great way to see an entire roll of film in one glance. Web galleries and slide shows have all but replaced them in this digital age, but for those few who are still shooting the odd roll of film and don't have access to a darkroom, here's a film and digital solution for making contact sheets at home using a light table and a digital camera.
It's been a month or so since I started printing in the darkroom, and what a ride it has been! After going through tons of paper and chemicals, making a mountain of bad prints, and generally messing up in every way possible, I've managed to be able to make some decent prints. Here are a few of most important lessons I've learned so far in my darkroom adventure.
Cinematographer Matt Workman of Cinematography Database has prepared another in depth breakdown. This time he brings into focus the current box office queen, "Wonder Woman" featuring Gal Gadot and Chris Pine.
The Holga 120 GCFN is a plastic medium format camera with a fixed 60mm f/8 lens, complete with over-the-top vignetting and light leaks. But for many, that's the joy of a toy camera. See what's it like to shoot with this cult classic.
As I delve deeper into teaching myself how to print in the darkroom, I find myself constantly scouring YouTube for videos on the subject. In trying to relay the things I've learned to you, I realized that there's a lot about printing in the darkroom that I had no clue about. In this video, Andrea Calabresi, an educator based in Italy, does a wonderful job of giving an overview of what it takes to get a good print.
Unlike SD cards, film has an expiration date. Once it reaches the end of its shelf life, all sorts of unpredictable things can happen: loss of sensitivity, decreased contrast, color shifts, fog, etc. Some people see that as unacceptable, some see it as artistic charm. Here's how one roll held up after over three decades of languishing in a bag.
Most of the time, when photographers are buying equipment, they choose the piece of gear that will accomplish their goal using some set of typical parameters: price, weight, build quality, warranty, size, speed, etc. These days, for shooting Formula One car races, you’d probably choose a fast-focusing, high frame-rate camera such as the Nikon D5 or Canon 1DX — if you had the budget for it — because F1 cars are fast and crazy. But that’s not what this photographer did; he decided to step back 100 years and break out a camera that was definitely not designed for shooting a modern-day race track. And the images are awesome.
The Intrepid Camera Co. is on a roll. With the lofty goal of bringing low-cost large format film photography to the masses, they launched their initial 4x5 model's Kickstarter in the fall of 2014. Although plagued with fulfillment issues and mixed reviews (You can see our review of the original model here), enough attention was garnered to warrant a follow up of a much more refined model in 2016. Now, Intrepid is stepping up and hoping to swing for the fences with a big boy: an 8x10 camera.
Although I've professed my love for film many times in many articles, I've always been missing a key ingredient to the analog experience. Namely, I've never learned to print my own film in the darkroom. Sad, I know. Well, no more! My journey to teaching myself to use a darkroom starts now and, whether you like it or not, I'm taking you with me. First things first: Where the hell am I going to put a darkroom?
In this short documentary video from TIME, Dutch creative Erik Kessels explains his interest in amateur photography, including where it started and what he sees in it. What started as simply buying discarded family photo albums has now stirred an interest with the mortality of an image, where with the proliferation of sites like Flickr and Instagram, photographs now have a much shorter lifecycle. This culminates in a very interesting exhibition, featured at the end of the video.
"This should be simple." Those were the famous last words from Thomas Heaton as he set off with his large format camera to shoot with it for the first time. This great video showcases the joys and challenges of tackling the medium.
Browsing YouTube can be an exercise in either frustration or bliss, depending on the day. Today, though, I happened upon something that truly speaks to me. If you are a portrait photographer, or anything resembling one, you owe it to yourself to check out the documentary, "Darkness and Light," a part of the American Masters Series, produced by PBS.
The film versus digital debate has raged on for over a decade now. Digital cameras are so capable that it seems silly for anyone to go back to an archaic medium like film. Film is slow, expensive (sort of), lacks many game-changing features found in today's digital cameras, and has lower resolution (sort of). But it has some qualities to it that make it an entirely viable medium for working photographers and enthusiasts alike. One of which that I firmly believe in is that it will make you a better photographer.
A few weeks ago, I wrote an article on my favorite camera, the Mamiya RZ67. Even though such a camera sells for peanuts compared to its original cost decades ago, buying into a new system can be costly. Well, in celebration of May the 4th, KEH, a used camera gear reseller, is having a fantastic sale on Mamiya gear.
Getting into medium format is quite costly. It’s difficult to know if the investment is going to be worth it and if it’s going to match your current workflow. Medium format has a tendency to slow you down, kind of like film. When I tried my first Phase One, I couldn’t afford one. So I went with the cheapest alternative I could find, the Mamiya RB67 Pro-S. Here’s why I’m glad I made that move but also why it doesn’t replace a digital medium-format system.
As one of our site's regular film shooters, I naturally tend to post a lot of articles on the subject. Without fail, I'll get a few comments to the effect of digital being so much better than film or vice-versa. I've always laughed off such remarks, but since they keep on coming I figured I'd address them. Maybe the mediums have more in common than some would like to admit.
Cinematographer Matt Workman has created an extensive video detailing the methods and tools used by Director of Photography Linus Sandgren to create the Academy Award winning look of La La Land.
One of the beautiful things about film is the variety of cameras out there. You could shoot a different one every day and seemingly never get to the end of them. With that variety, though, comes a lot of quirkiness. A new generation of photographers has embraced one of the quirkiest cameras of all: The Nishika N8000. Although no technical marvel, its resurgence in the photography community is because of one unexpected trick, creating 3D animated GIFs.
Everyone has their baby. You know, that one camera that speaks to them in a way that all other cameras fall short. Of course, saying something like, "best portrait camera ever" is pretty loaded, but I calls it how I sees it! The Mamiya RZ67 is, for a variety of reasons, one of the best cameras ever made. In this article and accompanying video I'll give a birds eye view of the camera and its features, show a little work produced by it, and give you some insight into why this camera is at the top of the heap for me.
Italy's Film Ferrania, whose halting progress toward reopening as the third (or fourth, if Kodak beats them to the punch) manufacturer able to produce color slide film we've been following, has made another step towards their goal. Their online shop is now open and taking pre-orders for the new Ferrania's first product, a re-engineered version of P30 ISO 80 black and white film in 35mm format.