The Sigma fp is a ludicrously small and light full frame camera, and of course, to make such a tiny camera takes some impressive manufacturing precision and expertise. Check out this awesome behind the scenes video that heads to Sigma's factory to show you how it is put together.
Sigma has just announced its new full-frame lens: the 24-70mm f/2.8 Art for Sony E-mount and L-mount cameras.
Tamron has been absolutely killing it lately, with the 28-75mm f/2.8 Di III RXD lens being wildly popular among Sony shooters and the announcement and release of several new lenses that widen their Sony lineup by quite a bit more. However, it seems the company has no intention of slowing down, as they have just confirmed that they have six more lenses in the works.
When it comes to flagship APS-C cameras, you’re spoiled for choice, and Sony and Fujifilm both have incredibly solid offerings packed full of features at very attractive prices. How do you choose between Sony’s a6600 and Fuji’s X-T3?
Every couple months or so, I find myself in a conversation about the state of photography. There is no doubt technology is pushing our field farther and faster than ever before, but is this technology actually killing photography?
A recent launch event in Paris gave me the opportunity to hold a Leica for the very first time, and I quickly broke it. Leica’s brand new SL2 is a 47-megapixel beast that shoots 20 frames per second. Despite my capacity for crippling technology, I learned that there’s a lot to love about this camera and that Leica — with the SL2 in particular — might be more than a luxury brand for those with too much money.
Most of the talk about Canon's mirrorless system has centered around the bonkers lenses they have been releasing, particularly the RF 28-70mm f/2L lens. But for those who do not want to spend a fortune or carry around a massive lens, options like the RF 24-105mm f/4L IS USM offer a much more reasonable route into the RF lens system. This great video review takes a look at the lens.
One of the most frustrating things all photographers experience at one time or another is missing a shot because the focus was off. When that happens, the great tips in this video will help you make things right again.
The Canon A-1 is one of the most well known classic film cameras, and even to this day, it is an absolute blast to photograph with and one that I totally recommend trying out. This great video review takes a look at the camera and how it holds up in the modern age.
Of course that title is a tad facetious, but I truly did not expect this much functionality out of what at first seemed like a niche product.
When I say no two lenses are the same, I do not mean that various models have differences between them (though they do, of course). Rather, I mean that every individual lens — even those of the same model — differs from the next, and it is well worth understanding the implications of that to make sure your lenses are of the highest quality possible.
There seems to be a flurry of “I’ve changed brand” going on again at the moment. I find the entire thing very alien, but mostly because I have never changed camera brands, and there is a good reason for that.
There has been a rise in tourism and exploration of our natural world and with that, a rise in interest at photographing these beautiful places. Of course, with that rise, we have also seen an increase in accidents as more and more people venture off the trail hoping to capture even better images.
Leica has just announced its successor to its full-frame mirrorless camera, and it just might be a sign they are listening to the demands of professional photographers. The Leica SL2 has a 47.3-megapixel sensor, an updated Maestro III processor, and is capable of 20 fps bursts. It can shoot video up to 5K 30 fps, C4K 60 fps, and has 5-axis IBIS.
Today, Panasonic has announced two valuable new additions to their growing S PRO line of L-mount lenses.
Later this month, Panasonic will be releasing extensive firmware updates for their pro mirrorless cameras.
Photography is super expensive. There is no getting around that; even $500 is a lot of money, and there is very little at that price point. However, I think I have found the best camera for $500.
I have now been a proud owner of a Fuji GFX 100 medium format digital camera for three months now. So, was it all I hoped it would be?
Videographers shooting on ILCs are blessed with a bevvy of gimbals at present, and Chinese manufacturer Zhiyun-Tech has added to the list with the WEEBILL-S. Kai Wong gives an overview of its rather impressive features.
Instead of waiting for the chaos of Black Friday, you might want to check out some of the fantastic deals available right now if you’re in the market for a new camera or lens. There are some huge discounts on a massive range of Canon gear, and the price of the Sony a7 III has just dropped 10%.
The latest iPhone now offers some incredible features for photography. Considering the fact that the iPhone is the most popular camera in the world, it's great to see how Apple has continued to develop its cameras to offer even better features.
The Sony world felt a little bit disappointed when Tamron’s recently announced primes turned out to be only f/2.8. Is Tamron about to cheer us all up with some glass that’s a little more up to speed?
Continuous LED lighting has come a long way in recent years, and while there are pros and cons to shooting with strobes or continuous lights, LED technology has definitely shifted the balance a little. How useful is continuous lighting for a studio portrait shoot? This video aims to find out.
Did you know a lot of people use their camera without setting it up for their needs? If you have done this already, you may find nothing new in this article. If you don’t know what I am talking about, perhaps you should read it.
I grew up racing motocross, so I have always had a passion for the sport. But my passion for motocross and photography have never had the chance to overlap. Until I recently got the chance to document the Ponca City National by Motoplayground.
Canon has just released the trifecta of f/2.8 lenses that cement the workhorse length of optics for professionals and prosumers alike, but they are still missing a flagship mirrorless camera body to take advantage. This is only part of Canon’s future strategy when competing against Sony and Nikon which may include a new family of f/2.0 zooms.
Nikon’s forthcoming halo lens, the NIKKOR Z 58mm f/0.95 S Noct, is proving so incredibly popular with its customers that the Japanese manufacturer is struggling to meet demand, even before the lens has hit the shelves.
The emergence of digital cameras has had a truly democratizing effect on photography, so why then are they on the verge of disappearing? Here are nine facts and figures (largely working from CIPA sales data) that might explain why.
In the course of being a visual journalism educator, I’ve come to realize that while here at Fstoppers my colleagues and readers might be attuned to 360 cameras and imaging, by and large most of the viewing public is not, but perhaps it's time they should be.
The Sony a7R IV is the latest entry in Sony's popular series of high-resolution cameras, and it brings with it a huge bump in resolution along with other improvements. Is it the right camera for you? This great review takes a thorough look at the camera to help you decide.
Are you a photographer who puts emphasis on quality over quantity when it comes to your cameras and accessories? If so, this camera strap may be the perfect addition to your kit (and outfit). Take a look at our review, and see if this is for you.
Today, DJI announced the Mavic Mini, a 249-gram drone priced at a stunning $399. This makes the Mavic Mini one of the most affordable drones on the market, but what does this drone have to offer?
Fuji made a bold move in releasing the X-Pro3, producing a camera that wasn’t afraid to step away from the norm and retain a large chunk of its rangefinder heritage. The company seems to have a deep understanding of its customers, and in this video, Gerald Undone takes you through seven reasons why you will love this camera.
The Canon RF 28-70mm f/2L USM lens is an absolute monster in both size and ambition, blowing past the traditional professional zoom aperture of f/2.8 by a full stop and offering photographers a uniquely capable piece of equipment. Is it worth the size and the price? This excellent review takes a look at the lens to help answer that question.
Today, Loupedeck launched the new Creative Tool or "CT." They sent me a pre-production unit a month ago, and I've got some thoughts.
