When I first picked up a DSLR and got a taste of artificial lighting, I loved shooting in darkness. I felt like I could control light a lot easier without having to fight the ambiance of a location or sun. Using an array of speedlights, I would light the location and subject how I wanted. Sometimes, that included putting speedlights in lamps or mounting them in the background. Eventually, that style took a sharp 180 degree turn, now I love using natural light in my favor to create a dramatic portrait.
Adventure Sports Photographer Tim Kemple was one of the only photographers in the world who was lucky enough to try out the new Phase One IQ250 that was just announced earlier today. Check out the behind the scenes video, but also read the full article for my interview with Tim, where he shares his thoughts on the system, as well as what it's like to beta test cameras.
Some years back, we featured the beautiful Lego Star Wars world that Finnish illustrator, designer and photographer Vesa Lehtimäki created with simple but ingenious lighting and table top model work. His latest project again features iconic Star Wars models, shot and then composited back into scenes, rendering the spacecraft to epic proportions. Vesa proves again that some solid technical know-how coupled with a vivid imagination delivers fantastic results.
I would like to wrap up my Secrets to Crafting Top-Quality Beauty Portraits series in a quick roundup on the most common mistakes I have been noticing beginner Beauty photographers make.
I will sure talk more about Beauty photography in the future, but I'd like to summarize a few things at this point.
Max Riché is back with an amazing shoot this time for Bicycle Magazine. During this past summer Max received a surprising email from Stacey, Photo Editor at Bicycling magazine wanting him to shoot the magazine cover for the special 100th Tour de France Anniversary issue. With the help of Google Maps and some friends who lived near the Alps Max was able to pinpoint the best location for the shoot.
It seems like Stillmotion is never content sitting still for long. These Portland based filmmakers have spent the better part of a decade chasing their dreams and doing so on their own terms. The one consistent thread for Stillmotion has always been executing amazing stories that need to be told.
This year for Christmas I wanted to surprise my father with his dream car, an original Chevrolet Camaro convertible in hugger orange with white rally stripes. Being that I'm a photographer I decided to photograph the car and give my father a framed print of the car before I revealed that I am actually giving him the car.
If you're a fan of listening to photography podcasts then you're probably no stranger to Jared Polin's (Fro Knows Photo) RAWtalk where Jared and buddy Stephen Eckert (an incredibly talented concert photographer) chat about all things photography. The podcast is also recorded for Youtube and is actually a pretty extensive setup.
Given access to a time machine, where and when would you choose to go? For some reason, I always seem to think about 1960s San Francisco, and I don’t think it’s (just) for the sex, drugs and rock and roll. I think it’s because I saw the classic Steve McQueen movie "Bullitt" at such a young age that it left an indelible mark. If you’ve ever wondered what Bullitt (and specifically, the amazing car chase sequence) would look like if it were filmed today, you need to check this video out.
I am continuing my series of articles about creating stunning Beauty portraits and I would like to talk about on location lighting today. Please note that not only are we talking about advertising Beauty photography, examples of which you may see in the cosmetics section of a department store, or in fashion magazine ads, but we are also talking about simple female Beauty portraits that many of you are probably often hired to photograph for your female clients locally.
Artist JeeYoung Lee will be presenting an amazing body of work titled "Stage Of Mind" which features intricate and visually stunning sets all created in the same 3.6m x 4.1m x 2.4m studio space. Completely Photoshop free these sets took weeks and months to create. You won't believe the scale of complexity JeeYoung Lee was able to achieve from her confined studio space in Seoul Korea.
I’ve just had Selina’s answers back for this interview and feel sick. Some numbers - 80 hours shooting, 7000+ stills, 40+ hours of rendering, sleeping in shifts to meet deadlines. I thought my current project was tough - compared to her's, I feel like I'm sat on a beach drinking a piña colada. Her video “Limitless” has had 6+ million views in 2 weeks, so all her hard work paid off. Read on to find out how she put this beautiful video together.