We live in a time where photographers and filmmakers must combine powers to be competitive in todays advertising market. Recently a huge fashion client approached our production company to capture concurrent motion and still ad campaigns with supermodel Lily Aldridge, but we had to do it all in under 10 hours with 2 complete hair and makeup changes and 12+ outfits. Advertising creatives today need to be able to shoot stellar visual content and assemble bulletproof productions.
Bokehliscious photos. That is the ultimate goal for any photographer no matter the experience level. When "bokeh" is mentioned, the first thing that comes to mind is the lens and the aperture. Although both play vital roles in bokeh, there are a few key elements that play an even more important role in achieving the finest milkyness in a photo. These requisites aren’t often discussed or even seen as necessary.
I'm guilty. As a commercial and fashion editorial photographer as well as a writer for Fstoppers, I love lighting, bokeh, rigging, and all technicalities involved with cinematography and photography. For many months, content fell second to setup. From my experience, there are three types of photographers: those that confide in instinct and sunlight, those that rely on post processing, and those that excel at artificial lighting and formalities.
Matt Davey, a music photographer based in Essex, and iPhonographer Dilshad Corleone take to the streets of London and go on a fun journey of self-discovery and in the process create a collaborative project of creative individuals using the power of photography. I caught up with Matt and he broke down the project and the great experiences that he gained from collaborating with his fellow colleagues.
Months of planning, 567 images stitched into a single panorama and a 14.6 gigabyte image results in a breathtaking view of New York City from the top of the Freedom Tower. Deemed as one the tallest skyscrapers in the US, the new Freedom Tower is about one year out from completion.
The first time I saw a levitation shot, I stared at it for 15 minutes in astonishment. I could not conceive how the image was captured; I was captivated by the story it conveyed, it was surreal, magical and awe-inspiring. Conceptualizing the image and executing it can prove to be rather difficult and meticulous. Thankfully, photographers who have mastered the techniques involved in levitating have decided to share their secrets with us.
Please - do yourself a favor. Stop whatever you’re doing and go and watch the scene from True Detective I’ve linked in this article right now. It is not only possibly the greatest one shot I’ve ever seen, but it’s one of the most stunning pieces of cinema I've seen in recent memory.
Knowing the importance of color matching strobes indoors is crucial when combining strobes and ambient lighting. Fixing mismatched lighting temperatures can be extremely difficult in post process. Ian Christmann, a commercial and lifestyle photographer discovered a method which will change your life.
There are a few behind the scenes videos out there that show photographers working with ice climbers, but often the climbs are right next to the road, making it convenient to bring tons of gear, power, and spend all day getting coverage. So what does it take to create those images when you're miles deep into the woods, and can only take what you can carry on your back? In this behind the scenes video, I'll show you the challenges of such a shoot.
The night sky is an astounding phenomenon that fascinates almost every individual. Stars have been around for thousands of years and yet, humankind is still mesmerized by their beauty. Despite the distance, we have such a strong connection and love for these great unknown entities. Capturing the magnificence of the night sky is highly rewarding and can be an exciting process as well.
I’ve just watched one of the best fashion shorts I’ve seen in months. It combines gorgeous color, cinematography, camera movement and Hitchcock-styled, film noir sensibility beautifully. Interestingly, after speaking to one of the directors, regardless of budget or what we’re shooting, there are real gems to be gleaned from their experiences. Read on for the full scoop.
I've spent the last 2 weeks in Michigan’s Upper Peninsula, shooting stills and video in freezing winter conditions. Snow, ice, blisteringly cold wind and more. In this video I share what I found to be best for packing my kit, protecting it in the field, and keeping my eyes from freezing to my viewfinder.
In his first ever published book Behind The Scenes, photographer Patrick Van Dam creates thoughtful juxtapositions out of snapshots taken behind the scenes on playmate photo-shoots. According to Van Dam's website there are "over 150 photos of unexpected, undirected and natural responses; humor, disillusionment, absurdism and vulnerability in an erotic setting."
Last summer we flew Mike Kelley, one of my favorite architecture photographers, to Charleston for 3 weeks to film the 8 hour tutorial How To Photograph Real Estate, Architecture and Interiors . Mike's technique of light painting and compositing is so polished and time consuming that I assumed no Realtor would actually want to pay for it. I was wrong.