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Tethering And Tape - The Importance Of Investing In Prevention

Tethering And Tape - The Importance Of Investing In Prevention

I always tether. Whether it's for a client or fashion editorial, the CamRanger has played a very important role in capturing rock solid images. But, before the wonderful technology of wireless tethering came into the picture, I always tethered to a workstation. However, that came with the annoyance of a long tether cable dangling off your camera. I always felt the sense of being trapped or held back from moving freely, I was always concerned and it was always a distraction.

How to Maintain Perfect Lighting for a Moving Vehicle Set

How to Maintain Perfect Lighting for a Moving Vehicle Set

One of the hardest parts of filming on moving sets such as moving cars or trains is to maintain perfect lighting in a way that makes sense to the viewer. There are many obstacles the filmmakers have to deal with when shooting on a moving set, like how to move the lights while keeping it on the same angle while the vehicle is moving and how to keep the camera shot steady and focused on the subject. Check out this great BTS video showing how filmmakers in China solved these problems.

Field Testing Tamron's 150-600mm f/5.0-6.3 Proves a Positive Experience

Field Testing Tamron's 150-600mm f/5.0-6.3 Proves a Positive Experience

Tamron's VC technology can't be beat: it's simply the best option out there for any type of optical stabilization. I can't live without it when it comes to video, and it's so good it often makes using a steady cam unnecessary. Common complaints with Tamron is often the build quality and sharpness, so let's see how their latest super zoom, the 150-600 f/5-6.3 handled a wildlife shoot.

Fstoppers Reviews the Ultimate Travel Pack

Fstoppers Reviews the Ultimate Travel Pack

About a month ago, I traveled to Southeast Asia to put THE ULTIMATE, PORTABLE TRAVEL PACK (shortened name, rights still reserved) to the test. Several people asked for a follow-up. How did this tiny, travel kit work out? …Did I even get any pictures I liked? …And most importantly, did I lose everything gambling on a high-stakes Muay Thai tournament, only escaping with my life and seven fingers? Read on to find out.

Capturing The Catwalk: The Ultimate Guide To Photographing Runway

Capturing The Catwalk: The Ultimate Guide To Photographing Runway

Zoom, focus, spray and pray. That seems to be the M.O. of many photographers who shoot runway. I admit, I was one of those photographers. The one who scours through thousands of images at the end of the night, wishing they had shot more strategically. And, after two hours of culling, flagging three images per look, they’d be lucky if only one was tack sharp. After many shows, I’d criticize my every move and would long for a time machine to do it all over again.

Review: Using the Sigma 50mm f/1.4 in a Lifestyle Shoot

Review: Using the Sigma 50mm f/1.4 in a Lifestyle Shoot

As a working photographer, my gear is obviously very important to me. My most-used lenses, Canon’s 35L and 50L, are both long time favorites and are glued to my camera almost 24/7. For many reasons, I’ve been a fan of Canon’s prime lenses for a number of years, taking both the good, the bad, and the price tag that they each have to offer. When something new like the Sigma 50mm f/1.4 comes up I, like most of us, give it a quick once-over and then head back to the comfort of our expensive name brand gear.

How To Pose And Photograph a Huge Group Shot With Thousands Of People

How To Pose And Photograph a Huge Group Shot With Thousands Of People

Photographing large groups and make the photos look good is always a hard task. Any group of over 7-10 people can look awkward and the photos are usually not very appealing. But what if the group is not of 7 people, but of 1,500-2,000 people. If any of us will get the task of shooting 2,000 people we'll probably think it's a prank. But for photographer Chaim Perl it is part of his daily routine. Check out the in-depth BTS video and images of how he creates these huge group shots.

Lighting A Lighthouse With A Strobe Attached To A Drone

Lighting A Lighthouse With A Strobe Attached To A Drone

As a photographer, I'm always looking to capture something in a unique way. This is the craziest landscape photoshoot I have ever done. By taping a tiny Nikon Flash to my DJI Phantom II Drone, I was able to fly my remote helicopter up the side of a lighthouse and light the entire thing with flash. Creating this photograph was one of the trickest shoots I've ever done, and this is how I made it happen.

Stanislav Puchkovsky (aka Sean Archer) is a Master of Natural Light Portraits

Stanislav Puchkovsky (aka Sean Archer) is a Master of Natural Light Portraits

Merely two years ago, Stanislav picked up his first camera: a Lumix G3 for $600. From that point forward his inspirational journey began. The majority of his mind-blowing work was taken in his attic using friends as models. Now he is known as Sean Archer - a natural light photographer who specializes in female portraits. His work is proof that it’s not about gear. It’s about the photographer; it's about the vision of the artist.

How To Produce A Combined Print And Motion Fashion Campaign

How To Produce A Combined Print And Motion Fashion Campaign

We live in a time where photographers and filmmakers must combine powers to be competitive in todays advertising market. Recently a huge fashion client approached our production company to capture concurrent motion and still ad campaigns with supermodel Lily Aldridge, but we had to do it all in under 10 hours with 2 complete hair and makeup changes and 12+ outfits. Advertising creatives today need to be able to shoot stellar visual content and assemble bulletproof productions.

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