If you listen to the podcast On Taking Pictures, you know that co-host of the program Bill Wadman is a New York-based portrait photographer who's worked with the likes of Seth Godin, Malcolm Gladwell, Philip Glass, Ze Frank, and many, many others. Though his traditional portrait and conceptual work are tremendous in their own right, Bill has gotten quite a bit of attention over the years for his projects such as his critically acclaimed Dancers in Motion, cinematic Drabbles, and the 365 Portrait project that helped him to start it all.
Here’s a fun fact: Vance Creek Viaduct AKA #ThatNWBridge, is no longer accessible to the public, and it’s our fault. That’s right, one of the most iconic landmarks in the PNW is closed. The instagram sensation will have to live on in our memories and #throwbackthursday posts. Thankfully, the rumors of someone falling off being the principal of the closure are unfounded.
Though there are other programs out there that say they can quickly cutout objects from the background via masks and leave you with a clean end result, I've tried a few of those programs and they just don't seem to cut it. The process to create these masks also seem very awkward. Now you can quickly create (pretty darn good) masks on your iPad using Photoshop Mix, a mobile offering from Adobe we told you about earlier this year.
My friend and RIDES Magazine's head photographer Andrew Link is no stranger to Fstoppers. He also happens to be one of the kings of shooting cars with the Westcott Ice Light, which is essentially a handheld LED rod (looks like a flourescent tube) used as a constant daylight temperature light source. After about 6 months of me begging Andrew for him to make one, he has finally created a fantastic and to-the-point tutorial on how to create an epic car portrait with nothing but a camera, tripod, and the Ice Light.
While Canon users have had this for some time, Nikon users have been waiting for a TTL remote to control their Profoto B1 flashes. Finally the Air Remote TTL-N has been announced and is available for pre-order on B&H for $395. Allowing TTL use up to 300 feet away or normal use at up to 1000 feet, these radio remotes also let you control the power output on multiple units at a time, building on the already fabulous Air system and opening it up to Nikon users with the B1.
That’s right. You! No matter what your skill level, there is a project in this world that is perfect for you. Are you going to get paid for this project? Nope! This one is going to be a freebie.
Now I know what you are thinking. "Whoa Whoa Whoa, stop the clock! You want me to work for free?”
Yes, that’s exactly what I want you to do. And here is why.
In addition to lifestyle, I have an affinity for shooting natural light portraits/beauty/headshots - whatever you want to call them. It's not something I shoot often, but when I do, I'm reminded of how much I love it. In fact, you may recall a few months ago, I wrote an article detailing my ideal natural light setup for the black and white portrait / headshot photos that I occasionally shoot. In the article,
The challenge: 30 images in 5 days for an international tool company. New York based advertising, fashion, and fine art photographer, João Carlos was the man chosen by Lisbon agency Ivity Brand Corp. to accomplish the mission. A Hasselblad Masters winner with clients like Nike, MTV, Avon and Sandisk, it was clear Carlos had the vision and expertise to turn the agency’s mood boards into an incredible campaign for their client.
After becoming disenchanted by a mundane lifestyle in Sydney Australia 12 years ago, Julie Fletcher escaped and found solace in travelling throughout and photographing the remote and wild lands of Australia. Capturing the colours of the desert to the night sky, Fletcher has produced a formidable and impressive body of work which illustrates the majesty the Australian landscape exudes.
You’ll feel inspired after watching Gavin Heffernan’s (Sunchaser Pictures) stunning time lapse video KINGS, taken in Kings Canyon and Sequoia national park in California. Star trails, the Milky Way and meteors paired with a dramatic soundtrack produce a truly epic and magical visual.
The largest ring light I've ever seen consists of 27 bulbs and is four feet in diameter. Six months ago, I built it. With so many questions left unanswered, I put together a short film that explains how I built it, why it was built, and why it's the most amazing light I've ever used to date.
I recently noticed that a handful of photographers were producing images that had a look as if they were stills captured from films. A couple of the most well known photographers of this genre are based here in New York so I got them together and challenged them to not only come up with a dynamic personal project on the fly incorporating this cinematic look, but to share with us how it is achieved. Read on to find out how it all went down...
If you think you've got a quick trigger finger, then you haven't used the new Strike Finder Touch (SFT) by Ubertronix. This sleek remote trigger boasts the ability to trigger your camera shutter in less than 1 millisecond. The device has 5 different modes: Time Lapse, Lightning (or high speed flash), laser, sound and motion. All you need is 4 AAA batteries, your camera, and a great subject to get started.
I have only been shooting photography for a little over 3 years now. Things have progressed so quickly during that period of time that I haven't really had the chance to look back at the evolution of my photography. I had to think thing long and hard about the investments I have made over the 3 years and the things that really changed the game for me.
In this valuable tutorial Glyn Dewis takes a quick snapshot and shows you how to pull detail from highlights and shadows to make it a beautiful image. Dewis mentions some great workflow tips and tricks in Adobe Lightroom as well as how to bring your image over, non destructively, to Photoshop camera raw.