CERN is a renowned international nuclear research facility located just outside Geneva. Straddling the border between Switzerland and France, it's home to the infamous Large Hadron Collider — the largest single machine ever made by humankind. It was built to find the Higgs boson, often referred to as the elusive "God particle." CERN recently hosted a small group of select photographers for a rare photo walk throughout their massive experimental laboratory, and we have an exclusive first look at the photos.
October in New Orleans means wedding season. This weekend was a double wedding weekend just like most of the next few weeks will be and I just finished what would be considered a timeline disaster, but the marquee images were not missed in large due to experience and meticulous planning. In this article I will go over methods to prepare for the unexpected and how to make sure you get everything you need despite the inevitable busted timeline.
The process of culling is used in every type of photography and is used by professionals and amateurs alike. Culling is simply the process of selecting the best images from a shoot to be edited and delivered to a client. When photographers first start out in the editing world, this process can seem like a waste of time or hard to figure out a best practice. So I’m going to explain why we cull and some of the best ways to do it.
One of the biggest questions I get when photographers consult with me about managing their brand on Instagram is: "Should I create a business page separate from my personal page?" This discussion was started on the Instagram for Business group by Martin Bonden, who asked what I thought about creating a business page on top of a personal page, as opposed to having just the one. Here are a few reasons why I like to keep mine all in one page as a professional photographer.
As a self-taught photographer, I’m an advocate of learning through doing. I didn’t study it, but I can imagine that reading all the Photography 101 books that are available still wouldn't prepare you for actually being on a set, with a model standing in front of you, and a team awaiting your creative direction. In my journey, experience has meant everything. Here are some of the things I’ve learned over the years that may help when shooting your own portraits.
Are you as stealthy as a fog horn? Do you have all the grace of a dirigible in a sudden windstorm? Certain genres of photography — wedding and wildlife photography in particular — require a certain physical tact, an ability to be unseen. Check out our tips on how to capture the focus of an event without becoming the focus of the event.
Editorial photography is still alive and well, despite what the cynics will tell you. It no longer has the budgets it used to, and there are not as many publications to go around, but you may still get called on from time to time to shoot a series of images for a magazine. Editorial assignments can be extremely varied, and a challenge to do successfully, but they're extremely rewarding and often lead to meeting interesting people along the way. But where do you start when you get the call?
Retouching can vary from photographer to photographer. But it can also vary depending on the genre you are shooting. I know it does for me. My wedding retouching is far from being as refined and time-consuming as my portrait retouching. When dealing with hundreds of pictures, you have to find techniques that get you close to a perfect result, but as quickly as possible. One thing I had trouble getting my head around was maximizing my dynamic range in my wedding pictures without stacking multiple raw developments. That was until I made a lucky mistake when sharpening an image using a high pass filter.
I love cameras: all shapes and sizes, formats, brands, and styles. No matter what kind of camera it is, I’m interested in what makes it work and what makes the image quality different than others. I enjoy experimenting with 35mm film, instant film, and all types of digital formats. I believe that using different cameras is a great way to better yourself as a photographer. Over the past several years, I’ve developed a decent collection of cameras and the more I obtain, the more I try and jam into my bag. At a certain point, I started to realize that my obsession was getting ridiculous and it just wasn’t practical to bring all of these toys with me to every shoot I had. This being said, where do you draw the line? And what goes into deciding what camera to bring with you? If you're like me and enjoy experimenting with different types of cameras, here is an inside look at some of my favorites and what goes into my decision process when choosing which one to bring with me to a photo shoot or on an adventure.
With a concept of traveling back through your childhood and experiencing that care-free, fantasy world of "pure imagination," Permagrin Films has put together an incredible time-lapse music video. In the article below, there's a full behind-the-scenes video and the producers of the film answer a few of my questions in a brief interview.
While some physical improvements with Spotlight, Photos, Safari, and other Apple apps are definitely welcome with today's new OS X release, perhaps the most exciting aspect of El Capitan are the under-the-hood improvements for performance gains. There’s no need to explain how time-saving performance upgrades can be for working professionals — and for those reasons, everyone will want to update immediately. But there are some things to always take into consideration before an operating system upgrade.
Yesterday we released the iPhone Bikini Shoot, a video in which I do a professional quality photoshoot with minimal gear. The point of the video wasn't to say that the iPhone was a better camera than a professional DSLR, it was meant to inspire photographers to use the gear they currently own to create beautiful images. Obviously the iPhone is infinitely worse than any current DSLR for stills but surprisingly it appears to be a far better video camera than my $3000 DSLR when there is enough light present.
"Oh, this is going to be good," I chuckled to myself. Fstoppers co-founder Lee Morris had just posted an article and video called "The New iPhone Fashion Shoot: Bikinis, Foam Core, and Flashlights." I knew the response would be fast and passionate. I wasn't disappointed.