What sets you and your work apart? Having a clear idea of this is critical if you want to develop your work but when was the last time you actually thought about it? Shane Hurlbut is a veteran Director of Photography and today shares his thoughts on his career and success. Whether you work with stills or motion, his approach sets him apart and we can all learn from him.
I’ve seen the future of film... and it is bright. In the next few weeks I will be interviewing companies that are pushing the film photography industry forward. As the large film companies cut film stocks from production, these people are pushing forward. Developing new films, cameras, products, and services. This week, I start with CineStill.
“How to Market your Photography” is a wonderful resource which was written by the marketing specialists at Photoshelter.com and MadMimi.com. I found this guide to be very user-friendly, with just the right amount of information you’ll need to get going, weather you are just starting out in the industry, or a more established photographer, who is looking to update the approach you’ve been utilizing to generate business. I will quote some excerpts from Part 1 of this guide, which contains the most fundamental advice to those of us who find words like “strategy” and “marketing” as intimidating and stressful.
When it comes to the quantity of lights that one needs, opinions are often heavily polarized and a hotly contested debate often rages. There are those that are staunch supporters of one light while others claim that a handful of lights are needed before anything meaningful can be done. Ultimately neither group is right as there is no definable minimum or maximum number of lights that one should use.
Growing up in the family's studios and labs, I learned a thing or two about mounting and framing prints, and I also ruined a lot of them in the process. In this video, I'll demonstrate a version of my process so you can skip the lab and mount your own prints, fresh from your home or studio printer.
Earlier this year at WPPI in Las Vegas, I stopped by the Benro/MeFoto booth to tell the team how much I loved the MeFoto tripod... but it was lacking in just a few places for a traveling videographer. Yes, the MeFoto was really compact, light weight and quick to set up, but I wanted clip locks and a smooth video pan head without sacrificing the size and weight the MeFoto offered. It seemed like an impossible request, until seven months later they delivered me the Benro Aero.
We’ve studied how direction and angle can drastically change the quality of light produced from your umbrella. We have also seen examples about how distance can change the umbrella light falling on your subject.
Now it’s time to look at the big picture. Let’s take a peek at how our umbrella is actually producing light across the whole image, not just the subject that you chose. In Umbrellas 103, we’re going to study fall off, and compare the type of light produced by four different shoot thru and reflective umbrellas.
If you’ve ever wondered why you might use a giant umbrella instead of a small, collapsible model, this article is for you!
For the last month I have shared a useful tip in Lightroom each week and I look forward to continuing the series. For this week I show you how to use the often overlooked color sliders to control the hue, saturation and luminance of each color in your photo. In the short video I also show how to get those mint saturated greens that are currently very popular.
The old photographers’ saying, “It’s not the camera, it’s the photographer” sounds like a self-serving flattery when it comes out of the mouth of a photographer, yet has never been more accurate than today. Its ironic how, as a professional photographer, I posses the knowledge of manipulating the most sophisticated gear and cameras available, yet when I shoot an image on the iPhone the resulting image is an embarrassment. Rushing to my defense I’ll utter each time, “I’m a terrible iPhone photographer…” So when I see amazing images, shot with the iPhone, I’m impressed with what can be achieved.
If you’ve been following along, you may remember that back in July, I packed up my apartment, loaded up my car, and set off on a month-long cross country tour of the southern United States with my girlfriend Holly and my dog, Olive. Along the way we met and hung out with some incredible people, had the opportunity to take great photos, ate at some great local places and most importantly, got to experience first hand the freedom of the open road.
You might have missed it, but last night, the earth cracked and shifted a little in the world of the photo community. The “Stand Out! Photographic Forums” launched and details the first of a series of events that promise to offer up some of the most exciting photographic speakers I’ve seen in a long time. Not only that, but the price is ridiculously low to hear them talk. Something special is afoot, read on to get the full scoop.
I did not expect much other than an ordinary photo backpack when I received my review unit in the mail. After all, I didn't know anything about it -- only that it was a medium-sized backpack and that I wasn't supposed to talk about it until today. As soon as I opened the package, however, I think I actually experienced some butterflies. For such an average-sized bag, there's a lot to talk about, which is already your first good sign. The ProTactic 450 AW certainly looks the part. And it doesn't disappoint.
I don’t do a lot of gear reviews, in fact, this is my first for Fstoppers (bear with me). But Lumu is a product I’ve been following since it’s launch on Kickstarter back in 2013. I didn’t invest back then, I’ll tell you why later, but it's a great concept that has become a reality so I’m here to give you my honest thoughts and a short video we hacked together using the meter in the field.
If there is one medium that has been subject to the most censorship in society for well over a century, it's photography. Further, if there is one medium that has been responsible for the most heated debates about censorship, it's photography. For the most part, photographers decry and loathe censorship, whether it's because they capture nude figures, or create images with fictionalized depictions of violence, or perhaps - arguably the most important - they capture vital, photojournalistic visuals of the world around us which, let's face it, it's sometimes just plain scary. But consider this: Mainstream censorshop is not only necessary in photography, but it helps photography overall. No, really.
Can't decide which lens to take? Why not take them all! With Lowepro's new Pro Trekker 650 AW, you'll likely have to buy more lenses and accessories to fill this behemoth of a camera backpack. I got to test drive this bag for several video and timelapse shoots, so I got a pretty good idea about how it performs. In my full review I'll cover the build, features, and whether it was helpful to have or simply too bulky to deal with.