If you're like me and love spending time both shooting and editing your images, why not get creative and refresh those deep-etching Photoshop skills when you've got a few hours in between projects? Composites look really neat, but there's a lot of work and patience that goes into it behind the scenes and if done correctly, it would look amazing and really take your conceptual photography t
When it comes to architectural photography, tilt-shift lenses are quite possibly the best option available. The flexibility and amazing image quality make them very popular amongst architectural photographers and even some landscape photographers.
No matter how young and beautiful your models are for business stock photos, buyers often feel that the images come across as stuffy and old-fashioned. That’s not just a guess, it comes from many years of experience in the industry.
Polish photographer Konrad Bak straddles the line between high concept fashion and lush fine art creations. Images collected in his book Konrad Bak PhotoART range from the elegant to the surreal could easily find a home in advertising campaigns or on gallery walls. However, Bak's work can surprisingly be found in the files of stock photography websites.
In a world where less than a handful of brands are considered well-established in the professional full-frame camera market and where more than a handful of other brands have done a very healthy share of innovating to wedge their way into the market, where do we stand? If you're going to buy a new system to start fresh or are just starting out and getting serious, this is for you.
Wedding photography is not what it used to be. I don't mean this in a good way or a bad way, it just seems like with any advancement in technology comes a new challenge. Many couples today want both still photos and video of their wedding. This makes sense since it is often the biggest day of their life.
There’s a quiet 360-degree battle being fought behind the scenes at Apple and Adobe when it comes to your favorite non-linear video editing tools, Final Cut Pro X and Adobe Premiere Pro. Some recent hires hint at an expanding 360-degree video portfolio at both companies.
Contrary to delusional beliefs, not everyone is hooked up to a high-speed connection capable of streaming 8k video at magnificent buttery smoothness. Extremely fast connectivity is an amazing thing that is still out of reach for the vast majority of users. You can't assume that the viewers of your website are going to be piloting a computer hard-lined into the latest fiber optic goodness.
Back in April, I ventured on a trip to Havana, Cuba with the lofty goal of capturing the culture and people there within with my favorite little 35mm film camera. With the recent news that President Trump plans on buckling down on all travel and trade to Cuba, I'm all the more grateful than ever to have made the trip when I did.
A couple of months ago, I finally pulled the trigger; I broke out my wallet and dropped a (rather large) chunk of change on my first mirrorless camera kit, the Fujifilm X-T2. I had been researching mirrorless options for almost a year, and finally landed there for a multitude of reasons.
I am a doer. I pride myself on getting things accomplished. Doing things rather than talking about them. I even keep a strict log to make sure that I make the absolute most out of every 24 hour period. Productivity is my spirit animal. Now, I know what you’re thinking. Isn’t that a bit excessive? The answer is more than likely yes. And I don’t open that way as a means of boasting.
As you can imagine I spend a lot of time in Photoshop. And when you spend as much time in Photoshop as I do, you want to work as fast and efficiently as you can. Knowing your way around the layers panel in Photoshop is a great way to maximize efficiency. I teamed up with Fstoppers to create a video tutorial that focuses specifically on the layers panel in Photoshop.
The times of oversaturating and selective coloring might be over, but clarity is here to pick up where those post-processing horrors left of. Now don’t get me wrong, I think that clarity is an amazing effect that can do wonders on your images… just not if you use it on the whole image and crank it to the max. I realize, that seeing this sudden increase in drama and grittiness mig
Free? Working for free? When I started out, being asked to work for free made my blood boil; Didn’t people know I had bills to pay, rent to make, black T-shirts to buy, rounds of beer to shout, girls to woo? These things cost money, and it still makes my blood boil when I’m asked to work for free. And yet I often work for free. Confused?
It is possible. I'm not here writing this to beat you in the head with an “it's not the gear” rant; we can all agree that take is a bit redundant after awhile. But with that said, it still holds very true. What I'm here writing to share is why I decided to use one lens, which one I used, how I use it, and most importantly, how you can too.
Whenever my girlfriend and I see antique stores or vintage markets, our eyes light up. Her eyes are lit up with dreams of bone china tea sets and antiquated woodworking, whereas mine are bright with visions of a dusty Hasselblad in a forgotten corner, or spools of unprocessed and antiquated film.
I’ve learned a lot over the past 15 years as a professional artist. I’ve learned a lot about fear, failure, and success. I’ve been fortunate enough to mentor and educate thousands of photographers all over the world.
I first discovered the work of Cannabis Photographer Kristen Angelo when the Seattle Times did a profile of her for their series highlighting "cool jobs" in the region. Her work stood out as something fresh, new, and real.
“Do what you love, and you’ll never work a day in your life.” What an inspiring, hopeful idea. Unfortunately, it’s not always true. According to this article on USA Today, only about 20 percent of businesses last past their first year, and even less survive past the five-year mark.
Our behind-the-scenes series on the filming of "Where Art Meets Architecture 3" continues today with episode 6. In this episode, Mike Kelley flies to the Fstoppers office in Charleston to start working on the post-processing portion of this tutorial.
Almost all photographers nowadays are familiar with modern equipment and use it to create, show, and improve their work. Some is necessary like new cameras, lenses, computers, and some is complementary. It all depends on your work style and the photos you want to create. But let's ask a question here.
The challenges of creating portraits of dogs are compounded when more than one animal comes along for your session. Whether you’re photographing two dogs or two dozen, this simple compositing method will make sure you will be able to create the perfect group portrait where each dog is looking their best.
It’s not rocket science, but there’s certainly a whole bunch of trial and error involved with shooting something as bright and spectacular as a launch. I spoke with John Kraus, a young photographer doing just that, to guide us through the process and obstacles that are involved.
If you have ever been assigned a full-day catalog shoot for a big retail brand, you probably know about the hectic process, especially if you are not working with a producer who deals with everything.
Back in 2008 the Canon 5D Mark II was a photographer’s dream. The camera revolutionized the industry and opened new creative horizons for many professionals. The low light performance, dynamic range, and image quality were unheard of. This technological wonder was a huge hit in the photography world and beyond, especially in the indie filmmaker community.