In Part 3 of the Dramatic Beauty Portrait Tutorial, we will finally get into the first main step of the skin retouching process. Basic skin retouching involves addressing subtle skin and texture issues on our portrait images. We will not only look at techniques for skin retouching in Photoshop, but also discuss the theory behind our decision process during the retouching process. I will also show optional techniques for those looking for quicker or alternative options during their portrait or beauty retouching. In case you missed it, during Part 1 of the tutorial we went over the lighting and shooting of our image and in Part 2 we looked at the "pre-editing" process.
With less expensive gear being introduced all the time, we have seen a boom in time-lapse films in recent years, making it easier for just about anyone to make their own time-lapse clips. But with the deluge of videos comes innovation and the need to differentiate yourself. Filmmakers have used time-lapse in some creative ways with production techniques like multi-axis motion and post-production software like After Effects to achieve wild results. A relatively new approach is compositing live-action footage over time-lapse video, and it is pretty easy to do.
In just about every video I edit, during my last or second to last round of revisions I find myself having to add titles, credits, name graphics (lower thirds), and one or two other pieces of text to help explain and give context to the video. Here are my go-to techniques for cranking out decent looking graphics both quickly and efficiently.
A lot of people associated HDR with over-processed, surreal images. This is not always the case. Shooting HDR can be very useful in different circumstances. It is often seen in real estate and landscape photography and can be very useful to balance a wide range of light levels. There are many programs out there for merging images together to create an HDR photo, but one of the simplest ways to create these dramatic photographs is using Photoshop's built-in HDR Pro.
Flare has become a huge part of modern photography for how it can add both depth and excitement to an image. Many of us have resorted to manually creating lighting effects using Photoshop or by layering pre-made textures above our photos. Red Giant, however, looks to replace and augment this rather tedious process with Knoll Light Factory.
Our cameras today are extremely powerful with settings and features that help us archive stellar image quality. But sometimes the images we come home with just don't capture the true essence of what was photographed and what our eyes saw. The photo is just a bit overexposed or underexposed and doesn't capture what we felt in that moment we pressed down on the shutter button. We fiddle and tweak in Photoshop with sliders and brushes, but there is another tool to add to the arsenal: masks. Specifically, luminosity masks.
We are all guilty, or have been guilty, of slamming out edits right after a shoot, only to realize we don't like what we've done when we see it the next morning. As any artist can attest to, the morning after can be a sobering, if not disquieting, time for you when you recognize that your hasty post work is simply no good. Can you avoid this blunder? Yep, with a self-imposed doctrine of pre-editing your most important of project images instead of knocking out flawed or misguided finals in haste.
In Part 1 of our Dramatic Beauty Portrait Tutorial, we looked at the lighting setup, gear breakdown, and shooting of our dramatic beauty shoot. In Part 2 of the tutorial we will now look at two different ways of exporting and preparing your image for retouching. The first method involves creating versions in Lightroom and exporting directly to Photoshop. The other method utilizes Adobe Camera Raw and the ability to make variations within Photoshop. I will also discuss the overall goal of our pre-edit stage.
Coolors is a fantastic new app that I stumbled across the other day. It is an incredibly easy and intuitive way to generate a beautiful 5 color palette for any situation. Primarily developed for designers it has instant appeal to us photographers. We deal with colors in most of our work and knowing how to match and complement effectively can make or break the images we create.
Since its first version, Photoshop has changed quite a lot. The functionalities it offers are greater now than ever before. But plugins are legion and for beginners it is hard to differentiate the ones that are truly useful and those that are just a waste of money. The Retouching Academy Beauty Panel has been around for a little while and was revamped very recently. I use it all the time when retouching but I get many questions about it. I am frequently asked if it is worth its price and if it makes my retouching any better. Here is my take on the panel, why I bought it, and above all, why I keep using it everyday.
Adobe has released a YouTube video highlighting some of the retouching features that may be available in upcoming Adobe mobile apps. While no release date is given yet, the video shows off some pretty impressive abilities that accentuate the mobile device's touchscreen and makes the application more user friendly for quick changes or creative endeavors. This video has us excited for what retouching abilities are being brought to our mobile devices. Watch the video and have a look for yourself.
If you're not familiar with Peter Coulson's fashion and editorial work, you have clearly been living under the proverbial rock or simply don't follow portraiture. Coulson has quickly become one of the most respected and successful fashion photographers from down under, and has been fielding an endless stream of requests to visit America. Namely, to teach his voodoo studio mastery to the masses. Thankfully, this June in Chicago and New York, Coulson is doing exactly that.
This is Part 1 in what will be an 8 part series for a dramatic beauty portrait. In the series of tutorials, we will go through everything from the gear used, to the lighting setups, and all the way through the complete retouching process. In Part 1, I will breakdown my gear list used for the shoot and I will thoroughly go through my lighting setup. In this video tutorial not only will you see the gear and setup, but also a behind the scenes look as me and my team go through hair, makeup, and shooting. The complete series of videos will be available here on Fstoppers and on my YouTube Channel.
Retouching skin is about detail and patience. It can be a real time consuming and can require a high level of precision to keep the natural aspect of an image. Each of us has a different style of editing and our tastes differ. However when giving retouching lessons many photographers ask me about skin texture and how to keep it looking as natural as possible.
This is not a simple answer as it is mostly a combination of elements. In this article I have combined the five things I see most photographers do wrong or too much when looking for a believable skin texture and look.