Lightroom Versus Luminar: Retouching the Same Raw Files
Over the past few years Luminar has taken huge strides in the post production space of photography. One photographer has decided to see how they fare side by side.
Over the past few years Luminar has taken huge strides in the post production space of photography. One photographer has decided to see how they fare side by side.
If you’re a Photoshop user, you’ve probably noticed that there are a ton of tools in the toolbar that you never use and others that you have to hunt for. This short video explains how to customize that toolbar to trim out unnecessary icons, make space for new ones, and make your workflow much more efficient.
While Photoshop can do a pretty good job at removing shadows from faces, there’s a fair amount of legwork involved. One scientist has shown that neural networks and artificial intelligence can produce some very impressive results, suggesting that it will soon be a part of how we edit our photos.
Don't get stuck with the standard wallpapers on your smartphone. Make your own in Photoshop CC using these simple steps and use your very own images to stand out from the crowd.
How far should you actually go in post-processing a landscape photograph?
Being able to change the color of elements in your image gives you great freedom in the overall look of your scene. Here's a quick guide on how you can do that, by Adobe themselves.
Spending hours editing in post-production can feel like a real time-suck. Taking on board these tips will save you a significant amount of time before you even open your editing software.
My biggest post-processing challenge in photography is image noise. Unlike studio photographers who can precisely control every aspect of lighting, I've been photographing most of my campaigns handheld in natural light for more than 15 years.
Landscape photographers often want to maximize their depth of field to get everything from front to back entirely in focus and sharp. If you want maximum sharpness, employing focus stacking can be the key, and this great video will show you how it works.
Logos and branding on products in photographs can be unnecessary distractions, or depending on how an image is being used, their visibility could possibly be infringing on a brand's copyright. Avoid these situations by learning how to remove them using Photoshop.
The eyes in a portrait often make or break the whole image, so when you're retouching them, it's worth going the extra mile. Here are some advanced techniques for making sure the eyes in your images pop.
There are a lot of good tutorial resources out there, some of them free, but for the most part if you want a high quality video tutorial, you'll need to pay. Well, this is a rare exception.
By now, you’ve probably seen the wildly impressive short film “You Can’t Stop Us” by Nike. The video has already received about 42 million views on YouTube since its release on July 30th. While the narration and source content are both as solid and empowering as we’ve come to expect from Nike’s ads, the inventive editing is the true star of the piece with its revolutionary visual concept.
Sometimes all a shot needs to go from average to good (or beyond) is the right color. This video will teach you how one landscape photographer does it.
No matter how good digital cameras get, there's always a group that loves the style and familiarity of how film photography looks. Now, Capture One launches their latest style pack to emulate those old rolls of film.
I've lived with the Dell XPS 15 laptop as my main computer for all my photo and video editing for the past year. Should you buy it for your photo editing? Here's my full review of what it's like as a creative content maker, warts and all.
In the latest episode of "Moments in Time" in the Philippines, I traveled to Legazpi along with Win Magsino to capture images of Mt. Mayon, a very beautiful and iconic volcano on the island of Luzon. In this post, I will take a more in-depth look at the post-processing that went into creating the final image.
Good audio is just as important to creating a successful video as the images on screen, and as such, anyone working with video should have at least a basic knowledge of how to edit and improve their sound. This excellent video tutorial will show you how to use the spectral frequency display in Adobe Audition to make more precise audio edits.
Comet NEOWISE has been hanging around in night skies around the world for a little while now, and most photographers who have been blessed with clear skies have captured at least one shot of the comet. Beyond getting a good exposure, how do you process your astro shots for the best effect? In this tutorial, I'll show you how I edit mine.
Editing landscapes can revolutionize an image that didn't quite pan out how you had intended, or bring out all the best features that did. Here are five tips that can dramatically improve your landscapes.
Eye autofocus, insanely fast burst rates, 8K raw video, and more. There is no doubt that camera features are getting better and better at a crazy pace. But the thing I am most excited for is not on a camera, it is in post-processing: artificial intelligence.
The bane of many photographers' existence over the last couple of decades has been endless hours spent creating complex masks in Photoshop using the Pen tool. Unmesh Dinda of PiXimperfect shows you how much faster your workflow can be with the Select Subject tool, which was recently updated in the latest version of Photoshop.
Retouching can take a long time, especially cleaning up skin. But Anthropics aims to fix that with their new version of Portrait Pro, with AI-powered skin retouching. Does it live up to the hype? Let's find out.
The look of a film or feature can make or break even the best storyline or acting. For that reason, and many others, a lot of thought goes into the style of a film. Here are five that every film draws from.
If your copy of Lightroom Classic has been painfully slow, or you're having trouble with images and adjustments loading in the Develop module it could be down to a few crucial settings. Tweak these and you could dramatically improve the speed of Lightroom, and your workflow.
I'm an Adobe Lightroom user, and although I love the way Lightroom Classic works, I think there's still a lot to be improved on. From historical hangups to advanced features designed for busy professionals, here are some Lightroom features I wish existed.
In this video tutorial, I show how to create dynamic images by using dodging and burning and painting in some light effects.
Creating imagery that’s “brandable” is part of many working photographer's bag of skills but still takes some know how with lighting, posing, and while creating a human connection to excel at a high level with consistent results. Let’s dive into how we can make our commercial and branding imagery simply while also growing our network and earning new clients in the process.
This entire summer, I have been trying to include elements of water in many of my photoshoots. In today's behind the scenes video, I team back up with Krystal Xamairy and attempt to photograph her in a pool using a fish tank and a few strobes. The results are pretty interesting, to say the least.
Making selects in Photoshop can vary from one click of a button, through to painstaking pathing and manual refinement. Well, Photoshop 2020 now has a new selection tool called "Subject Select" — but how good is it?
I’ve always loved the look and feel of the images created by photographer Julia Trotti and in this short video she runs you through her simple methods for creating a light and airy edit to give a very summer vibe using Lightroom.
I believe that perhaps the most significant challenge for many photographers is image noise. I often struggle with this myself when shooting fast-moving wildlife.
Editing images can be a minefield for errors which impact the final result. Everyone wants to bleed every last drop of quality from their shots, so here are some mistakes to avoid if you want to achieve cleaner edits.
Does a landscape photograph tell stories? In this course, landscape photographer Alister Benn goes through different tools in Adobe Lightroom that can help you express through your landscape images.
We all know that raw files offer more versatility and range in post-processing than JPEGs, but on the other hand, JPEGs certainly are not totally useless. This great video will show you what you can do with JPEGs versus raw files in post-processing.
If you've ever shot on a budget lens, or composed a dark subject against a bright sky, you will have surely noticed color fringing — a glowing colored edge around any contrasted subject. Learn how to remove even the most difficult chromatic aberration in Lightroom Classic using some manual adjustments.
One of the things I love most about photography is the challenge of creating something new and refreshing. In today's behind the scenes video, I thought it would be fun to try to capture some family photos with a split view above and under the water.
Even if you’ve never blurred an image in Photoshop in your life, you might be aware that usually the best way to do it is by using Gauss. But who is Mr. Gauss, why is he so good at blurring images, and why would image editing be completely different without him?
Replacing the sky in a photograph is traditionally a fairly tedious process, particularly if you are dealing with a complex structure consisting of things like tree branches and the like. However, Luminar 4 brought with it a new AI sky replacement tool that promised to drastically reduce the amount of time and effort that goes into the process. Can it hold its own with Photoshop? This great video pits them head to head to find out.
I love looking at landscape photography, and I enjoy taking them too, though I am by no means a landscape photographer. That disconnect needed to be overcome, so I started experimenting.
When it comes to editing, saving time is always part of my thought process. I want to deliver the best results in as little time as possible. The Loupedeck CT helps me do that without any sacrifices.
Oniric is the new Photoshop plug-in from Composite Nation that creates seamless, customizable lighting effects with the click of a button.
Sharpening images is a crucial step of every photographer's post-production, but with so many different ways to do it, which is the best?
In this video tutorial watch, as I show you how to change a bright saturated color to black in minutes.
One of the new features included in the latest batch of updates to Adobe products is the “Discover” tab in Lightroom CC. The insights it gives into the editing process can be incredibly useful for those wanting to learn how to use the software.
When it comes to post-production, many photographers often get a wee bit trigger-happy on the saturation and vibrance sliders. But how does an extremely popular photographer approach saturation in Lightroom?
The June update for Lightroom saw several quality of life changes. But one new features is excellent for controlling and altering colors in specific areas of your images. Here is how you use it.
Dropping an object or a person from one photograph into another photograph is an art, and the extent to which the result is convincing is largely dependent on how well you can match color and light. This in-depth tutorial shows you how.
Being able to insert something into a photo and have it indistinguishable from elements in the original image can be a powerful too. Here's how to achieve it with an underused too.
New features added to Photoshop and Lightroom today might change how you edit your photos, but it entirely depends on what kind of images you make and what your current workflow is like. This is my review of the new features and whether you'll want to dive in or avoid them.