I've taught something like 100 or so private or group classes since 2012, many of which dealt with retouching in Photoshop. The main thing I noticed about other users' Photoshop settings? They all kept the same default, dark interface that Photoshop comes set to. However, I don't think those settings are helping your work. Here's why.
In Part 1 of the "Start to Finish Fashion Editorial Retouching" tutorial, we looked at how to clean up a white background, how to liquefy clothing to achieve a better fit, and how to clone and heal out distracting elements in our editorial image. In Part 2 we will look at how to go about the more common and essential retouching steps including: skin retouching using dodge and burn, color toning, sharpening, and value adjustments. In this video, I take you through each step and give you insight into the "why" as well as the "how" of editorial retouching.
Hollywood's latest A.I. thriller, "Ex Machina," promised to take viewers on a fascinating and thrilling philosophical, ethical, and human journey. The Turing test, man's domination over machine, artifically intelligent machines' potential and perhaps inevitable self-awareness and domination over man, and an eccentric Silicon Valley-like billionaire-type leading the helm... how could this not be a great film? More on that later, but to make all of this happen, director Alex Garland and VFX supervisor Andrew Whitehurst had to create a robot that would connect so well with audiences that we would treat it as any other human character.
When I saw this wedding shoot I was stunned into silence for a few moments. I really didn't know what to think of it! In my mind, when I think of wedding photography, I think of a world of immaculate white dresses, expensive shoes, thoughtful furnishings and of course, smiling wedding couples and their guests.
Photoshop has been around for quite some time now. It works great and every photographer has gotten used to it. It is a staple in my workflow alongside Capture One and Photo Mechanic. Until a few days ago, I did not think I would hesitate changing my retouching routine. After a few years of trials and errors I am finally somewhere I feel comfortable with my post-production. However, after having installed Affinity I must admit that I might "cheat" on Adobe Photoshop.
We've all been there. You are on set with your strobes and find you're in a mixed light environment. Light temps are varying all over the place, and even blending over each other, creating new and wonderful areas of unwanted color shifting. You do what you can, and assume you will fix it in post. So, in lieu of proper toning gels on set to balance things in camera, here is what I often do to balance mixed light in Photoshop.
As we all know, even the most stunning visuals require an equally amazing and unique soundtrack to bring the audience's emotions to their full potential. Supervising Sound Editor and Sound Designer Christopher Boyles from Skywalker Sound discusses his work and the burden of creating original sounds for "Avengers: Age of Ultron" that will stand the test of time.
This ingenious video has gone viral as the true level of photoshopping to manufactures 'beauty' is exposed. In this clip, we see 6 hours of photoshopping sped up to fit into a 90 second clip. All of these hours of work has gone into creating just one perfected image of a model.
Before I learned about makeup I used to strengthen or create contouring in post the same way on every single picture. However, because everyone’s face is different, contouring should differ from person to person. Contouring not only can help create dimension it can also help alter shapes. Let see how we can make our model’s and client’s face look their best without going crazy with the liquify tool. Shadows and highlights are photographers and makeup artists best friends!
Color lookup tables (also known as LUTs or 3DLUTs) have been a popular tool used by colorists in the video industry for a while and are just starting to find their way into photography. LUTs are a great alternative to actions or expensive plugins that can help speed up your editing workflow.
Lightroom has become the industry standard for editing images quickly but when it comes to viewing and culling images, it's still incredibly slow. On1 has recently launched Perfect Browse 9.5 as the fastest way to burn through hundreds or thousands of raw files and then import your favorites into Lightroom for editing. Oh, and did I mention, it's totally free for Fstoppers readers right now.
As a wedding photographer, I tend to shoot thousands of images at a time. Before I can edit anything, I need to go...
Dust spots are inevitable, and removing them can sometimes be a burden. While there are many ways to go about removing dust spots, retoucher Chris Lambeth shows us a really quick and easy way to get rid of them. This method for removing them is completely new to me, but I'll be sure to incorporate it into my workflow.
You have probably heard it a few times: photographers raving about how Capture One is awesome for developing portraits from raw files. However, just like when I first installed it, you might not see any advantage over the current raw processor you are using. Then I found a few functionalities that made my workflow that much quicker and my images look a tad better before even retouching them in Photoshop.
In this tutorial, Photoshop guru Aaron Nace of Phlearn.com shows you an easy yet effective way to take branding your images to another level. By placing logos or other branding elements into a scene's already existing spaces (such as billboards, truck trailers, or even clothing) you can really drive home the message you are trying to deliver. Follow Nace's simple step-by-step instructions to recreate this effect in your images.
I rarely write in first person but because this is a topic I feel very strongly about, I want to tell you about my personal experience. When I was reminiscing with my wife about the one thing that changed my photography, it was the day I saw the light. Literally. The only way I was able to conceptually grasp light and the way it works was because I started retouching. There is no way to deny it, as I mastered retouching my photography was taken to the next level.