Short version of the story: I love issuing challenges to the awesome readers of Fstoppers, but I also have this wild schedule of mine that changes at a moment's notice this year. So, without wasting more of your time, I'll just say "my bad" and get right to the Capture One Pro EIP Challenge winner.
Creating an image that appears “sharp” is something I struggled with for a LONG time. I read countless articles on the topic and invested heavily in gear thinking that was the cure. While gear can certainly help, I believe there are a few key areas to focus on in order to create images that are tack sharp.
Affinity Photo was released over a year ago on Mac OS X. Its success on the App Store definitely shows how great the software truly is. It is also proof that people are looking at different options than the traditional Adobe workflow. Until now, one thing refrained many: Affinity Photo was available only on the Apple platform. But today is a new day and the software is now Windows compatible.
Last week, we covered my all-time favorite tip for creating expressive children’s portraits outdoors this fall. As a follow-up, in this short video, Photoshop master Aaron Nace from Phlearn takes us through simple techniques for editing photos of children in Photoshop. His advice centers on drawing the focus to the eyes and face by adding a vignette, enhancing eyes, and warming skin tones.
We've all attempted multiple exposures. We do it when we want to create a specific feeling when shooting portraits, and we do it when we want to expose correctly for an architectural photograph client, to correct in post. We use a tripod, to make sure the images are identical, and we either use the camera's automatic stop metering to compensate and expose all the needed information correctly. And then Grant Legassick goes and changes the way I always considered multiple exposures and how they can be used.
With the advancement and affordability of video technology available to consumers now, the number of budding and aspiring film and video makers has seemingly raised exponentially. One of those advancements has most definitely been in regards to how the color correction process is handled. There's certainly no one path to success sort of idea with this either, but there are some things that you can do to help simplify and organize your process in order to work quicker and more efficiently.
Capture One doesn’t need to be introduced anymore. It’s Phase One's professional raw converter, and it has grown into a very compelling Lightroom alternative over the past few years. The software is meant to develop raw files, but it can do much more. Its usage doesn’t have to stop at simple exposure and contrast tweaks. Let’s see how we can unleash its full potential and, as Phase One likes to phrase it, experience the ultimate image quality.
Have you ever wondered what that obscure tab called “Channels” in Photoshop does? You know, the one with black and white layers of your photograph that are anything but red, blue, or green? Turns out they do some pretty amazing things and aren’t really that hard to understand once you get familiar with them.
Color plays a large role in the way we view an image. It can convey emotion, evoke a response, and set the mood. Understanding the basics behind how to use color in your images will assist in creating your signature look. Color can play a role in all the senses making sure your viewers feel the story behind the capture.
With Halloween fast approaching, people are either revealing the costumes they've been prepping for the past year since the last Halloween, or they're scrambling to figure out what they're going to be. However for one dad, with a custom hand made leather outfit, some know how, and a team of assistants, this Super Dad gave his 3-year-old daughter a Super Makeover. Inspired by the upcoming Wonder Woman Movie with Gal Gadot, he used some very clever photo manipulation to create the photo series.
I know that all of the iPhone 7 hype is on the portrait mode and DNG file capture that the new camera has, but I was particularly interested in another aspect of iOS's photo capability. Having been stuck on a Nexus 6 for the past year and a half, I missed out on a lot of the new tricks that the iPhones were offering. Specifically, Lightroom Mobile's new raw file support, giving it similar editing capability as the desktop version of Lightroom.
Photoshop is an amazing tool for photographers and retouchers alike, but with its numerous features and options, it can quickly become confusing. Everyone knows confusing software is far from being a fast workflow element, but Aaron Nace from Phlearn is always there to help out, and this time, he gives us six tips to improve our productivity.
When LG invited me to their OLED exhibition at the Natural History Museum in London, my ears pricked up. This is for two reasons: the first is that a couple of years ago, I wrote a piece on OLED lighting and how I think it will change how photographers light their subjects in the coming years. The second is because, well, I love technology. LG's OLED 4K TVs and monitors are the epitome of digital clarity, and while I suspected that to be the case, seeing it in the flesh did more than confirm my suspicions.
Crushing blacks is a popular trend in Photoshop for achieving a more film-like matte effect that pairs well with vintage styling. It won't work with every image, but if it's a look you are after, photographer Mathieu Stern has put together a video suggesting three ways you can go about achieving and customizing the effect. In this article I will add on one more quick method in addition to the video which will give you plenty of options to play around with this effect and see which method works best with your workflow.
The mixing brush tool is one of the most underutilized tools in portrait retouching. When used correctly, the mixing brush tool can be used to blend blotchy skin together, fix makeup in areas where a makeup artist may have missed applying makeup, etc. Here is a quick introduction to using the mixing brush as a portrait photographer.