I don't have specific numbers. I don't even have vague numbers. But I wouldn't be surprised if someone told me Adobe's mobile photo editing apps have seen a huge success. The biggest reason: they're free. And the second: they really work, which makes the first reason even better. Today, Adobe updated two of these apps, Photoshop Mix and Photoshop Fix, with support for split view in iOS 9, for the screen size of the iPad Pro, and for the pressure and tilt sensitivity of the Apple Pencil for use on the iPad Pro.
Luminosity masks are a powerful trick available in Photoshop. However, the way Adobe implemented them is not so great. It's a combination of playing around with the channels layers and keyboard shortcuts to get the mask you wish. Greg Benz has come up with something awesome called Lumenzia and it fixes almost everything that made using luminosity masks a pain to use.
Think we're in the middle of a Photoshopping epidemic? You don't even know how bad it is (well, now you do). According to a recent survey, 68 percent of adults take to some kind of photo editing before they share any photo with another person or online. As desktop and mobile editing tools become easier to use — with some even serving the specific purpose of being easy to use for the less technically inclined — Photoshopping images is the latest trend... and it's still growing.
Snapseed, Google's ridiculously powerful and popular image editing smartphone app, just got a major upgrade for its Android users. Following up on the introduction of raw file capabilities in Android 5 last year, the app now supports editing of those files right on your phone, greatly increasing the capabilities of photographers on the go.
Astropad Mini, the app that allows iPhone and iPad users to turn their device into a graphics tablet for the Mac, received a major update on Tuesday. The app now includes support for Apple's 3D Touch, meaning it can now recognize 256 levels of pressure, bringing it even closer to turning your iPhone into a fully functioning graphic tablet.
Resource Magazine has a big issue out this quarter: Bill Nye is telling the world why photography will save it. Want to know the answer? You're going to have to grab this fall's issue of Resource. But a behind-the-scenes video of the photo shoot for this feature's spread shows just how much compositing there is in modern-day photography. Composited or not, the video is a quick, interesting look into a neat shoot with science's most famed personality.
Capture One has been known amongst high-end retouchers and commercial photographers for quite some time, the main reasons probably being its powerful tethering and color editing tools. Wedding photographers seem to think Capture One is not tailored to suit their needs. At least, that is what I thought. After a full year using only Capture One to process my raw files, I wanted to share with you why I stopped using Lightroom.
Great news for Lightroom users: today, Adobe announced another update to the program, confirming that they will be reinstating the old Import dialog, which was replaced by a newer dialog that received harsh criticism for its excessive simplicity and removal of features.
After Monday's release of Lightroom, many users were upset to find the release had seen changes that removed features and worse, had a tendency to crash, rendering it essentially unusable. Today, Adobe has released an update that corrects the crash issue, as well as an apology.
Many photographers recently upgraded to the newest version of Lightroom, only to have their work come grinding to a halt as the program became completely nonfunctional. Others found their standard workflow disrupted by the removal of longtime features. Either way, many are very displeased with the latest update and have taken to the Internet quite vocally to make their concerns known.
Before I had a Wacom, I seriously questioned the ability that a touchpad without a screen would have to improve my editing workflow. Also the screen-integrated models were way too expensive for me to consider at the time. Those of us that have them now, however, see them as an invaluable tool in our work — and it’s one we probably want to protect.
Every year's Adobe MAX conference marks the an obvious time to expect updates throughout Adobe's product lineup. So what's different this time? Mobile. Adobe has the monopoly in the area of creative applications for media editing, but for the first time in a while, it feels like they're competing with some unknown entity. This year's updates bring so many new features across the widest range of Adobe products ever that there's no doubt they're serious about their making customers happy with a huge concentration on mobile.