Mike Kelley and Fstoppers have teamed up once again to produce the third installment of Where Art Meets Architecture. Over the past few years, creating images for realtors, architects, interior designers, and property management companies has become a booming industry for professional photographers. In this tutorial, Mike focuses on how to photograph the hospitality market including how to shoot hotels, resorts, and rental properties. For the first time in his career, Mike also shares everything he knows about the business of commercial architectural photography including pricing your work, creating bids and contracts, marketing your business effectively, and building licensing fees for residual income. We are excited to finally release the most thorough tutorial we have ever produced on architectural photography and have a special offer inside.
Photoshop offers so many different tools that achieving one simple task can be done in numerous ways. Finding the method that works best for you and the one that matches the result you have in mind is important. Greg Benz is back with a new tutorial and shows us how he uses the Perspective Warp tool to enhance his landscape photography.
Sharpening to enhance detail is a critical process to finishing any image, especially when preparing images for print. As a photographer who specializes in creating large wall portraits of dogs, I routinely apply a strong degree of sharpening prior to printing. There is one specific technique that I use for sharpening that is especially effective when editing portraits of dogs and other furry subjects. Here is my best tip for enhancing detail in fur and hair while maintaining a soft appearance.
Shooting suspended objects in your images can be done a few different ways, from the use of Photoshop to the simple and effective use of wire or fishing line. My first instinct would be to grab clear fishing line. Not having done any work with fishing line in suspending objects, I would not even have thought about getting brown or even a greenish tint line to use in the set, as Jay P. Morgan from The Slanted Lens packs in his fishing line kit box for various projects and scenes. In this video, he shares all his tips on this approach, including how he decides to use a certain color based on the background.
When getting into video, filming may not be the biggest issue. Post-production plays a significant role and can be quite overwhelming. There is tons of software out there, and it’s difficult to know which is best for what. Learning how to use these programs is even worse when you are a photographer. The interface looks totally different than what we are used to with Photoshop, Lightroom, or even Capture One. So it’s always nice there are people such as Casey Faris producing comprehensive videos to help us out in getting started. If, like me, you can’t seem to get a perfect grading with Premiere or Final Cut Pro, this crash course on DaVinci Resolve is exactly what you need!
While working on putting together great video work, you will come across breaks in scenes where they need to come back together. In most cases, a transition effect is used to merge the scenes together instead of having one stop completely and the next one begin. A great transition can improve your video, but they can also be used incorrectly and ruin your film.
Outsourcing for me has always been one of those things I just never thought to be possible. How could someone who doesn't know what I’m thinking know how I want an image to look? Sometimes I don't even know what I want an image to look like and some of my favorite images have come from playing around while editing. So when I was contacted by Pro Image Editors, one of the largest postproduction companies around with 400-plus employees, and offered the chance to try their services, I was a bit skeptical.
As part of a commitment to expand my portfolio in 2017 with work that showcase a broader understanding of concept and light, I decided to plan a shoot centered around a vintage travel theme. After weeks of planning the style, location, and overall shots I wanted to take away, I finally had the opportunity to execute the shoot yesterday and I’d like to share the results as inspiration for any interested readers.
Importing files from a memory card onto a computer doesn’t seem to be a complicated task, and it shouldn’t be. However, it’s probably one of the most crucial parts of your workflow. If you forget a file on your card or format and reuse the wrong one, it can generate bigger issues than any photographer would like to face. Because let’s be honest, no one wants to tell a client that files have been lost… let alone a full job! There is a trick to avoid that kind of problem, and if you’ve never heard of it, you may be surprised by how simple it is!
Creating and viewing video content in 4k resolution has never been more accessible. But don't go shooting in 4k just because you can, it might not be necessary. The process of delivering 4k video content as a videographer or filmmaker has certain limitations and changes in workflow that are worth considering before you hit the record button.
While most photographers and retouchers use Capture One and Lightroom, the raw processing software market is actually much larger than just two options. One incredibly appealing alternative to the big names is Picktorial. Its third version is being released today, and it comes with quite a few exciting features and is available at a very reasonable price. I’d almost be tempted to say that it’s to Lightroom what Affinity Photo is to Photoshop.