Whenever we've written an article mentioning Affinity Photo, people have commented and complained that it is not compatible with Windows. But this is about to change in the next couple of months. Affinity just announced that they are working on Windows versions of their different apps.
Don't get me wrong; I am not going to show you how to make up for bad lighting in post-production. However, Glen Dewis has created a very interesting video that shows us how to achieve a gobo-like effect using Photoshop, something that be very handy if you are looking for an easy way to add drama to your picture without spending too much time in front of your computer.
In a way, your journey as a photographer will start out with personal projects. Everything that you shoot for those first few months or years are things that you choose to shoot for fun. Personal projects help you to learn, experiment, and grow as an artist. Actually organizing and creating a series, however, takes a little bit of planning. From brainstorming to gallery showings, I’m going to help you put together a game plan for your next personal project.
There's this nifty piece of software called Adobe Photoshop Lightroom, and in my time as an educator in the craft of photography I have seen its use frequently abused and mishandled. The issues affect beginners and pros alike, and stem from multiple issues, everything from technical oversight, all the way to a fundamental misunderstanding of what Lightroom is meant for. Read on for an overview of common misconceptions and mistakes with regards to this immensely powerful photo editing system.
Just like ever camera owner is a photographer, every person who owns an abundance of MAC products is a makeup artist. At least that is how it seems on Instagram these days. There are now more makeup artists on social media than ever, and finding the right ones to follow can be tricky. Following the best makeup artists can make a portrait photographer better. If you follow them closely, you can step up your game.
Creating a music video for a national act is one of the most intense tasks for a modern day filmmaker. Sure, the tools are more affordable, but declining budgets and insane turnaround times can turn your production into a sprint. Last month, my company, McFarland & Pecci, was tasked with creating two new music videos for the Grammy-nominated metal act, Killswitch Engage. My partner, Ian McFarland, and I drop everything when these guys call.
If you’ve been working with video in the last few years and are looking to take your post-production to the next level, color grading absolutely needs to be something you consider incorporating into your workflow. DaVinci Resolve is not only a powerful software for doing this, but it's base version is actually free for anyone.
Full disclosure: Creating this Action goes against many things I've stated in the past, including and especially my whole idea that "No Action should create effects for you". That said, with the huge influx of Action requests that I've been receiving, I reasoned this particular one is steeped wholly enough into "procedure" that it could possibly make a decent (and useful) automatic process. As such, let's have a look at my Soft Flare FX Action.
So I've been posting more and more of the Actions I've been making and using lately, and this afternoon is no different. While today's Action creates a subtle effect, and may not be something everyone likes, I am posting about it because it's a process I use pretty frequently. Sure, it's not for every image, but sometimes it just does the trick. Let's review what it's all about.
Nothing could be simpler than increasing contrast of your image in Photoshop, right? But as is my usual, I prefer control over convenience and take my contrast boosting a little more seriously than perhaps I should. In the interest of bringing some convenience back into the matter, I've created an Action for you to try out which showcases my most common contrast boosting method.
Sharpening your images in post has been discussed time and again in every manner of tutorial under the sun, and everyone has a preferred method that works for them. For me, I found I enjoy the look of a partial sharpen done with the classic high pass filter (and requisite blending mode) along with an appropriate luminosity mask to blend it where I want it. These days I've gone and made an Action for the process that seems to work for about 80% of my images. Let's review it.
Even though I am not a landscape photographer and I have never attempted any sort of astrophotography, I have always appreciated beautiful photographs of nightscapes. Recently, I borrowed the new Tamron SP 15-30mm f/2.8 Di VC USD lens and tried to photograph an interesting night scene here in Charleston. Truth be told, it was quite the learning experience. In this video, I will share my first ever approach to shooting the night sky and hopefully give you a few things to think about when tackling this interesting genre of photography.
In the retouching world, graphics tablets are pretty much a standard. I don’t know of many retouchers that only use their mouse to get the job done. Graphics tablets allow for a more precise, and thus refined, work. They also used to cost a fair amount of money, but that was until Huion came along.