Just about anyone who has played with Photoshop a bit can learn about portrait retouching from YouTube, as there are tens of thousands of videos on there covering the many and varied methods involved in the process. But what about tutorials for photographers who are legitimately brand new to Photoshop, and have never used it?
Adobe's updates to apps across the Lightroom lineup today include a new Texture slider under the Presence pane for a finer alternative to clarity, tutorials created by photographers you know so you can follow along with their edits, additional tools that help others collaborate to add images to albums with you online, and more.
There aren’t many things photographers unanimously agree on, but the desire to improve post-processing results and reduce the time required to do it is one. With so much of a photographer’s time spent behind a computer, anything that not only expedites but enhances the experience is welcomed with open arms, and using a Wacom pen tablet is one such thing. For Capture One, using a Wacom Tablet can be a real boon, and here’s how.
I hope I'm not the only person who does this, but up until recently, I had not used any of the cataloging features from any image editing software. This isn't because I thought any of them were particularly bad; instead, I just have my own way of managing files and their locations. However, ACDSee has changed my mind about this.
With the digital age stacking techniques make it possible to shoot a star trail in the middle of a city. But when I got my hands on a great medium format camera, I also ran into a problem: the star trail had strange patterns in the stacked image. Fortunately I found out why this is, and how to avoid it.
The Apple versus Windows discussion tends to get some strong opinions from both sides. Many creatives swear by Apple and consider them to be the only option, and this is mostly due to the operating system. Preferences aside, it would seem that Macs are sometimes the slower and worse option for creatives.
Trying to create an overall feel or style for a collection of images can be challenging, especially if there is a large amount of diversity across a set that you want to present together. In this short video, photographer Julia Trotti explains how she uses Lightroom to create a cohesive collection of images.
One of the fundamental issues in astrophotography is the general lack of light. To combat this, many serious astrophotographers turn toward equatorial mounts to allow them to get more light, but this can create difficulties if you have a foreground subject as well. This helpful tutorial will show you how to composite a foreground shot with a tracked night sky shot.
It’s amazing what mid or entry-level hardware can deliver when you pair it with great software. The best software will be able to make up for some of the weaknesses and exploit every ounce of its strengths – ideally with relative ease. That's what we'll see here with Capture One's Luma Range tool.