Our clients often hear many terms such as "megapixels," "dpi," or "resolution" and wonder what the difference is between them. As photographers, it is our job to educate them on such terms in order to lessen the confusion when they are asking for certain sizes. However, if we do not understand not only the complexity but also the simplicity of what we are talking about, do we truly understand it at all?
Four years ago we filmed Where Art Meets Architecture: How To Photograph Real Estate, Architecture and Interiors Tutorial, and it has been the most successful tutorial Fstoppers has ever produced. We've teamed up with Mike Kelley again to produce Where Art Meets Architecture 2: How To Photograph Luxury Homes and Advanced Photoshop Techniques, and it's available now.
Photoshop is a fantastic tool, but it is not always the fastest software on earth. Large files such as PSD, TIFF, and PSB that contain numerous layers can require a few seconds, if not minutes, to load. When all you want to do is quickly check that all the files in a folder are the final versions, it can be tedious! However, there is a neat trick to open your big files much faster. Here is how.
I'm back with yet another editing contest, but this one has a twist you'll either love or hate. As I was recently in San Francisco teaching alongside Dave Gallagher, CEO of Capture Integration, for our course on CreativeLive, it occurred to me that almost no one (at least) that I knew personally edited solely in Capture One. That is, taking an image to completion using nothing but Capture One, which would mean not using the sacred Adobe Photoshop in any way. Challenge accepted?
Way back when, before traveling and scheduling became a bit crazy for me, I issued a second Retouch Challenge to Fstoppers readers, offering up a raw file from a shot I did of model Anna Truett in St. Louis. After receiving a couple hundred submissions, I have finally (no, really) selected my favorite ten edits. Let's take a look!
Chances are, if you're serious about this industry or have been doing your homework, you've heard about the importance of having color-accurate monitors in order to produce the best quality images possible. This point cannot be driven home hard enough: you can have all the correct techniques and execution, but if you're working on a monitor without a correct color calibration, your final image will not deliver the same impact as what you see on your monitor. The answer? A color calibration system.
Back in July of 2016, Adobe released a major update to Lightroom Mobile for iOS that allows it to work directly with any and all raw files supported by the desktop version and to also sync them seamlessly with the desktop. But what does this actually mean for real-world use? What problem are we actually solving? Let's go on a trip with epic travel photographer Elia Locardi and find out.
I bet everyone has done a baby shoot in their life even if it is not their genre. I bet majority has faced magenta skin tone on the final pictures of the newborns. Whereas it might be suitable for extra realistic or photojournalistic photos, most often it doesn’t look that adorable on final images, where we visualize those sweeties in a better light and color tones.
I'll preface this by saying that I am in no way bashing the Instagram community, other photographers, or their style. I got to be curious about why these Instagram portrait photographers were gaining such popularity. If you search any of the various Instagram "superhubs," you'll see this style crowding the pages. Once deconstructed, there isn't much to the look that has exploded across social media in the last year. Though there isn't much to it, there is certainly some work involved. It's not always as simple as a few sliders in the Instagram editor.
If you’re not shooting raw images, selecting the right picture profile could be the difference between a decent image and an incredible one. I was surprised to find out that some photographers didn’t know that they can download extra picture profiles and install them. Why waste the opportunity?
Documenting a wedding in itself is very demanding. It often requires 12 or more hours of coverage during which you must be creative almost every second. But wedding photography doesn’t stop when the big day ends. Then come the culling and editing. It’s probably the part where event photographers spend most of their time and also the task they like the least. Fortunately enough, retouching companies exist and can lighten if not remove that part of the job entirely. I made the switch for my wedding business, and I share my experience with you here as well as why you should give it a try as well.
One of the best things a portrait photographer can do is learn how to master a single off-camera light. Most photo shoots don’t allow enough time to set up multiple lights, and when shooting on location, carrying more than one light can be too cumbersome to manage. In this video, we see a very useful way to use one off-camera flash with some simple modifiers to create a dramatic portrait.
Something Thomas Heaton does a lot of us taking incredible and breathtaking landscape photos. Something he doesn't do a lot is show the full creation of a photo from conceptualization to presentation, including post processing. The real story here, though, is the desire to stay close to home and try to create art out of the "normal" and "familiar." What do you do when presented with nothing truly remarkable at first glance?