As I am writing this Apple is having a press conference about their new products. The Apple Watch is getting a software update, the Apple TV is getting a total overhaul, the iPhone is all new (and can finally shoot 4k video), but potentially the most exciting news for photographers is the Apple iPad Pro.
Creator and editor of Lonely Speck, pro night sky photographer Ian Norman is back with another great tutorial. Being nothing short of passionate when it comes to astrophotography Ian always seems eager to share what he has learned over the years. In his latest video Ian gives us the rundown on how he post processes Milky Way photos in Lightroom.
This week's winning image comes from Photographer Daniel Nordholm. It's a stunning landscape image that he captured in Lofoten, a beautiful archipelago in Norway. I was very excited to break from my norm of beauty and fashion retouching to tackle and share a landscape retouch. Many of the techniques and the workflow of a landscape can be very different from portrait retouching, while the philosophy can be quite the same. In this article, you will see the full retouch of the image in the short two-minute video. In all, the retouch took about an hour. I will also share some specific techniques for landscape editing that you can use in your images as well.
Oh the world of high end retouching. This week cosmetic company Dior released a new video and ad campaign featuring their hot spokeswoman, Jennifer Lawrence. With a not so subtle nod to Sharon Stone in Basic Instinct, this new lipstick commercial isn't so bad upon first watch. Social media has gone ablaze however once screen grabs from the video have been making their way across the internet. Where are Jennifer's eyelids! We have the behind the scenes video to see where things went wrong.
VSCO Keys is no more. There is no glorious explanation, no plans for a big, better, more badass version.
Today, mass emails filled the inboxes of photographers everywhere letting us all know that the maker of some of the most popular photography mobile software and editing presets was calling it quits with the beloved Lightroom shortcut plugin.
It's Monday so it's time for another speed retouch and episode of Retouching Mondays. This week image comes courtesy of last weeks winner, Ben Scott. If you would like me to retouch your image and send you back the full-high res final image, all you have to do is post your image in the comments and wait to hear back. I will email the winner on Thursday morning, so post your newest favorite image that you want retouched. It can be any genre, beauty, fashion, landscape, wedding! I'll record the retouching and send you the final image to use as you wish! Take a look at the speed retouch of Ben's image and let me know in the comments if you have any questions, I'm happy to answer them. Now lets take a look at the before and after and the challenges for this week's Monday Retouch.
A couple of weeks ago, Serif released its powerful photo editing software called Affinity Photo. This Adobe Photoshop competitor has since been downloaded by numbers of users and has already seen a couple of improvement through an update. Its price and its speed are probably two of the most notable advantages the software offers over Photoshop. While the reviews are slowly making their way to different websites, many photographers and retouchers seem to be wondering if the software is worth its price.
In my recent Natural Light Tutorial with RGGEDU, I went through every aspect of natural light photography and retouching... Or so I thought. During a shoot this week, I realized I missed one thing: enhancing freckles with Photoshop. In this article I will show a simple method to making those freckles pop.
I'll preface this today by making it clear that I know very little to nothing about architectural retouching, landscape retouching, or product photography retouching. That said, I've dedicated the last two decades to Adobe Photoshop, and the last seven years specifically to portrait retouching. As such, I've come to realize one key thing: If your skin work is no good, everything else in your retouch just falls apart, if you will, as the basic foundation is already substandard.
Last May, Adobe gave the world a sneak peek of their forthcoming mobile retouching platform. While the video only showed off modest implementations of the liquifiy, paint, and vignette tools, it's clear that Adobe and their army of software engineers have been hard at work beefing up their iPhone and iPad apps.
Erik Almas, one of the best commercial composite photographers, has recently teamed up with the team at RGG EDU to create a fully comprehensive tutorial on his complete shooting and retouching process. In this video Almas takes us through an hour-long tutorial, retouching and completing the backplate for one of his tutorial images. I'm always impressed when photographers and retouchers, especially those at the top of our industry, open the doors and reveal their entire process and Almas has done no less here.
It's Monday morning and that means another completed retouch and time to submit your image for next week. We had more amazing submissions last week and here is the winner! In this post, you will see the SOOC image compared to the retouched image and I will discuss the particular challenges and the direction I decided to go with the photo. You can also watch the entire retouch in the video. And once again, you can post any image of yours that you would like and it may be chosen to be retouched for free and delivered to you in full-res to do with what you'd like.
It takes a lot to motivate me to reach out to a photographer for permission to feature their work but a lot is exactly what Brisbane-based photographer and digital artist Jane Long provides with her latest series, "Dancing with Costică”. Colorizing, compositing and creating content for images she sources from the Costica Ascinte Archive, Jane is able to deliver beautiful, imaginative and surreal narratives to each of her final images.
Natural-looking images are making a comeback. If you look at recent issues of big magazines, you will see that makeup is often a nude with some shine to it, retouching is less "doll like," and even simple 1-light setups seem to be the standard. Some people will argue that it has been like this for quite some time. It is true, but I find that retouching is more flagrant than before. Even well known high-end retouchers seem to leave more imperfections in their images than a year ago.
I remember meeting Peter Hurley for the first time. I walked into his studio and saw him shooting a client's headshot with 4 Kino Flo hot lights (normally used for video). I asked him why and he said "The quality of light is just better than strobe. It fills the pores on a human face differently." At the time I was intrigued, but I no longer believe it.