Adobe released today the version 2.1 of Lightroom for mobile devices. It comes with a bunch of interesting new features making full use of the possibilities offered by iOS 9 and the iPad Pro. Some of the new features also could make one think that Adobe is becoming serious about making great apps for mobile devices.
MacPhun released Aurora HDR just a few weeks ago and touts it as the most advanced high dynamic range (HDR) software in the world. Certainly, veteran users of Photoshop and Lightroom might be skeptical. But if your sole purpose is to create HDR photos on the Mac, Aurora HDR might be the best option out there, seeing as it was created with the close consultation of HDR photographer Trey Ratcliff. In this video, Ratcliff dives deep in a first-hand look into how to get the most from Aurora HDR.
Several of my associates are surprised to find out that, based on my 3+ years of traveling to give workshops, something like 75% of my class attendees see retouching as a necessary evil, or otherwise disliked doing it and wished they didn't have to bother with it. They all wanted to be good at it, but for many and varied reasons, weren't. And sometimes I am asked "How important is retouching anyway?" So I decided to record a mini-episode of my web series to talk about it a bit.
Before Capture One 9, no raw editor software on the market could create a mask based on color. With their recent update, Phase One created something unique with the improved color editor panel. It is now possible to select precisely one color – or a range of – and then create a mask to adjust only the parts needed.
Part of building a professional looking portfolio is in learning to retouch your photos in a way that gives them an elegant, high-end polish. However, I unfortunately encounter dozens of images on a daily basis that were quite strong to begin with but ended up looking bewilderingly amateur because of one or two very easily solved retouching mistakes that drags their quality to abysmal depths.
Why is my print dark? Why are the colors off? I believe we all found ourselves asking these questions inside our head (or worse, yelling at our photo printer!) during our first steps into our journey in photography. Monitor calibration is the solution, bad settings and bad color reproduction by the monitor are the culprit. Grab a cup of coffee or your favorite energy drink and read on, I'll tell you everything about it, what you have to do, what you gain, how it's done, and what you need to correctly calibrate your monitors.
Since Adobe released Photoshop CC 2015, retouchers and photographers have complained about the revamped healing brush. However, Adobe promised their users that CC 2015.1 would offer an alternative, making the tool as good if not better than the one found in CC 2014. Photoshop was updated a couple of days ago, and the said updated healing brush setting can be found in the form of a diffusion slider. However, is it as good as the previous healing brush?
We've become quite accustomed to unpermitted retouching damaging the reputation of photography competitions. In particular, press photography is especially susceptible to this. Strict rules on maintaining the sanctity of reality combined with environments in which outside factors frequently affect the ability to achieve clean and pleasing competition often beget a strong temptation for photographers to doctor images. However, such manipulation has now become an issue in a genre in which one normally does have the luxury of time and compositional choice: architecture.
Adobe just updated a couple of their CC applications, one of which being Photoshop. Amongst the new features, it was almost inevitable that a few bugs would show up. One that can be quite annoying is the liquify tool lighting or rendering problem. But there is a quick and easy workaround.
Totally Rad are the producers of the film emulation presets titled Replichrome. Currently there are three sets of presets, Replichrome I: Icon, Replichrome II: Slide, and Replichrome III: Archive. The initial inception of the Lightroom presets, now known as the Icon Series, came with the intent to get it right. Not to create stylized versions of film but to create accurate depictions so that the digital images with the film presets would appear as close to actual film as possible.
As announced at Adobe MAX 2015, Adobe released new updates to its professional Creative Cloud suite of applications. Photoshop CC, Illustrator CC, InDesign CC, Premiere Pro CC, After Effects CC, Audition CC, Dreamweaver CC, Photoshop CC, Fuse CC (Preview), Adobe Stock, and more have been updated. You can download the new versions from the Adobe Creative Cloud app.
The Syrp Genie caught everyone's attention with its contemporary design and advanced automation features that made it a time-lapse photographer's best tool in the field. Today, photographer Mark Gee shares tips on how to set up and use the Genie while offering a few great suggestions that apply to all methods of landscape photography, from what apps he uses on his phone to help him plan every shot to how to edit for final output. Need to shoot a time-lapse soon? Whether you're experienced or just starting, there's undoubtedly something in here for you.
Retouched Magazine, the interactive magazine from retoucher and beauty photographer Julia Kuzmenko McKim, has recently announced that they are also now available in PDF format. The magazine brings some of the most talented and experienced photographers and retouchers together to teach and share their insight into the field of retouching. Topics from the pro tools and methods for retouching, building your portfolio, and being successful in the field of retouching. Articles come from the top photographers and retouchers in the world including Pratik Naik, Benjamin Von Wong, and Joel Grimes.