Jay P. Morgan of the Slanted Lens has recently created an image for Dynalite that is being used in their advertising. The concept for the image was to showcase a lot of motion, and the Dynalite Baja's motion stopping power. As part of the project Jay has created a behind the scenes instructional video that explains what it takes to properly freeze motion and action when working with studio lighting.
Elinchrom has been renowned for its light shapers for a long time. Many photographers have been using the Rotalux line of softboxes even on other, more expensive strobe brands such as Profoto or Broncolor. The Rotalux system was also known for its quick and simple way of assembling the boxes. A couple of months ago, the Swiss brand announced a new line of light shaping tools: the Litemotiv. They might look very similar to the Rotalux system, but they are very different in many ways. Elinchrom was kind enough to lend me both sizes — a 120 centimeter softbox and a 190 centimeter softbox — and give them a try. Here are my impressions after a month of use.
While looking for a new shoulder bag to use for family sessions and travel assignments, I came across Gura Gear's Chobe 19-24L expandable bag. It checked all the boxes I needed; airline carry-on-friendly, reasonably lightweight, laptop sleeve, configurable dividers, plenty of storage pockets, and room for things other than camera equipment. I have now taken it on several sessions here in Korea, and on my recent trips to Myanmar and Malaysia. For carrying a small kit, it has been a great bag. Here are my thoughts so far.
Those lenses we all dream of owning but that only few truly need (and are able to afford) just got a refreshed introduction with a focus on weight reduction combined with the implementation of the latest lens coat and crystal technologies. With the new additions, however, come brand new price tags in excess of $2,000 more than the predecessors for the AF-S 500mm f/4E FL ED VR and AF-S 600mm f/4E FL ED VR lenses.
Nikon's latest DX-format lens offering is its most interesting and promising yet. Covering a 24-120mm full-frame-equivalent focal length, the lightweight 16-80mm f/2.8-4E features relatively fast apertures, an incredibly useful and dynamic focal length range (already proven with the popular full-frame 24-120mm f/4G ED VR), and professional treatments such as nano coating, an electromagnetic diaphragm, and even a fluorine coating on the front element.
Announced today on the LensRentals blog, is their intentions to begin testing lens variance - something never formally done in photography before. Lens variance is simply the difference from one copy of a lens to the other. By testing this, they'll be able to debunk any misinformation found in reviews that test only a single copy of lenses. This will result in higher accuracies, and more information prior to buying.
Hasselblad's controversial partnership and reskinning of Sony's consumer and prosumer digital cameras that led to Frankenstein creations such as the Stellar and Lunar cameras also got some of its models on a number of "worst camera of the year" lists. While that was certainly out of the ordinary for a brand that prides itself on being on the exact opposite lists, an interview with DP Review gives insight as to why this all began in the first place. And when you think about it, you can't blame them.
Announced back in March of this year, was the Nikon Coolpix P900. It seemed like your run of the mill affordable point & shoot camera, with a 16MP sensor, fixed lens, and basic video functionality. But what this camera also has, is what originally looked like a typo, with a 24-2000mm 35mm equivalent zoom, allowing you to see further than ever. And this short viral video above, shows the incredible power of that zoom.
The ever popular Loka and Loka UL were favorites among many outdoor adventure photographers and filmmakers I know, including myself. With F-Stop Gear's recently updated line of Mountain Series packs, the Loka has been reborn and is now known as the Ajna. I've been using it for the last few weeks and discovered some surprising details about it.
Announced late tonight is the latest in the beloved Sigma Art series with the 24-35mm f/2 designed for full frame sensors. This lens is the fastest zoom lens ever built for full frame sensors, and promises optical sharpness comparable to the Sigma 24mm Art Series and Sigma 35mm Art Series - considered the sharpest in their classes. So will this be a new lens for those who use 24mm, 28mm, and 35mm lenses and are looking for a one lens solution?
DxO, a company best known for its software, has unveiled a pocket-sized DSLR quality camera that is meant to be paired with your iPhone. Using the iPhone as a control panel and proofing screen, the camera itself concentrates on capturing images using it's own lens and settings. This idea could be the best of the DSLR and iPhone worlds. It's small and offers much more versatility and control than the normal iPhone camera all the while, still capitalizing on the immediacy of sharing with an iPhone camera.
Relatively new to the professional flash world, German strobe manufacture Priolite is wasting no time in making a name for itself in the big leagues. Their latest product, the RC-HS/P, is a transmitter/controller for their lights that enables high-speed sync (HSS) with the Pentax line of cameras, and most excitingly, Pentax’s digital medium format 645Z.
Just announced this afternoon is the much anticipated Sony a7RII. Boasting 42 megapixels in a full-frame sensor, the Sony a7RII promises to be the newest king in the mirrorless camera world. However, the camera has some more features up its sleeve, like internal 4K video and an incredible 399 Phase-Detect AF points at 5 fps.
Vancouver-based company Tric is attempting to be the maker of the first wireless flash trigger exclusively for the iPhone. They are taking their new invention to Kickstarter in hopes that popular demand will help their aspiring iPhone wireless flash trigger dreams come true. As they say in their Kickstarter ad, "Taking professional photos on your iPhone is a challenge. Without a way to properly light your scene, photos turn out looking too dark or unevenly lit." Taking professional photos with your iPhone is indeed quite the challenge, but if you're one of those professional photographers who uses their iPhone for their shoots, this may be for you.