Zeiss has announced a new line of autofocus lenses designed for Sony full-frame E-mount cameras. Shipping this summer, the Zeiss Batis line will initially include two lenses, the 2/25 and the 1.8/85. Always innovating, each of these lenses feature something you don’t see everyday: an OLED display screen which shows focal distance and depth of field.
There are three things in life that photographers will clear their schedules for: Apple announcements, Nikon/Canon late-night pre-orders for new flagship bodies, and Adobe product releases. So clear your schedules, guys and gals; because Adobe’s Lightroom 6 is here with more speed (FINALLY!), more features, and rich mobile integration.
The popular Mac photography software company, Macphun, released a new application for the Mac that promises incredible noise reduction processing. Noiseless comes in regular and Pro versions, the latter of which include increased capabilities like RAW processing and included plug-in support for your other editing applications and both of which provide what is truly some of the best noise reduction available.
A professional photographer came forward on Reddit with a real rant about the photography industry. It's causing a stir amongst photographers everywhere - perhaps because he makes some great points! When I read this post I found that I was agreeing with a great deal of what he had to say.
Today, Fujifilm announced the Fuji XF 16mm f/1.4 R WR lens for its XF platform cameras (such as the recently released X-T1, part of a class of APS-C mirrorless cameras popularized by the success of the acclaimed Fuji X-Pro1 back in 2012). The weather-resistant (WR) 16mm f/1.4 R WR lens gives the Fuji X-mount lineup a much-needed wide-angle addition to the wide-aperture lens lineup with a 35mm equivalent focal length of 24mm -- a focal length that street photographers will love along with several other additions.
Built on years of experience with creating the film industry's favorite high-resolution digital cinema cameras, RED now brings the Weapon upgrade in 6K variants due out this summer and in an 8K variant due to ship by the end of the year. There's quite a bit of new information to go with this announcement, but for now, we'll go over the main and most important points.
If you’re a professional in the media industry and a Mac user, you’ve undoubtedly heard of and likely love G-Technology’s storage solutions (not that PC users have a reason not to, though). While G-Tech has largely been typecast an in-studio brand (with the LaCie Rugged drives taking a bulk of the on-the-road abuse), G-Tech’s newest offerings include their ATC lineup that helps close the gap, bringing them into the “all-terrain” hard drive space.
If you don't own one, then you're currently drooling over one of Freefly Systems' MōVI systems (we know the feeling), which have gained incredible acclaim as cheaper and more nimble Steadicam alternatives. This week at NAB, Freefly introduces not one, but four completely new and exciting products, apparently striving for the industry's continued droolworthiness.
We are living in an amazing time for filmmaking and video production. The MoVi was absolutely a gamechanger when it first hit the scene, but DJI's Ronin gave it a run for it's money (actually, a bit less) in the last year. Now, DJI, makers of the Ronin, are releasing an updated version that addresses most users major issue: weight.
In September 2014, Zeiss announced their new Loxia line of manual-focus lenses for Sony’s full-frame E-mount cameras. Ever since covering the announcement, I’ve wanted to try out these stylish lenses, namely the Zeiss Loxia 2/35 because of its extended usefulness in landscape photography. I was very much interested in seeing how a modern Zeiss manual-focus lens designed for a technologically-advanced mirrorless camera would fare, and in the end I was left blown away by the results.
The extreme wide-angle focal length is an area that I had long ignored. When I was first starting out, I just wasn’t interested in it. I was interested in people – and that meant 85mm f/1.4, 105mm, 135mm, and 200mm lenses with both great compression and bokeh. Leave it Tamron to bring me back to the wide side with the world’s first ultra-wide-angle zoom with vibration control: the Tamron SP 15-30mm f/2.8 Di VC USD.
The One Man Crew from Redrock Micro was a treat for small interview productions, whereby a fully automated slider could capture subtle camera moves and add tremendous production value. It wasn't without a few issues though, and for the last few years we had been hearing about a version 2 that would address these. Redrock has finally delivered.
Cloud Spot was created by full-time photographers who were tired of the available options for photo delivery. Nothing before truly placed the photographer's brand first and cut precious time off of their workflow. The goal was to beautifully display images in a branded and modern gallery, be super fast and easy for the photographer to share, and allow clients to easily download images sent directly in an email and/or in the galleries. After using Cloud Spot for the past few months, I can say that they've succeeded.
Two weeks ago we saw Tony Northrup comparing the Canon and Yongnuo 50mm 1.8 lenses with his thorough video. Now Kai of DigitalRevTV has decided to bring you his own version of this same comparison. In typical Kai fashion, his presentation is perhaps more humorous than scientific, but in between the jokes are some real kernels of truth. Take a look at how his analysis compares with Tony's and whether the Yongnuo copy is really worth the savings.