Elinchrom has been the brand of choice for years many Europeans and Australians photographers alike. They are cheaper than Profoto or Broncolor, offer a good range of modifiers and – unlike Paul C. Buff – have service centers outside of the USA. To many photographers they also have been a great way to get into studio photography before moving up to Broncolor or Profoto. With the Elinchrom ELC Pro HD, it seems like the brand wants to change that and offer a higher-...
With the recent announcement of the Profoto B2, Elinchrom's position in the ultra-portrable strobe pack market was somewhat overshadowed as the former exceeded the Elinchrom Quadra Hybrid in many aspects. Not to be outdone, Elinchrom has now announced the release of its next generation on-location pack and head kit known as the ELB 400.
Announced this morning at the opening of WPPI, was the new Echelon collection from LowePro. The Echelon collection is designed to blend form with function to create some of the best, and most stylistic bags available for photographers. Not only am I able to announce the new series, over the last few weeks, I’ve had the opportunity to try these new bags out.
The calendar just turned its pages to 2015. We have tiny and versatile cameras like the GoPro Hero 4 filming 4K video, camera companies making 50-megapixels DSLRs, and artists making mind-blowing stop-motion/hyper-lapse/time-lapse films. So why is it still so hard for artists and big brands to easily connect to collaborate on photo and video projects?
It's already been a couple weeks since Serif announced the release of the Affinity Photo beta. I, along with literally thousands of others, have downloaded the program and started putting it through its paces, trying to fit it into my own personal workflow. In this little first impressions review I'll focus on Affinity Photo as a raw converter, a basic retouching platform, and put it up against the big dogs: Affinity versus Lightroom, and Affinity versus Photoshop.
I haven't had the Meike MK-DR750 Battery Grip and Wireless Remote for long, but I can already tell I'm definitely keeping it. Not only does it fit well enough and do everything as promised, but it also comes with a wireless 2.4GHz (not infrared) remote control that can trigger the Nikon D750 to which it's attached. Meanwhile, Nikon's grip costs upwards of $350, and their wired remote cable release timer clears the $150 mark. Naturally, there have to be a few caveats for a grip and remote package to come in at an astoundingly low $80, but I was hard pressed to find any at all.
After becoming the best selling off camera flash light modifier on Amazon.com in 2014, we were sad to announce that we had completely sold out of our entire Fstoppers FlashDisc inventory. If you have been waiting patiently for our stock to replenish wait no more; our US Amazon Store now has a fresh batch of inventory. For those of you who have been waiting for the FlashDisc in your region of the world, we have good news for you too!
Camera manufacturers are still cramming ever more pixels into their sensors. Canon has recently announced that it is releasing a 50MP full frame camera which has left many speculating about its technical limitations due to sheer physics. One solution of course is to move up to a larger medium format sensor but prices can be prohibitive for many. Olympus, in typical Olympus fashion, decides to tackle the want for more pixels in an innovative way.
Sigma's hot, new sports telephoto-zoom lens is now available for pre-order in both of its configurations, the Sport and Contemporary models. The Sport model features superior image quality along with increased weight and a heftier price tag. It comes in Nikon F, Canon EF, and Sigma SA mount options for $1,999. The Contemporary Nikon F, Canon EF, and Sigma SA options accompany a more compact size along with fewer lens elements, only one FLD coating (as opposed to two), and a couple other "sacrifices" for a very reasonable $1,089.
Just announced by Sigma is the newest in their covenant Art series of lenses with the 24mm f/1.4 DG HSM Art. In the past couple years now, the Sigma Art lenses have been considered by many the best in their class in terms of sharpness, so the news of a 24mm Art has gotten photographers everywhere excited. Along with this announcement is the dp0, an update to their mirrorless camera systems.
With companies like Profoto and Elinchrom offering an increasingly broad range of self-contained strobes, Broncolor was no doubt feeling left out with its predominantly pack and head oriented lineup. That’s all changing now with the release of the new Siros strobe; a compact, wall powered, feature rich and wallet friendly flash unit.
Thunderbolt docks have always been something that I've wanted, but haven't absolutely needed. The $300-$500 price range of these little all-in-one boxes didn't spark urgency in my search for the perfect dock either. Given a little time for the excitement (and price) of Thunderbolt-related technology to die down a bit, however, the prospect began to grow more interesting. An improvement on their previous dock, CalDigit's $200 TS2 seemed to be the perfect connection dreambox at the right price. So how did reality fare against expectations?
After weeks of rumors and speculation, Canon has finally confirmed that the megapixel monster known as the 5Ds/5Ds R is real, and coming to stores here soon. Boasting 50.6MP full frame sensor, Canon has surpassed Nikon and Sony, offering us the highest resolution to date for a DSLR camera system. Alongside the new cameras, is the 11-24mm f/4L, finally bringing an updated ultra wide angle to the Canon lineup.
The CASE remote is a wireless device that creates a mobile hotspot attached to your camera, providing you with live-view connectivity on your mobile device. One can easily control shutter triggering, HDR, focus stacking, time-lapse, and photo transfers from your iPhone, Android, or tablet. Fstoppers had the opportunity to give this device a spin and here's what we thought.