In the last two years, Samyang has introduced a number of autofocus prime lenses specifically for Sony’s FE mount and, having recently bought the Sony a7 III, two in particular caught my eye: the 24mm and 35mm f/2.8. These tiny lenses have been in my bag for the last month and I think they’re fantastic value for money with unexpected performance given their size.

The full frame mirrorless camera world has been majorly heating up in the last year or so, with Canon in particular challenging Sony's place at the top of the technological development race with the EOS R5. Now, Sony is preparing to strike back, teasing a new Alpha camera that will be announced next week.

If you’re a photographer or filmmaker living in the U.K., traveling to work in Europe might be about to get a lot harder and significantly more expensive. If you live in London and suddenly land a job in Paris, taking a camera with you could soon cost you more than $400.

When shooting an ingredient shot, shadows can make or break an image. Sometimes you want less noticeable shadows while other times dark shadows can add a lot to an image. In the case of this pomegranate, I shot it both ways. Let me show you how playing with the shadows will have a dramatic effect on your final image.

Of the things photographers should consider not putting into their carry-on luggage, the Giottos Rocket is pretty high up there. Generally the reason is that it somehow resembles a bomb. Even if the resemblance only exists in Looney Tunes. However, that isn't why CanonRumors user Surapon lost his. Nope, this reason is legit even dumber.

I have mentioned before that I am always seeking new ways to improve. Today, I want to share one of my daily initiatives that I religiously employ, and that’s my daily color exploration.

Taking the leap in to professional photography is daunting and full of traps for you to fall into, but there's one that you can jump in willingly and without realizing it's a trap at all.

There is a ton of gear buying advice on the internet. It ranges from people telling you to spend thousands on gear, to people saying all you need is a stick and a brick. I try to be somewhere in between and buy gear based on factors such as return on investment, need versus want, and return on creativity.

Recently I had the distinct honor of being a groomsman in a close friend’s wedding. It’s a lot of hurry and stand while remembering where to look. The pressure really is more on the two people getting married to remember their lines: “I do.” But as part of the wedding party, you also get the full brunt of posing, smiling and cheesing it up for the wedding photographer.

There’s been much confusion and many legal dramas in recent years surrounding the use of images in online articles, particularly the legality of a picture embedded from social media. Now, a New York federal court has sided with Mashable after they faced legal action from a photographer who was unhappy they embedded her Instagram post into their article.

A great portion of my business is spent on architectural photography. My technique involves using a mixture of ambient light, flash, and tungsten hot lights blended and masked together in post to create well lit images that are time consuming to shoot and often frustrating to edit. I'm always looking for other techniques and resources to incorporate that will allow me to work more efficiently and/or improve my images. This week I found such a technique right under my nose.

I often see instructional videos and one-on-one tutorials with amazing photographers on various websites and while many of them are amazing and full of valuable information, they usually cost several hundred dollars. There are a lot of photographers that I would love to have a one-on-one tutorial with, but often it is just not in my budget. While I like to stay as busy as possible with my own photography business, in my free time I'll sometimes come across good opportunities. When I started assisting in my spare time, I quickly found that I could learn as much, if not more, than if I was watching a tutorial or having a one-on-one conversation with an experienced photographer — and I get paid to do it.