In this behind the scenes video shot by Cinepro Studios, we see Michael Sasser working with a High School student to shoot her senior portraits. With only a bounce card held by an assistant, he is able to capture some stunning images, and the video does a very nice job balancing shots of the location and setup, with the stills that were taken during the session to give the audience a better idea of what the photographer was working with.

Up until now we've talked mostly about how to shift your thinking away from the unfortunate standard of the professional artist. However, we can't really talk about how to build a thriving business without addressing the stretches when nobody is walking through the door. In fact, many of us are probably running head first into that season right now.

Canon SLRs are known for their high quality video and that did not go unnoticed by the videographers behind the latest box office smash hit "Marvel's The Avengers." The Canon EOS 5D MKII and the EOS 7D were selected as the stunt and action cameras that shot the outrageous scenes. The Canon cameras were perfect for capturing "intense action and visual effects" which "required close-quarter action work with unrepeatable stunts."

Artificial Intelligence (AI) has leapt into photography, and as usual, Olympus cameras lead the way with these new technologies. Great for enticing new photographers into our art, it simplifies capturing images. However, as AI takes its first big steps into photography, will it boost overall sales?

Cale Glendening is a director and cinematographer that recently released this new piece that is a must see. As he puts it, “ It speaks to all avenues of passionate endeavors and the common thread of desire, determination and relentless pursuit it takes to see them through.” No matter what you invest yourself in creatively, you identify with the determination required to keep pushing to attain your goals.

As photographers in a digital era, we all spend a lot more time in front of a computer than we would like to admit to. When a single one-hour photoshoot can lead to multiple hours in front of a computer, we start looking for ways to minimize that time. There are tons of options out there that can help you out too, from Bluetooth controllers to pens and tablets, but what you really need may just be a simple mouse upgrade.

We have been doing our best to provide you all with the most amazing original and curated content for the past three years, but up until this point that's pretty much been guesswork. We think we know what you like, but often times we can be very, very wrong. So help us out by letting us know who you are and what you do. We will use it to tailor our content as we head into year 4 of Fstoppers.com.

I believe one of the best ways we can stay motivated as artists is to study the art and words of some of the legends of our craft. Inspired by the words of Henri Cartier-Bresson, film maker Eli Sinkus of 522Productions.com put together this short 2-minute film which I loved. While it is important to take lots of photos, as photographers we need to remember that sometimes we should put the camera down and enjoy moments as well. Read on to learn about one that I experienced this past week while on vacation.

When people first get into wedding photography, one of the main pieces of advice they will hear over and over is, “You can’t reshoot a wedding." This instantly leads to photographers asking, “How do I protect my images?" Image backup and cataloging is sort of like baking a cake. Every photographer is going to have a different recipe to how they do things. Over the years my process has evolved into what it is today. This process came about in part from learning by fire, and another part came from learning from others. If you don't want to use my entire process, I at least hope part of it can become a helpful addition to your workflow.

If you’re into macro photography, you might be wondering why so many macro lenses emphasize a wide aperture; f/2.8 is nice to have, but when focused down to 1:1, it’ll leave you with no depth of field. From my point of view, Venus Optics seems to have had the same thought. They built a macro lens with a spec sheet that’s focused on delivering macro results. Is this the new best option for macro photographers?

For my annual trip to Lofoten, I had the opportunity to shoot with the Fujifilm GFX 100. Prior to the trip, I had just a few weeks to get acquainted with the camera. Here are my thoughts on this 102-megapixel camera for landscape photography.

When I spoke with photographer Anthony Manieri, he was sitting at home in the middle of editing images from a routine event before preparing to fly to Los Angeles to do another shoot for a personal project that has been more successful than he ever anticipated. He didn’t expect a one-off shoot to turn into a personal project taking him around the world creating portraits of diverse, mostly gay men to promote positive body imagery.

Many of us remember the debut of NIK Tools in 1995. They were a powerful set of plugins for Photoshop that did color adjustments, created lovely black and white images, and could sharpen images and lower noise in them. Just about every photographer I knew snapped them up at $500.