Judging by my title, you'll be shocked to know that I have always been a Canon loyalist. From learning with the Canon A-1 inherited from my grandmother in 1999, to the latest mirrorless models, I have been a devoted customer and an advocate of the brand for over two decades. That is, until the Canon EOS R5. The Canon R5 is where my bond to the brand was systematically dismantled as the hardware itself did.

A few months ago, I was out at dinner with a couple of friends of mine. We had each just finished up our respective shoots and had settled into a booth where the conversation inevitably turned toward who we shot, where we shot, and whether or not we were happy with the in-camera results (we were). That night, we spent the better part of two hours eating, drinking and sharing our techniques with one another.

Vanity magazines are a popular place for photographers to submit images to when they are looking to take their photography to the next level. Eager photographers who want to shoot fashion or beauty will scour the Internet for fashion magazines that accept submissions in the hope that these publications will be a rung on their ladder to success. Unfortunately for many photographers, rather than climbing the ladder, they’re merely wasting time and money.

Since the global response for Black Lives Matter, many industries, including photography, have been shifting for the better. So, it's welcome news that Canon has officially dropped their master/slave terminology.

Photographers are obsessed with improving their work through new gear purchases, extra lighting, and better retouching, but there's one trick that's often overlooked: the power of moving 12 inches.

Today is the day that Sigma fills out its Art-series lens lineup to offer what could easily be considered everything you'd really need since its most recent release of the 85mm f/1.4 Art. Four new full-frame lenses cover the gamut from an ultra-wide, ultra-fast 14mm f/1.8 Art, a similarly fast 135mm f/1.8 Art portrait lens, to the wedding photographer's favorite 24-70mm f/2.8 Art and sports shooter's 100-400mm f/5-6.3 Contemporary "compact" super-zoom. If you've been waiting for that next Sigma lens, odds are it's one of these.

For several years, I traveled to weddings or other events with multiple lenses in my bag, much to the detriment of my back! No longer is this the case, as I finally purchased a lens that was top of my wish list, and the results have been amazing! Can you guess what it is yet?

Unless Gitzo has really changed up their tripod product lineup, I think something peculiar might happening over at Amazon.

Over the past two years, I invested much time learning search engine optimization techniques. Making tweaks to my website and creating a content strategy, this work finally began bearing fruit three months ago. I'll now share the SEO knowledge I gathered in a little article series. In this article, I focus on how to rank on Google Search.

For a lot of us, being a professional photographer is a dream job that isn't realized. Even for those of us who do make a living from it, it probably isn’t exactly as we had planned.

The camera press went a little crazy this week as a small company announced that something tiny will sell for something massive. As someone who hates tripods and will go to some lengths to avoid using them, trying to get my head around the column inches has been fascinating.

Merely two years ago, Stanislav picked up his first camera: a Lumix G3 for $600. From that point forward his inspirational journey began. The majority of his mind-blowing work was taken in his attic using friends as models. Now he is known as Sean Archer - a natural light photographer who specializes in female portraits. His work is proof that it’s not about gear. It’s about the photographer; it's about the vision of the artist.

Last year a New York federal judge agreed that a case of embedding tweets that were in themselves breach of copyright was a further breach awarding in favor of the photographer. Now he's going after more publications.