Golden hour, that time around sunrise and sunset that gives a warming orange glow, is often purported as the best time of the day for photography. But most of those people don't know the magic of the blue moment.

Ray Collins lives in the Australian town of Bulli, a sleepy, drab mining town south of Sydney. The punishing work a mile underground left Collins with a broken body and busted knees, so it was time for a career change. Purchasing a camera with his severance, Collins decided to tackle a new perspective to underwater photography. The cleansing salt water which had originally washed off the dust of a long day in the mine was now his new office. In a short seven years, Collins made the change from "subterranean" to "submariner" and hasn't looked back. His story is perhaps testament in chasing your passion no matter how seemingly absurd it may be.

It did not dawn on me until I was watching the first episode of "Top Photographer with Niger Barker" that some photographers do not actually take time to talk to their clients in order to get to know them better. It may seem insignificant, but let me tell you why it matters.

Back in October 2013, I went to the Philadelphia Film Festival and was lucky enough to catch the documentary film 12 O'Clock Boys, by Lofty Nathan. After the film debuted, Nathan answered some of the audience's questions. One of the most controversial questions asked was how race played a factor while shooting in a predominantly black neighborhood.

Printing photos is a technical and complicated process, especially when it comes to getting accurate colors on paper. If you want to print your own photos, your monitor, the software you use, your printer, and the paper type should be in harmony to get the same colors and depth you create on screen. To make the color matching process easy and hassle-free, EIZO has created a software solution in collaboration with Adobe, Epson, and Canon: EIZO Quick Color Match.

The Tamron 10-24mm f/3.5-4.5 Di II VC HLD lens is more than an update of the older version it is a complete redesign in almost every way. Its overall design reminds me of the new Sigma Art lenses with its smooth clean lines and all black body construction. Something I’m happy to see Tamron adopt moving forward.

Now available for pre-order, Fujifilm announced an X-Pro2 Graphite Edition kit that comes with a matching 23mm f/2 lens as well as a standalone X-T2 Graphite Silver Edition body to complement the standard black bodies of the brand's flagship cameras. The X-Pro2 features a darker, gunmetal-like grey color, while the X-T2's graphite silver color is more reminiscent of the standard metallic of classic film cameras. The new editions promise to add increased protection to the body and unsurprisingly come at a couple-hundred-dollar premium over their standard-edition counterparts.

As nature photography has grown, so has its critics. Wardens, legislators, and police officers have begun to push for laws that would better protect animals in nature and create more concrete boundaries by which a potential shooter would follow. Are we, as photographers, the new law-breaching intruders, à la poachers? Are we destroying nature?

You can do a lot with photographs in Adobe Premiere Pro: create and customize a time-lapse with the automate to sequence feature, import a layered Photoshop file as a complex layered video sequence, or animate your images in 2D or 3D space. These are just a few of the things you can accomplish. I'm going to show you seven tips I utilize when working with still images in Adobe Premiere Pro.

Almost regardless of the content in the scene, so much of what makes a great landscape photograph is simply being where you need to be at the right time. Would you rather be a skillful planner or would you accept pure dumb luck if it means you get a great shot?

Do you often find yourself hesitating when changing the settings on your camera? Are you constantly missing or find yourself unable to get the shot you wanted? Does this sound like an infomercial? Did you answer "yes" to any of these questions? Well, you're in luck because this is not an infomercial but I will nonetheless offer some solutions that photographer Willy Foo shares for these problems!

How much clutter is there in your life? Don’t you wish that your photography gear was better than what you have? Now is a great time to change that situation with a little help from MPB.

GoPro and Allison Stokke take you for wild first-person experience into what it’s like to pole vault. The 2016 Olympic hopeful and former Cal vaulter takes you through the process from a variety of GoPro placements. In my track days I used to think that pole vaulters were nuts, and this video reinforces that sentiment.

You don’t need a big studio, and you don’t need to travel to an exotic location to create incredible photos. All you need is a space to work in, even if it’s a small one.