It can cost a few hundred bucks to send hard drives between the US and the EU. Services to send your data online are available, but what about a pay-as-you-go solution?

I’ve seen more than my fair share of articles regarding the joys and pitfalls of being paid on time. A very vital part of making a living in any profession is, after all, actually getting paid. But rather than rehash the terrific advice I’ve seen from other shooters about the best way to invoice, I thought I would offer you another perspective. That of the accounting department.

When the original 24-70mm f/2.8 L lens came out, it quickly became the go-to, do everything lens of choice for almost every Canon photographer I knew. Yes, we all had our prime favorites, but if we needed a workhorse that we could rely upon to do-it-all or only had the space to bring one lens, we grabbed for our 24-70. The original is still considered to be an amazing lens, and it's no wonder that it's one of the toughest lenses to find used on the market. Needless to say, I am excited about the upgraded 24-70mm L II.

Working as an investigative photographer for the National Child Labor Committee (NCLC), Lewis Hine (1874-1940) portrayed working and living conditions of children in the United States between 1908 and 1924. The Library of Congress' National Child Labor Committee Collection includes more than 5,100 photographs that came with the records of the organization. Many of the pictures are familiar, but others are relatively unexplored.

Creative ruts happen to every photographer but some are deeper than others. In some cases, switching up your gear, trying a new genre, or changing your approach can lift you out of a slump. You can’t always shoot your way out of a creative rut, though – sometimes, the best thing you can do is put your camera down and try a different approach.

There’s been lots of (digital) ink spilled about how great Fujifilm cameras feel to use. While I share many of those sentiments, there’s another seemingly oddball camera brand that I find myself reaching for, even when I have (ostensibly) much better options available: Olympus. Here’s a look at why I often find myself reaching for the company’s pint-size powerhouses.

So, it's kind of a running joke in the office whenever we see an email about a bag that someone wants us to review: "Wow! Do you think it will hold all the things!?" Because let's be real, a camera bag is just that: a bag to hold your camera and other gear. I've used the same cheap camera backpack for about five years now, and it was starting to look a little raggedy. So, much to my surprise (and chagrin), I found a camera bag that I, dare I say it, loved, the Medium Long Bag from Porteen Gear.

Sandisk continues to push forward with the release of their record breaking Sandisk Ultra 400GB microSDXC UHS-I Card. Now owned by Western Digital, Sandisk once again topped their previous record-breaking 200GB & 256GB models released in the prior two years.

The internet has been an integral part of allowing photographers to showcase their work to the world. Yet, no one is safe from the trolls hiding behind their computer screens.

I'm generally not a fan of the opt-out model. It's an easy way to push unwanted features, changes, or price increases onto an end user, often without them noticing until it's too late. It's like someone slipping a steak into my all-vegetarian cart at the grocery store when I'm not looking. Unfortunately, Zenfolio just slipped a big T-bone into its users' carts.

Film fanatics rejoice because filmmaker Matt Mangham is back with the second installment of Analog, a personal series he put together to find and tell stories which explore the current state of film photography. You can find the first episode here on Fstoppers. In this episode, we get to follow fashion and action sports photographer Julian Martin as he locks and loads his Leica Minilux and heads out with a model along the California shore.