Fstoppers Original Articles

Whether you are a professional photographer or an amateur, you will face situations where you have to make compromises with the image quality or image concepts. I'll share nasty situations when you can't get the job done the best way, but you have to come up with a decent solution anyway.

Back in 2015 I was pretty active on Google+ and most of my posts would get over a hundred plus ones, which are basically the same as a like on Facebook. Getting this much activity on a public post meant that more people were likely to see it. Eventually this pattern resulted in five photos being selected and featured by Google on Chromecast. While I was excited about the honor, I had no idea how many views would come with it.

For just about the past year now, I have been working in real estate and aerial photography. I mainly work with the agents directly and the most important thing for me to do is be able to establish a good relationship with each and every agent I work with. These agents are my clients and I want to be able to keep them as clients so they continue to come back to me for any photo, video, or aerial work they need to market their properties. Within this short little year I have been working, I've dealt with so much and learned more than I ever could have imagined.

Working with a second shooter has a ton of advantages: you can cover more moments, you get different angles and perspective on the same moments, and they even allow you to try new things during the day that you normally couldn't afford to do. One of the more frustrating things about working with a second shooter though, is when you get back home to later find out that your cameras were not synced to the correct time. What you're left with is images from the reception all intermixed with images from getting ready.

When you’re starting out as a photographer, it’s natural to lust after the lenses at the top of the food chain. You know the ones. Sometimes they have red rings around the front, or they are the portrait lens that can obliterate a background. Maybe you want the zoom lens that can survive a monsoon.

When it comes to shooting implied nudes, it is not as easy as simply stripping down as one might think. Soft posing, flattering light, and the trust from client to photographer is essential to capture that perfect look. Having a solid portfolio of this genre is essential to bring in new potential clients who can form a bond with your work. So how does one start out shooting implied looks if you do not already have a portfolio to show potential clients?

In 2006, Leah Caldwell was eating at a Chipotle near the University of Denver when a photographer took her picture. When she got up to leave, the photographer asked her to sign a release form for use of the images, but she said no. Eight years later, when Caldwell went into a Chipotle in Orlando, Florida, she saw her picture on one of the restaurant’s walls, and subsequently in two other locations in California.

Modern DSLR and mirrorless cameras are capable of shooting razor sharp footage in spectacular 4k 60fps and up. But how do you give your footage a cinematic feel without purchasing pricey anamorphic lenses and professional cinema cameras? Fstoppers is here to help with five great hacks to achieving a cinematic feel to your video without spending a small fortune.

Telling a joke to an audience large or small can be a risk. An edgier joke can offend as many people as it amuses. Using humor in photography carries that same risk. Many photos can have a natural humor, but when a professional photographer is tasked with creating a humorous photo from scratch it can be serious business.

As a professional photographer, money is never too far outside of the frame. But even as the budgets and day rates continue to rise, it is important that an artist never forget why it all started in the first place.

Getting clients is one of the most difficult parts of being in business. Unfortunately, marketing knowledge doesn't just appear once you have your license in your hands. As a result, many of us look at what our competitors are doing and try something similar, never realizing that there is a good chance that our competitors are also operating from a place of marketing ignorance. One of the most common marketing mistakes I've seen is photographers spending too much time talking about themselves, and not enough time talking to their clients. This means many photographers are shooting themselves in the foot by making their landing pages self-centered, rather than client centered, and they may be losing out on business because of it.

Before Sony announced their new a9 mirrorless camera in April, rumors were flooding the headlines about its possible existence. Now that we know what the a9 really is, did the reports hold up?

In various forms of photography, being able to composite several photos into one final image is an important skill set. In the world of portraiture, composites are often used to create group shots in which the lighting situation is difficult or not every subject of the photo is available at one given time. Here I’ll show my process for blending several shots of people into a final image.

Most, if not all, have seen the picture profile settings in our cameras. These can include settings for Landscapes, Portraits, or even Cine-style formats for filmmakers looking to achieve that cinematic look. But what do these mean and how do they affect our final image?

Social media consumption is at an all-time high and is on pace to increase at an exponential pace for the foreseeable future. We all seem to have capable technology on us always, whether it be a cell phone or dedicated interchangeable lens camera. With this rapid rate of consumption and the accessibility of technology we are living in a world saturated with quality content everywhere we look. Standing out among other photographers is getting more challenging daily and that’s why I put together these three ways to help separate yourself from other photographers.

Beautiful images are crucial to create an attractive video, but the soundtrack is just as important if not more. Put crappy sound over your breathtaking pictures, and people will probably not even watch more than a few seconds before stopping the film. When creating content for YouTube, finding good music or sound effects can be quite a challenge. But there are solutions, here are three of them to help you out and hopefully make your clips even better!

The journey that a photographer takes in turning an enjoyable pastime into a full-fledged career is a common path that that describes the origins of many photography businesses. With limited business experience, hobbyists-turned-entrepreneurs often make incorrect assumptions about what makes a photography business successful. There is one particularly common misconception that holds a lot of photographers back in the early stages of starting a business.

As a young, rebellious teenager in love with music and films, I discovered my love of photography when I was handed an old Olympus film camera and I have since fallen deeply in love with the art of photography. Years went by as I experimented with different ways of shooting and discovering new ideas I wanted to pursue in this medium until I finished school and needed to think seriously about what I wanted to do in life. The choice was easy: either become a musician or a photographer.

For the last decade I’ve been sticking to my guns, shooting on a Canon 5D Mark II with a small selection of lenses. This camera has been the love of my life for so long even my family and friends get jealous. But what if you get the opportunity to dive into the dark depths of the deep end and shoot with a camera you’ve never dreamed of having the opportunity to shoot with before?

Based on Instagram being so important and popular for photographers at this particular time, and as a follow up on some Instagram tips I wrote about before, we constantly look for ways to stand out and be different or better.

Backing up files is always easiest at home or at the office, but it's when we're on the go that data is the most vulnerable. Whether it's image or video files, documents or other projects you are working on, or even photographing tethered to a computer, backing up data can often be an afterthought. Here's a quick and easy strategy to help you maintain backups of your files on a notebook computer while you're at work or on the go.

"If I want to shoot great video in the future with my 4K, video enabled DSLR, what should I buy first?" This is a question a get a lot of the time from photographer friends. Given they already own a tripod, my first answer is always to start with a cage. Here is why.

I used to always think that in order to take a good picture you needed a good camera. It never mattered how good these phone cameras were or how good they would get, I would always tell myself a photo from my camera is better. In the past few months, I've learned it's not and that the camera on my phone is the one that is always there when I need it. Though it may not be able to capture the photo exactly how I picture it, I am still able to use it to capture photos that are interesting to me without having to carry around an actual camera.

In a world filled with the need to stay up to speed with the trending ways of shooting boudoir it is no surprise that it can be exhausting. However keeping up does not always mean having to change the preferred style. Knowing how to keep current with techniques yet staying true to your signature look is not as daunting as it may seem.

One of the worst gut wrenching feelings any content producer can face is opening up a memory card only to find that a file is corrupt or missing altogether. Recently we sold most of our Nikon gear and switched over to the new Panasonic GH5 cameras because of their better video features, superior image stabilization, and overall smaller size. Unfortunately we have found that unlike our Nikon cameras, the GH5 can corrupt files pretty easily if you are using their battery grip. In this video, I show you how these files can easily corrupt as well as a few software options you can use to recover any files corrupted during a loss of power.

You are at a crossroads again. Every now and then, you arrive at a point in your photography where you are left uninspired. It’s that moment when you feel like you’re drawing blanks even as the conditions are just right. Stages like these occur every once in a while, no matter your experience in photography. Feeling uninspired can be daunting and seemingly endless. But once you realize that these are the best moments for self-reflection, there’s another opportunity for personal growth. It’s times like these when you ask yourself: “What is your reason for pursuing photography in the first place?”

Many photographers’ career ambition is to have one of their photos appear on the cover of a magazine. In years past, magazines were frequently seen as the best place to gain publication and see the best of current photography. Often that was a result of having a visually oriented magazine editor at the helm.

Back in 2010, I was commissioned to do a photo of some spices for a family friend. I had never done anything like that, so I wanted to do a good job, and invested in my first off-camera flash setup. It was daunting at first, but I’ll never regret dipping my toes in the water and starting to learn about one of the most important things about being a freelance photographer: learning to control light.

A new month brings a new Sony announcement, or at least that’s the way it seems to be going as of late. I’m not complaining. The company has been noticeably scrappy for the past two years in an attempt to take over the interchangeable lens camera market, largely based on releasing innovation after innovation one right after another. Today’s announcement brings a satisfying completion to the “trinity” of G Master full-frame lenses with the FE 16–35mm f/2.8 GM, along with a new ultra-wide-angle G Series lens, the FE 12–24mm f/4 G. I had a chance to shoot with both lenses yesterday, so read on for my initial findings.

Although I've professed my love for film many times in many articles, I've always been missing a key ingredient to the analog experience. Namely, I've never learned to print my own film in the darkroom. Sad, I know. Well, no more! My journey to teaching myself to use a darkroom starts now and, whether you like it or not, I'm taking you with me. First things first: Where the hell am I going to put a darkroom?

Art is subjective. No matter how many books are written. No matter how many advancements in technology tout how the newest device will turn you overnight into a photographic Picasso. At the end of the day, art comes from you. The individual. It is a reflection of your voice and how you see the world. What are your hopes and dreams? Your fears and obsessions?

We recently released Where Art Meets Architecture 3 with Mike Kelley, our newest tutorial on photographing hotels and resorts. With this new tutorial comes a new behind the scenes series and in Episode 2, Mike reveals a lot of tips and tricks of the trade.

Being new at something is good, and certainly not something to ever be ashamed of. It can be exciting trying to learn everything you can about photography, but it can also be intimidating. There is too much information to take in right out of the gates. You can see why people end up finding out only what they need to mildly succeed, and sticking with it. I prefer to always grow, and by sharing some tips that I've learned I will probably pick up ten more from the comments.

Disclaimer: This isn’t one of those articles suggesting that you buy this book to learn how to write a book about writing books. It’s not a secret recipe for success, or some sort of made up list of chores you must first complete before winning a coveted golden ticket. These three stages are noted because I’ve observed their tenants, and with a little of your own investigative digging, you’ll learn that many of your favorite photographers have resided within the boundaries of each of these stages as well.

I recently travelled to the local racetrack with my brother for an open track day and decided that while he was out riding, I would try to make a few portraits of the other attending riders. I spent plenty of time ahead of the trip planning lighting, gear, locations, and more. This is a step by step walkthrough of how I created this series of portraits.

Get acquainted with Urbex photography as we chat with the Nikon-endorsed photographer who has travelled the globe to visit the best abandoned spots in the world.

Adding an element such as fire to an image can really bring your photographs to life and give you that high-end production value without all the added danger.

Becoming as a commercial photographer can't be defined with a formula. Each story is different but lots of stories share similar basic principles. They can be applied not only in the areas of photography and filmmaking, but also in other businesses.

There is nothing quite like observing wild animals in their natural habitat from the back of a jeep on a game drive. Whether you are on the market for a camera for your upcoming safari trip, or need help getting the most out of your existing camera on safari, then read on.

Today I want to share a quick tip on cleaning up lint, dust, cat hair, and things like that from clothing or other areas of your photo. I'm super picky, and even if the image is a 5x7 and the dust may not even show up on the print, I like to fix things like that on my large files anyway. You never know when the customer may come back later and order a wall portrait from that file they only previously purchased a 5x7 from, and I don't want to have to go back in and re-retouch the image.

Not every photographer needs lavish resources and an army of helpers to create dramatic images that belie their basic production. Lia Konrad is a 23-year-old fine art photographer based in a small town in Germany, but she hasn’t let modest resources stop her from following her passion to create epic images inspired by her love of fairytales, myths, and fictional stories for her website Liancary.

I previously wrote about Benjamin Von Wong's latest project with Sarah Jane in the Blue Mountains of Australia. Benjamin’s portion was just half of the project set up by Karen Alsop. She invited Benjamin to join in on some friendly competition. While her approach and style was different, there was still some amazing images created out of this cooperative project.

Creative genius rarely erupts onto the scene full force and in your face. Its entrance into the world is often quiet, gentle, allowing only a few to see it and recognize its brilliance. Such is the case with Portland, Oregon-based Kate Woodman, whose use of color in her work produces an instant halt to the ever scrolling feed of images - causing even the average user to stop and appreciate the story unfolding before them.

It was the go-to question last year when Instagram announced the essentially copy-and-paste integration of Snapchat Stories into their own app. Is this is a classic case of the pioneer being conquered? It’s starting to look like it.

Many boudoir photographers starting out may be green with envy on studio owners with larger square footage. In many cases the ability to move around furniture and props without tripping every step is a welcomed luxury. However, the grass is not always greener on the other side. Having a large studio also means having more issues on controlling light, especially when it is natural light.

It’s happened to all of us – you’re driving, in a hurry to get to work and you pass by something you see every day and think “I’m going to shoot that." Except that you never do. Just like we’re always told to “stop and smell the flowers,” it’s something that’s also true for photos. Photos exist to show a moment in time – and if you wait too long, that moment will be gone forever.

Fuji is, at this point, the last major manufacturer to not have TTL, high-speed sync, and wireless control support from most major lighting manufacturers. Profoto and Elinchrom have now made wireless remotes specific to Canon, Nikon, Sony, and Olympus. Fuji, even with their new medium-format monster, the GFX 50s, has yet to get such love from the lighting community. While I can imagine that something is in the pipeline from these manufacturers for Fuji, nothing is certain and many of us need something to work with right now. Enter the Nissin Air system.

Road number one leads you around Iceland’s epic natural formations. These scenic locations, often the subject of landscape photographs, have seen a dramatic rise in tourism recently. So what is it about these subjects that attract people from all over the world? And when is the light at its best to shoot a memorable image yourself here? These are the Icelandic icons of landscape photography.

Last year, the Fstoppers team joined Joey Wright in Curacao to film one of our best tutorials to date, Swimwear Photography - Lighting, Posing, and Retouching. Not only was the location and team incredible, Joey's photography techniques and ability to work with models produced some of the best photography information I've learned in years. Every lesson spans well beyond the genre of swimwear and can be applied to any shoot involving a model. As a tribute to the tutorial, we are releasing a free excerpt from one of the best lessons on posing I've ever watched.

As a photographer, your tool kit is filled to the brim; Your expensive camera, your collection of lenses, your years of experience, your boundless creativity. But there is one element at the root of it all that is essential to success: optimism.