Fstoppers Original Articles

In a world that sees more and more travel every year, it's becoming increasingly difficult to find places that aren't crowded and haven't yet been photographed from every possible angle. But those places still exist; you simply have to search harder.

Landscape photography often carries a widespread myth—the belief that bad light equals bad photos. Many photographers, especially those starting out, follow the conventional wisdom that only certain times of day, particularly golden hour, produce the best images. This belief has been perpetuated by social media, tutorials, and even some photography experts. But here’s the truth: the myth of “bad light” is limiting, and it’s holding you back from expanding your creative potential.

You may have heard you should shoot in raw, but why use a format that's bulkier and takes more work? Let's explore the benefits.

When it comes to creative portraits, sometimes the simplest things can make or break your vision. Likewise, there are times when small details in a scene can give your portraits that little something special.

Photography has always been about capturing light to preserve moments. For over a century, that meant exposing a roll of film and then disappearing into a darkroom or waiting for a lab to develop the images. It’s easy to forget how different this process was before digital cameras came along. In the 1970s, the idea of instantly seeing a photo on a screen felt like science fiction. Yet it was in this era of film and chemicals that a young engineer quietly built a device that would change photography forever. What follows is the story of how the first digital camera was invented and how it transformed the way we take and share photos.

Adobe MAX is a gathering of photographers, filmmakers, and designers who want to see the latest innovations the company is working on and learn from other creatives who have mastered using the company’s software to fulfill their creative vision. There was no stated theme for this year’s event, but it was apparent to me that Adobe is making an effort across all its platforms to reduce tedious tasks in the creative workflow.

Five years ago, I humorously "leaked": a rumor that Canon was about to release the RiP, a camera with a vertical sensor designed for Instagram influencers. Sadly, the RiP never came to market, but the concept may have inspired Fujifilm’s intriguing new camera.

The business value of social media can’t be overstated, but not everyone wants to vamp in videos—the common path to stardom. Luckily, you don’t have to, says Janis McGavin, director of marketing and social media for the Los Angeles Center of Photography. “How do I know this?" she said. "I’ve done it.” She took the LACP’s following from zero to 18,000 followers (and growing) without appearing on camera. If you follow a few basic principles, you can expand your audience and your business without stepping in front of the camera (and even more if you do).

Skylum is rolling out a spring update to their popular AI-based editing program, Luminar Neo. Users should start seeing the update today when they launch the application.

Give your eyes a destination and a route to get there. Our job as artists is to find a place we want to direct the viewer’s eye to, find a way to direct them there, and then to show them what it is we want them to see. Everything else is just visual clutter.

You don’t need a passport. You don’t need a model. And you sure as hell don’t need permission. What you do need is your camera and a little curiosity.

Some photographers view the craft of photography as a creative pursuit that enriches their lives on a deeply personal level, while others are motivated by income or social media attention. Some are driven to use their cameras to effect change. Self-proclaimed “dogtographer” Kaylee Greer is one such person who uses photography to tell the story of shelter dogs in search of a loving home.

Photographers know that working smarter means more time snapping shots and not being stuck behind a screen. But for newbies, finding an editing style can feel like a never-ending puzzle. Luckily, The Presets Room is here to save the day—offering quick, pro-level edits so you can spend less time clicking and more time creating.

I’m obsessed with color. Like, deeply. Bold tones, dreamy palettes, warm hues—color is one of the main reasons I fell in love with photography. But that doesn’t mean I can’t appreciate the raw emotion and timeless feel of a strong black and white photo.

In my previous article, I wrote about the basics of aperture. Once you have got to grips with that, there is more information that's really useful to know.

Culling is an essential part of a photographer’s workflow. However, sorting through thousands of images takes up precious time and focus. This article looks at how AI-assisted tools like Imagen’s Culling Studio help speed things up without losing creative control.

The recent launch of the Fujifilm GFX100RF has stirred quite a debate in the photography community. Many Fujifilm fans were frustrated by the decision to equip the camera with a fixed f/4 lens instead of a faster option like f/2.8 or even f/2. This backlash got me thinking: does a faster lens always make a camera better? And more importantly, does it help us produce a better image? The more I think about it, the more I realize that the obsession with wider apertures might not be that beneficial for visual output, but rather for bragging rights that often overlook crucial trade-offs.

As photographers, we plan our shoots. Anyone photographing outside will check weather, sunrise or sunset times, and try to understand anything else that might impact getting a good image. But do you ever plan to fail?

In recent years, some of the world's cheapest lenses have made appearances in the world's most expensive movies. Several scenes in "Batman" (2022) and "Dune: Part Two" (2024) were filmed using re-housed vintage Soviet optics first produced in the 1950s. Surprisingly, these lenses—actually defective copies of optically superior German Zeiss designs mass-produced in Soviet factories—are cheap and plentiful and can be obtained for under $100 apiece. So why are major movies being shot on cheap lenses?

Street photography has grown hugely in popularity over the past couple of years. For me, it’s become one of my favorite photography genres because it’s easy to do, a lot of fun, and so accessible. Most of us live in or near a large town or city, so a spontaneous outing is feasible without planning. I like that. And you don’t need a lot of fancy, expensive gear.

In my first portfolio review, my critic was drawn to the cat photos, “because I know how hard that is,” he said. I didn’t let on that it’s not so hard. I volunteer at a local shelter and have learned a trick or two. And it turns out that best practices for cats also apply to dogs, horses, birds, and, come to think of it, people.

The idea of traveling with just one camera and one lens wasn’t something I decided on a whim for my most recent trip to Hong Kong. If I am being honest, it was mainly inspired by Leica’s design philosophy, Das Wesentliche, or "the essentials," when I read about it a few months back.

There is more to know about aperture than many realize. There is also some hogwash spouted by some. So, by getting to grips with more than the fundamentals, one can more precisely control how your photographs look.

Have you ever found yourself with many snapshots of buildings and architectural features of a city you visited while traveling? Perhaps you looked at these photos thinking they're just ordinary snapshots. What if there were a way you could transform these photos into architectural fine art pieces using Photoshop?

In photography, as in life, the things we curse as impediments can sometimes turn out to be blessings in disguise. With careful observation, good timing, and a little luck, embracing this often challenging aspect of landscape photography can really raise the impact and emotional depth of your images.

In today’s age of instant digital connectivity, photographers can showcase their work to prospective clients across the globe with just a few mouse clicks. While the allure of far-flung destinations and exotic travel remains strong, there is a growing trend toward turning the camera’s lens closer to home. Photographers are discovering the value of prioritizing “home turf”—that is, focusing on and mastering local markets. This approach is not just a quaint alternative; it can be the pillar of a robust and sustainable photography career.

In a world that often celebrates bold and boisterous personalities, your quiet approach behind the lens can be a revolutionary strength. Here's how to thrive as an introverted photographer.

Unless you're living under a rock or not checking Fstoppers enough, you've likely noticed that image quality hasn't really changed much over the last couple of years. So what sets brands apart from one another, and most importantly, can you just make the images you want to make regardless of the camera?

Buried in Nintendo's Switch 2 announcement during Nintendo Direct earlier in the week was a quiet accessory that brings Nintendo back into the camera game. Sort of.

So, paying attention to light direction is vital. And by the way, I have used studio photographs in several instances here because they more adequately illustrate the concept I am discussing. The point of that, of course, is that concepts and principles cross genres of photographic work. They are basic principles.

In today's photography landscape, there is far too much emphasis on hardware and not enough thought about what it’s actually being used for. Discussions among the community often revolve around camera specifications rather than the philosophy and thoughts behind capturing images. Yet, we have long passed the point where more megapixels, higher dynamic range, and extreme ISO performance make a meaningful difference for most users.

We’ve all been there: you find a bit of extra cash and think, “This is going toward a photography trip to a bucket-list location!” And so, the planning begins. Iceland, Lofoten, Patagonia, the Rockies—if your list is as long as mine, the destinations are endless. But what if I told you there’s another way?

Photography can be challenging at times. It may frustrate you and lead you to think that buying new gear would solve your problems. But before you press that add-to-cart button, perhaps it's best to go back to the basics.

Fine art photography has always intrigued me. The minimalism, the dreamlike compositions, and the sense of artistic control over an image are all elements that I deeply admire. Inspired by the likes of Gary Gough and other fine art photographers, I finally took my first steps into this style of photography—though not without some apprehension.

Patagonia has long been a dream destination for photographers—dramatic peaks, vast landscapes, and the raw beauty of nature. I had high hopes of capturing my own version of this rugged terrain, expecting to find inspiration in the remote landscapes and the challenge of shooting in unpredictable weather. After finally making the journey, I left feeling uninspired, frustrated, and disappointed. And honestly? I have no desire to go back. Here’s why.

Every photo you’ve ever taken is just a record of one thing: light. It’s the invisible brush that paints every image, and if you don’t understand it, you’re not really photographing.

The Sony a7R V was launched more than two years ago. And in terms of technology, that’s a very long time ago. But I don't think this camera should be overlooked.

Forget AI-generated images like the one above. A leaked video on the dark web has revealed a fully automated, intelligent drone that does away with photographers.

Using a NAS for editing has a lot of benefits but might not be as simple as it sounds. Here are the things you need to know and consider.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2025, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

There’s an unspoken rule in the creative industry: follow up, but don’t expect a reply. What used to be a rare frustration has now become the norm—emails left unanswered, proposals ignored, relationships that once felt solid suddenly vanishing into the ether. The rise of ghosting, a term originally coined for dating culture, has now taken hold in the business world, and creatives are feeling the brunt of it.<--break->

Long exposure photography is one of the most effective ways to convey movement in a still image. Whether it’s the soft blur of flowing water, the streaking motion of clouds, or the hypnotic trails of city lights, long exposure transforms scenes into something beyond what the human eye can perceive.

Anyone who has dedicated themselves to photography long enough has felt the harsh undercurrents that run beneath the romantic facade: the self-doubt, the exhaustion, the unrelenting demands of an audience always hungry for more. We’re told to love what we do, but the unspoken caveat is that genuine commitment to photography—as with any passion—demands sacrifice, endurance, and a willingness to confront uncomfortable truths.

You're set to capture something amazing with your camera, but where should you begin? Without a clear process, it's easy to rush, overlook details, or end up with photos that miss the mark. Let’s outline a simple, repeatable approach to help you slow down, capture more, and make each shot count.

Technology has come a long way over the last ten years, and it makes photography easier. There are features beyond the basic exposure settings that every interchangeable lens or bridge camera should have and others that should be consigned to the bin. Here are some considerations to avoid disappointment.

Photographic artist Reuben Wu operates his camera like a key to hidden realities. We uncover the story behind Wu's latest project Thin Places, shot with Fujifilm’s new GFX100RF, and learn about the wider practice of an artist who transcends between motion and stillness.