Exclusive articles and expert opinions written by Fstoppers’ talented team of creative professionals. Here we cover everything from the latest photographic techniques to advice on running a successful photography business, to first hand accounts of working in the photography industry.
After every trip I go on, I always end up with a favorite image. Maybe it’s the one with the best story, or the one that was the hardest to get, or the one with the nicest person I met on the journey. In 2014 I headed to Bolivia to shoot a wedding, and a few weeks later found myself wandering around on an island in Lake Titicaca. And there, my favorite image of the trip was born.
Ah, the Internet. I have a love/hate relationship with the Internet. On one hand, I view it as my own personal world of opportunity providing me with free education, marketing, and entertainment. On the other hand, I view the Internet as a cold dark place full of criticism. But alas, I think of myself as a weenie. As a person, I’m emotionally driven rather than logically driven. It can be one of my greatest weaknesses, and sometimes one of my greatest strengths.
As photographers, we often pour endless hours into every possible method of learning to become better through the study of our craft, practice, and an ever increasing collection of supposedly quality redefining gear. In this dogged pursuit of photographic excellence, we often forget about the far more simple aspects of our lives that can have a tremendously profound impact on the quality of our work. By forcing ourselves to take a step back and focus on the foundational aspects of our selves that allow us to maximize our performance, regardless of the task, we are able to expand the potential of our work to new levels.
When people talk about finding their “voice,” you might get the impression they looked down one day and there it was — lying on the ground, fully formed and functional, just waiting to be used. In my experience, though, finding your voice is more about hard work. And time. Lots of time. Our voices are built, not found. It seemingly takes forever. A decade or more. And here’s the frustrating thing: you can’t rush it. There are no shortcuts to finding your voice. You have to go the long way — slowly accumulating influences, trying on different styles, finding a voice that feels natural — and then refine it slowly, project after project, year after year. The good news is that while there isn’t a shortcut, there is a path.
Getting to “yes.” It is the story of our lives. Whether pitching a client a new idea or nervously asking the woman you met at the corner store for a date, that sweet little three letter word can be pure music to our ears. But as we progress in life and the choices become more complicated, we realize that the questions themselves aren’t always so black and white. And, sometimes, our three letter friend isn’t always the right answer.
Living in the live music capital of Texas, there is no shortage of opportunities to experience incredible shows while taking some memorable shots. Capturing the excitement can be tricky, however, as dim lighting and moving subjects don’t usually play well together. Here are some tips for making the most of your next concert.
Adam Hamwey has all the skills a videographer ought to living and working in New York City. However he doesn’t work for a production house, or in a marketing department — he follows somebody around all day and vlogs for them. That’s right, he’s the personal camera crew for one John Henry, a young entrepreneur based out of NYC.
Careful selection is the first and most important step in our creation process that is often left out of conversation. Nearly every client I photograph asks me "How do you choose?" It's actually a great question. After perfecting this process, I guarantee your solid and confident answer will blow their mind.
A few weeks ago, I got an email from the website-building company, Wix, asking if anyone at Fstoppers wanted to be a part of a zero-gravity photoshoot. Um, yes please.
Photographer Monica Jane Frisell has spent the last four months living out of a renovated 1988 Toyota Seabreeze, traveling across the United States with her scrappy terrier Lou and a Zone VI 4x5 camera for her project “Looking Forward/Portraits from an RV.” I caught up with her to talk about the project, life on the road, and the process of shooting large format film.
I am sure most of us look back on our lives and think, “You stupid idiot, what on earth possessed you to do/think/try that?” I am certainly no exception to this, especially in the professional arena. During my early years as a photographer, I made a heap of mistakes and I worried about all the wrong things.
One reason why I gravitate to photographing pets and children is that their unpredictable nature lends to capturing more genuine images that portray their true personalities. In my experience, the parents’ favorite portraits of their children are the candid photos in which the children are completely unaware of the camera and can just be themselves. Here are a few tips on how to create better candid imagery of kids.
Since moving into my new house about a month ago, I've been thinking more and more about creating my own studio setup using as little resources as possible. As much as I'd love to own a huge Profoto Octa in my house, it's just not always possible. So why not build your own lighting rigs using equipment readily available at your nearest hardware store?
So you want to create images and travel to gorgeous and beautiful places but how are you going to afford to travel several days or weeks and still pay for food, a roof over your head, and the costs to go from point a to b, c, d, e, etcetera? Well, do you like to camp? For those photographers where money is tight or who just want to have the most flexible arrangements possible, camping is one of your best options to get to out of the way places and still get some rest in between your photographic pursuits.
Luminosity masks are a fantastic way to make precise selections based on luminance values (hence the name). As with all things Photoshop, there are multiple ways to achieve the same result. I find using channel selections to be the easiest way to manually create my masks. I realize I'm probably preaching to the choir, but for those yet to join in on the singing, I hope you find this information useful as you continue to build your editing tool set.
According to an internal memo published by sUAS News, the U.S. Army is asking to terminate the use of all DJI products, including cameras and software “due to increased awareness of cyber vulnerabilities associated with DJI products.” This unusual request leaves a lot of unanswered questions such as the nature of the threats and the reason behind of this global ban. What is really going on?
Let's face it, we all use our phones a little too often. The average person checks their device over 100 times a day. For this reason, I decided to use a fairly unknown hidden function on most smartphones to help curb my habits. Not only did it help tremendously, but it also brought some unexpected benefits to me as a photographer.
As a U.S. citizen, I have to abide by the laws of my country; As a drone operator, I have to abide by the rules of the FAA, just like anybody else. Yesterday I was at a wedding in New York when I found out President Trump was venturing to his golf course in Bedminster, New Jersey for a 17 day vacation. Along the way, he brought an amazing Temporary Flight Restriction (TFR) that is stopping me and many other people from flying with in a 30 NM radius of his location.
When buying a quadcopter, it’s hard to know where to draw the line on what accessories you should be buying with it. It’s already an expensive investment independent of all of the extras you’ll practically need. It’s even more painful to consider how a simple, inexpensive component can keep you from flying successfully. After adding a DJI Phantom 4 Pro + to my lineup, I complied a list of all of the hardware I found most valuable to help you get the greatest return on your investment.
Portland, Ore. — A local photographer recently purchased a brand new Leica M10 and matching lens, but has said he has no plans to take pictures with it, only to take pictures of it at his local coffee shop.
When I first started in filmmaking, I didn't want anyone in the world to know how I made my first video because I knew filmmakers usually have expensive tools and expensive software. At that time I didn't have either but I made that video anyway. Today I'm going to share the details with you.
Everyone who knows me knows that I am obsessed with style and character of bokeh. I've had countless hours of discussion with friends in the industry regarding minute differences in the "look" of a certain lens. Today I want to share the most unique and comprehensive array of totally unique looks I've found.
One of the big concerns for many moving over to the Fujifilm X and GFX systems has been options for flash support. In all honesty, most of these issues were non-issues for the majority of users. Fujifilm has had their own set of speedlights for the systems, and all single-pin “dummy” triggers like the PocketWizard Plus X or many of the others offered by other manufacturers have always worked to trigger off camera flashes. Fujifilm also introduced both TTL and HSS to the system some time ago. However, Godox is the first flash brand to offer a fully Fujifilm compatible option. Let’s look at what they have on offer.
Last Friday was one for the record books. My son had his last travel soccer game for the team I assistant coach for at Fort Niagara in Youngstown, NY. The team played great and since it was our final game, we invited all the parents out on the field for a game against the kids after. Everyone there had a blast. As we began to run out of daylight I could see one heck of a sunset coming together. We actually had some of our gear with us since my wife wanted to grab a team photo. Knowing I have been itching to get out and shoot, she immediately told me to take her camera and go. Next time she may think twice.
Math is awesome: it can help you uncover hidden trends and weaknesses that might be present in your work. With this free online tool, you can get a great breakdown of your camera and lens usage, your favorite apertures, and much more. Here's what I learned.
Golden hour. That time of the day where the warm sunlight makes every shot look like a magazine cover or a movie poster. It would be great if that light could last all day long. Yeah, well a lot of things would be great but not likely to happen. Location fashion and lifestyle photographers have to be able to manipulate daylight in a variety of ways in order to have a productive shoot that lasts more than an hour. Using the techniques of shade, diffusion, reflection, and strobe photographers can work with and against natural sunlight to create beautiful images all day long.
Shourya Pratap Singh Chauhan used Photoshop to simulate himself living a life as a billionaire, which was all for show. His following started growing from 200 to over 20,000 and it's mainly due to this portrayal that people started following and sending him direct messages. This matters in a big way. Firstly, have we become so gullible to believe it, and secondly, what can we as photographers and video makers learn from this for our own businesses?
Depending who your friends are, you either love or hate Lightroom preset systems like VSCO Film, Mastin Labs, or the ever-so aged RAD Labs. The argument on one side of the fence is that everything becomes cookie cutter and lacks unique emotion. The other group of people say that it brings consistency and speed to an otherwise long-winded project. I’m primarily a wedding photographer so I understand both sides of this very reasonable argument. I’ve always hated trying to understand preset systems. I mean, since when is a preset supposed to be harder to get right than doing it all yourself?
The Micro Four-Thirds format was a pioneer of the mirrorless revolution. Initially adopted by Olympus and Panasonic in 2008, there is now a huge lens choice of zooms and primes across focal lengths from 7.5mm to 400mm. This is a guide to the best lens choices across a range of budgets for both photography and video.
On August 21, hundreds of thousands of people in North America and millions watching live at home will be experiencing a once, maybe twice, in a lifetime celestial opportunity. A total eclipse of the sun. Thousands of photographers will be traveling to locations along the path of totality to get the best possible photographs during the event. Photographing an event like this requires some special equipment so I will go over what you’ll need and some extra tools like the Sky-Watcher Star Tracker Mini (SAM) that can help you take your images to the next level.
Our Behind the Scenes series continues this week with Episode 7. In this episode, we continue filming WAMA 3 with Mike Kelley in Charleston, while I also teach him how to kiteboard.
Lincoln, KS: A local man who recently purchased his 28th lens swears this is the last lens he is buying. Really. He promises.
You know that someone somewhere did a great job of marketing when it's late at night and something pops into your head, from who knows where, and you find yourself jumping online to make a small new purchase. No, I'm not talking about an expensive new lens or shiny new piece of gear; I'm talking about what amounts to an inexpensive accessory that tags along on your photo sessions. It adds something fun and tangible all while being almost impossible not to have a good time with. I'm talking about those Poloroid-esque mini cameras that seem to be making a big time comeback these days.
Color grading is a critical tool involved in the production of a truly impressive image. Through the use of grading a photographer can completely shift the impression a given photograph leaves on its audience. Learning color grading, however, is quite difficult as it is one of the most ethereal aspects of a post-processing workflow that can vary radically from photographer to photographer. The best method, in my opinion, for learning to master grading is by learning as much theory and as many techniques as possible so that you can leverage that knowledge to create the workflow that works for you.
Barry Harley, an editorial photographer from Northern Virginia, took whatever tools he had at hand to create an image reminiscent of nothing less than Annie Leibovitz's Vanity Fair group portraits. The difference: Harley was using two Yongnuo YN-560 II speedlites and a Canon 5D Mark II whereas Leibovitz usually uses Profoto strobes together with a Hasselblad and Phase One back or a Nikon D810.
The best photographs and films don’t just bring beautiful visuals to the table. They also place story right at the center of their very make up. “Killing The Rock” (KTR) is a five minute demonstration of this, and reminds us of how commitment to our craft combined with small collaborative like-minded souls can tell stories that go deeper and reach further than we ever could going at it alone.
There are endless instructions and formulas out there you can choose to follow when working towards becoming a photographer. To say that it's overwhelming is an understatement. I know all too well how easy it is to let the discouraging cloud of options cause you so much anxiety that you fail to accomplish anything in a day. Our time, money, and attention spans are limited, but you do not have to let this stop you from following your dreams. I know, there's a lot of tutorials to watch and gear to purchase, but it's what you do every single day that will take you farther than anything. So, here's what I do, and I do it obsessively.
Life… is funny. I don’t need to tell you that. Anyone afforded the great privilege of living long enough will be finely attuned to the vast absurdities that occur on a daily basis. The anomalies. The coincidences. The luck. The misfortune. And as I was gratefully subject of such a peculiar day of coincidences last week, I couldn’t help but to share a brief tale and try to explain what it all means to me.
Photographers can be catty. Real catty. In fact, out of all creative groups I can think of, I can’t put my finger on one that is more competitive and judgmental than photographers. So how should you react when you’re hired to photograph an event and find another professional there with a camera?
Like many photographers, I've been scratching my head at how to win the Instagram game. Over the last six months, I decided to up my game and upload daily content and be more active on the platform. The results are out, I still totally suck at it. My reach, engagement, and even numbers of followers have gone down. So rather than blame the platform or the evil algorithm, I did some detective work to find out why I was really bad at it, and chances are you will recognize yourself in some of those points.
There are quite a few different photography communities here online where you can display your work, create a portfolio, and even enter photography contests. Is it really necessary to join all of them? Managing portfolio accounts across multiple platforms can be quite a chore, especially if you want to keep them all current.
Interviewing interesting people can be an awesome experience that when done right, will provide impactful insight to your next video project. When done wrong however, you may find yourself asking the client for a do-over or spending hours in the editing room cleaning up mistakes.
When I first started my business, I was keeping track of my clients, contracts, and everything else in this old, white, hand-me-down filing cabinet. It creaked every time I opened one of the four drawers. To be very honest with you, I finally just sold the thing for $40 last week.
Photographers will spend tons of money and lots of time perfecting their use of the tools of their trade. We buy books and classes, watch tutorials, and spend time practicing, gather in professional groups, and shadow other photographers. While we learn how to use our gear, there is one thing we shouldn’t overlook, because it’s the thing that ultimately matters the most: vision.
Every time I’m on a set or grabbing coffee with another local filmmaker, we always end up talking gear for a bit, and inevitably the question comes up of “What camera would you buy if you had to buy right now, and why?” I decided to research things a bit and put together an article that explains what I’d buy if I absolutely had to right now, and the answer might surprise you.
Datacolor’s Spyder5 series of products is their latest in calibration tools to help digital artists make sure they are always seeing the most accurate colors on any monitor display. There are three models to choose from: Express, Pro, and Elite+, with the Spyder5Elite+ version receiving a large software update last year. Now Datacolor is making it even easier to get a better calibration for your workflow by offering discounted prices when you upgrade to their Spyder5Elite+ model from any of their previous models or competitors products.
Organizing a photoshoot, professional or otherwise, can be a daunting task. From a small portrait sitting with a local band to a worldwide ad campaign, there are some key steps that will reduce stress, ensure everyone feels understood, and ultimately help everyone work towards the same goals. As a bit of a disclaimer, I work in the U.K. as a commercial photographer, but most of these steps can be dialed up or reduced for any project, wherever they happen to take place and whether paid or not.
About a week ago I was in New York City visiting for pleasure and decided there was no way I could leave without visiting my favorite store in the city: the B&H superstore. This was something I had been looking forward to since it would be the first time I could get my hand on the new Sony a9 and see what all the fuss was about. During my visit, I was absolutely floored by the performance of the a9 and how the Sony kiosk had way more attention than anywhere else in the store. This along with the recent announcement of Canon’s 6D Mark II and Nikon’s company woes made me realize how much the industry needs a company like Sony.
The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2017, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.
Many Windows users have been looking for an alternative to ScreenFlow and there might well be one available on the market. It’s called Video Studio 2 and it’s designed by ACDSee. Whether you are an online educator, a workshop teacher, or you’re simply looking for a way to record your screen and quickly edit your videos, this solution is without a doubt one you should be looking at.
