Articles written by Michael DeStefano
It is relatively easy for most photographers to take a few quick snaps even at slow shutter speeds and get sharp photos. But if you've ever spent hours on an assignment or shooting an event, the constant handholding of your gear and general body fatigue throughout the day can slowly make getting sharper images harder and harder.
Traveling to create new photography can get expensive fast, but whether it's for personal work, stock, or your portfolio, it is often a necessary part of advancing your work. There are lots of ways to monetize these images and tricks to shoulder the upfront costs involved in creating them. This is the approach and tips I use to get the most out of my travel photography.
Choosing which lenses to bring on an assignment is a constant back and forth between weight and versatility for me. As an adventure and travel photographer, I’m either hiking all my gear into a remote location or flying abroad for long periods with limited bag space. So when I got the opportunity to test out the Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary lens I was pretty excited.
Getting amazing shots of lightning storms often takes a lot of planning, patience, and long exposure equipment. Photographers who apply these techniques are like photographic storm chasers improving their odds of getting the best possible image at a specific location. But what if you just happen to get caught in a lightning storm while out shooting and you're not prepared?