Take a few minutes and look up Photographer Joel Grimes. His portraits infuse a unique and identifiable lighting style that is edgy, dramatic, and often shot in studio with fairly simple lighting setups. Even more interesting is the fact that most of his shots are taken with the intent of compositing them into different backgrounds.
Articles written by Mark Bowers
Smoke grenades: foul smelling, clothes staining, and a primary tool for celebrating the birth of our nation. Recently, while in Austin Texas, I was introduced to a model, Valerie who suggested we use smoke bombs during the shoot. I was immediately intrigued at the creative possibilities...
If you’ve ever wanted to see how the pros light amazing studio shots, look no further. My wife and I recently moved into a new place that offers quite a bit of new space for studio style photography. Being a tad rusty I was excited about the plethora of shooting opportunities a controlled lighting space would offer, but found myself lacking motivation. Until I discovered Broncolor’s “How To” section on their website.
DSLR Guide, created by Simon Cade, is one of my go-to resources for all things film and cinema. With almost a half-million subscribers and over 21 million views, his channel is an awesome resource for anyone interested in becoming a film maker, particularly those who are DIY-savvy or on a budget.
Taking photos at night can be an incredibly creative and rewarding experience. Unfortunately, increasing levels of light pollution in cities and urban areas makes it virtually impossible to include any detail in your sky which is often a major aspect of your composition. Adding stars is an easy and effective answer to this problem. With simple masking and blending techniques you can add interest to your background and give the impression of being in a secluded, faraway place. The most common error is overdoing it by adding too many stars or trying to integrate them into a scene that simply does not look natural. Here are two quick techniques which aim to avoid these pitfalls.
Time-lapse photography has quickly become one of the most popular forms of creative expression in the past year. A ton of expensive gear and advanced methods exist to produce cinema quality videos like the opening sequence in "House of Cards," but this shouldn’t deter you from getting out and trying it on your own.
On a recent visit to my hometown, a friend of a friend asked if I would be able to photograph some inventory for her online art business. Most of her products were small to medium sized and she had a considerable backlog that needed to go up as quickly as possible. Being away from most of the gear in my studio, I had to improvise a bit if I was going to earn the business.
Something I get asked often is how to add color tones to your images. Often the easiest option is to use filters either in Lightroom or with a plugin software such as Google Nik. However, as you delve deeper into the world of color grading you will eventually become curious how to create your own effects.
This article is a twist on the more common behind the scenes post. Instead of writing about the thought process of the shot in retrospect, I am starting this article several days before the full moon, to showcase my process and mindset when planning for a once in a lifetime shot of the Supermoon.
Creating an image that appears “sharp” is something I struggled with for a LONG time. I read countless articles on the topic and invested heavily in gear thinking that was the cure. While gear can certainly help, I believe there are a few key areas to focus on in order to create images that are tack sharp.